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Letting go of attachment and watching distinctions dissolve

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http://www.existentialbuddhist.com/2011/02/letting-go/
Yesterday I received a comment on an old post

"Amazing ! This is cool! "

The old post was this one and starts like this

Tuesday, 1 January 2013
Surrendering up, letting go

I have it all wrong of course, rather than looking for the Vinyasa Krama in Ashtanga and the Ashtanga in Vinyasa KramaI should be looking at the Yoga Makaranda in Vinyasa Krama, the Vinyasa Krama in Yoga Makranda.

And that should be the side project, in the shorter asana practice in the evening before my longer pranayama session, not my main practice.

Surrendering (up), letting go, I'm lousy at that, perhaps I should work on it as a New Years Resolution, What was that letting go of a thousand things that was doing the rounds a few years ago?

And first to be surrendered up, let go, should be my Ashtanga practice, I cling to it so.

It struck me (yet) again that I have (neglected) responsibilities, duties, giri, obligation whatever we want to call it. For whatever reason I found my way to LA not Mysore and took Ramaswami for my teacher not Sharath or Tim or Lino......
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And here I am six months later back practicing Ashtanga and preparing for a workshop with Manju in Crete in August.

What happened?

I was thinking about it and I think that with the dropping of the attachment (to Ashtanga) there was also a letting go of distinctions, they just dropped away.

from the same post...

"Still explore Krishnamacharya's other writings and practice of course, a Krishnamacharya course was part of my studies with Ramaswami. But I should be passing on what I learnt, sharing that approach to asana and I do happen to believe that you should only teach what you practice".

I focused on Krishnamacharya approach to practice in Yoga Makaranda, the long slow full breathing with the inhalation and exhalation (8-10 seconds) bringing out the pause between the breaths, natural kumbhaka that Krishnamacharya would often extend. Around the postures in Yoga Makaranda I would build the Vinyasa Krama subroutines that Ramaswami had taught us, that was my approach to building my Vinyasa Krama practice. The postures in Yoga Makaranda are just a selection of asana that you would need to lead into and then progress out of.

And surprise surprise, my practice would end up resembling the postures in Krishnamacharya Primary table in his later book Yogasanagalu which is of course pretty much the Ashtanga Primary of Pattabhi Jois' Yoga Mala, except that I was practicing so slowly that I didn't have time to get through the full table, the full series.

The distinctions drop away, Yoga Mala is Yogasanagalu which is Yoga Makaranda.

Ashtanga is Vinyasa Krama, movement linked to the breath.... we start at point A and move to point Z artfully/mindfully linking each movement to the breath. We practice for the time we have available.

'Beauty is truth, truth beauty,—that is all 
    Ye know on earth, and all ye need to know.'

And the long, slow breath was stressed by Krishnamacharya, by Jois throughout his life and continues to be stressed by Ramaswami. It's an approach to practice that was there in the beginning of Ashtanga vinyasa and perhaps always in the background but seems to have either got lost in translation or mislaid along the way, or the practice has just gone off in a slightly different direction, not necessarily the worse for it. It's something that's always there in the background to be explored should one so wish.

Who do you know who practices/teaches/leads the practice at 8 second inhalation and 8 second exhalation (please tell me anyone you know of), few it seems, why is that? The demands of what seems to have become a fixed sequence perhaps? Jois stressed you practice what you can but somehow the focus moved to completing the full sequence, do that in full vinyasa and as we saw from my earlier post you can end up practicing for three hours and forty minutes.

But what if you drop full vinyasa (most of the week) and only stay for three long slow breaths in a posture rather than five quick ones, and what if you compromise just a little and breath fully at five second inhalations and five second exhalations throughout the practice, for every breath from the moment you get on the mat, we're back to a little over ninety minutes but with the long slow breath firmly back in place for every movement of the practice.

And there are all those little vinyasa Krama subroutines in Ashtanga anyway, the distinctions drop away.

It's not the sequences of Vinyasa Krama that I should be stressing in my own passing along, those are mainly artificial constructs for learning the relationship between postures, it's the breath, that long slow full breath, long slow full vinyasa. That approach seems just as important to promote and share as the Vinyasa Krama subroutines I practice in the evenings

That and an integrated practice, Asana, pranayama, pratyahara and meditation on the ground of the yama/niyamas.

I've been asked several times recently about what I learnt from Ramaswami's TT ( from people considering it this year), there it is right there, a long slow full breath and an integrated practice.

Perhaps the main way I part company a little with Ramaswami currently is in my practicing of a relatively fixed sequence, whether Primary or 2nd (although I tend to practice part of 2nd series, in the evenings, in very much in the VK approach of Bow, Meditative and Asymmetric subroutines).

Ramaswami's presentation is a highly flexible, adaptable system. Why would you practice a fixed sequence when your body might require some other posture one day from the next not in the fixed sequence?

Hmmmm.

I thought about this....a lot. Decided that the Ashtanga sequences are never fixed, one day to the next we're always focusing on different aspects of the series, different postures within that sequence. One day we might give extra attention to the Janu sirsasana's another day the Konasana's another day the backbends....or the inversions, it's, perhaps surprisingly, a highly flexible, adaptable approach but within a seemingly fixed sequence. Occasionally I'll bring in something a little extra to give more prep to a posture, allow it open it up or develop it a little further, just as Manju says his father would do.

And there's something about a fixed sequence, a fixed routine. However it came about, there's magic there, ritual, discipline, something special going one that I still don't understand and yet recognise more and more and consider very much worth exploring further.

The 200hr TT course I took with Ramaswami in 2010. Registration for this June STILL OPEN

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Ramaswami with Krishnamacharya, he studied with him for over 30 years.
This is the 200hr TT course I took with Ramaswami in 2010, I can't recommend it enough. I had no intention of teaching when I took the course and still considered myself a beginner. This may well be the last year it runs as I remember Ramaswami had planned on presenting the course to 108 students, he must be close to that by now. I don't remember Ramaswami once saying this is the right way or wrong way to practice Yoga, rather he would merely say "...this is how my teacher (Krishnamacharya) taught/showed/explained it to me.

Please feel free to send me any questions if your considering the course a few have already, more than happy to share my own experience of the course and logistics.

See this post from earlier in the year for pictures, videos and feedback from previous years.
http://grimmly2007.blogspot.co.uk/2013/04/ramaswami-on-teaching-pranayama-and-his.html


My 200 hr Yoga Alliance registered Vinysa Krama Yoga Program at Loyola Marymount University in Los Angeles begins on July 8th and runs for 5 weeks. Subjects include 80 hrs of asanas and vinyasas, 20 hrs of pranayama, 20 hrs Meditaation, 25 hrs Yoga Sutra 25 hrs of Yoga and Health applications 20 hrs of Sri Krishnmacharya's works and teaching. Registration is still open, wide open, . Here is the link


Vinyasa Krama Yoga
200-hour Teacher Training with Srivatsa Ramaswami

The teacher training program, which is registered with Yoga Alliance®, is open to those seeking intense study in the Traditional Yoga as learned from the legendary Yogi Sri T. Krishnamacharya. This 200-hour program will impart a comprehensive and in-depth grounding to Traditional Yoga as learned from Krishnamacharya. The complete Vinyasa Krama series, the entire range of sequences, numbering about 700 with important pranayama, chanting and meditation methods taught by Krishnamacharya, will be explored.

Program Benefits

Through the process of learning-by-doing, each student will understand and perform the basic contours and flow of a comprehensive Hatha Yoga practice. By experiencing each sequence of poses, and by practicing for several hours each day, the student will see steady improvement in his or her own practice, and learn helpful tips for teaching others. Students who do not intend to pursue the certificate are welcome to enroll in one or more of the Vinyasa Krama courses for their own personal enrichment.

Following the guidelines outlined by Yoga Alliance® for registered 200-hour teacher training programs, this program qualifies participants to register for the 200-hour credential, as verified by the instructor.

Required Coursework and Schedule.  This teacher training program runs five consecutive weeks in the Summer semester. Classes meet in the morning, afternoon and evening daily. Courses with the prefix YGPX completed during teacher training program may be applied towards the Yoga Philosophy professional certificate program.

See what courses are currently being offered
Course descriptions and schedule
Course and program requirements, schedules and tuition are subject to change; and additional fees may be incurred for books and materials. Please check the Web site or contact the Center for updated information. Click here to review all policies prior to enrollment.

Questions? Contact the Center for Religion and Spirituality at (310) 338-2799 or yoga@lmu.edu, or contact the program facilitator, Amparo Denney, at amparo4443@verizon.net.

*Students may enroll in the full teacher training program by enrolling in YGPX 900, or each class individually.



Vinyasa Krama Yoga

200-hour Teacher Training

Schedule

The next cohort begins July 8 and concludes August 10, 2013. Students enrolling in the teacher training are invited to attend a program orientation the evening of Sunday, July 7 prior to the start of class. Students must make sure they are enrolled in 200-Hour Teacher Training (YGPX 900.01), which automatically enrolls in the student in the required courses necessary for the 200 hours. Please contact the Center with any questions at 310.338.2358.
Student Orientation
Schedule: Afternoon of Sunday, July 7, 2012 (time tbd)
200-Hour Teacher Training
Course Number: YGPX 900.01
Schedule: Monday-Saturday, July 8-August 10, 2013; 8:30 am - 5:30 pm (holiday exceptions)
Students who do not intend to pursue the 200-Hour Teacher Training are welcome to enroll in one or more of the courses below for their own personal enrichment. Otherwise, students pursuing the teacher training must enroll in 200-Hour Teacher Training (YGPX 900.01) as listed above.

Course Descriptions 

Note 
1.5 semester hours = 15 hours
2.0 Semester hours = 20 hours

HYTX 801
Vinyasa Krama I
1.5 Semester Hours
Vinyasa Krama is a method of linking breath to movement that Krishnamacarya used to teach Yoga. In this first segment of the series, about 150 vinyasas (sequences) will be covered, including vinyasas of hill pose (tadasana) and seated (asymmetric) pose sequences. An introduction to Yogic Breathing Exercise and Sanskrit Chants and procedures to adapt important vinyasas to individual requirements will be discussed.
HTYX 802
Vinyasa Krama II
1.5 Semester Hours
This segment of the Yoga series will include 200 vinyasas of posterior stretch (pascimatana) sequence, supine sequence and prone sequences, and ujjayi breathing with the bandhas. 
HTYX 803
Vinyasa Krama III
1.5 Semester Hours
Vinyasas (yoga sequences) of triangle pose (trikonasana), vajrasana seated sequence and the viparita asana sequence (upside down poses) will be taught, totaling about 175 vinyasas. Breathing exercises with mantras will also be included. 
HTYX 804
Vinyasa Krama IV
1.5 Semester Hours
In this final segment of the series, about 175 vinyasas (yoga sequences) will be taught, including one legged poses, lotus sequence and special (visesha) vinyasa sequences will be taught, as well as an introduction to Raja Yoga.
YGPX 820
Raja Yoga (Yoga Sutra) Studies
2.0 Semester Hours
Pandit Krishnamacharya would tell his students to eschew all yoga practices that are inconsistent with the teachings of Yoga Sutra of Patanjali. Svatmarama the author of the famous Hatha Yoga Treatise, Hatha Yoga Pradipika, says at the outset that his work on Hatha Yoga is intended to help prepare yoga aspirants to be able to practice Raja Yoga (Yoga of enlightenment propounded by Patanjali). So it is useful and necessary for Hatha Yogis and other serious yoga students to make an in-depth study of the Yoga Sutras. In this program an overview of the goal (Kaivalya or spiritual freedom) and the means of attaining the goal will be given. Efforts will be made to explain the progression of the thought process of the sutras emphasizing the importance of the various angas, the mental transformation, the conceptualization of vrittis and their stoppage and the true nature of the Self. The program will cover all the four chapters. 
YGPX 828
Chanting Yoga Sutras and Subtle Anatomy
1.0 Semester Hours
This course contains two seperate segments. In the first, participants will be taught the methodology of chanting the Yoga Sutras. Practice of chanting several sutras will be taught using the conventional method of "chandas" whereby the sutras will be broken down to manageable portions and the participant will repeat the portion twice after the teacher. 
YGPX 855
Mantras and Meditation
2.0 Semester Hours
Mantras as a means of developing the mind toward meditation will be discussed. Several classical mantras including Pranava (Om), Gayatri, Sanskrit alphabet (matruka) mantras will be taught. Meditation procedures as enunciated by Patanjali in the Yoga Sutras along with the preparatory angas will also be taught. Introduction to vedic mantras. Other aspects of Mantras, such as Parayana, Japa, and diksha, will also be discussed. 
YGPX 860
Yoga Business and Teaching Methodology 
1.0 Semester Hours
This course will discuss the nitty gritty of the business of teaching Yoga. We will cover different ways to get started, tools and techniques to support growth, how to avoid burnout and how to reconcile marketing and business with Yoga. Practical information on how to get a website, start a newsletter and generate word of mouth will be provided, as well as basic tips for personal finances, taxes and liability insurance. In the second part of this course methods of teaching different aspects of Yoga like asanas, pranayama, meditation, and texts to different groups of people (all ages) will be covered.
YGPX 880
Yoga for the Internal Organs
1.0 Semester Hours
Yoga has a limited but a powerful arsenal of procedures—different asanas and myriad vinyasas, breathing exercises, variety of unique mudras, meditation techniques, to strengthen almost all systems of the human body/mind. It is therefore called, sarvanga sadhana or a method of accessing and working on every part and system of the body, including the internal organs parts. In this course, emphasis will be placed on a proper assessment of the available yoga techniques to impart health to different parts of the body, especially the internal organs. Procedures specifically for the different systems and organs like the heart and the circulatory system, lungs and the respiratory system, the abdominal organs and the digestive system, pelvic organs, the brain, spine and the nadis all from purely a yogic perspective will be discussed and practiced. Aided by proper diet and a calm mind, Yoga could ensure healthy internal organs and a robust disease free life. 
YGPX 896
Anatomy and Physiology 
1.0 Semester Hours 
The class will take an overview of the major bones and muscles of the body. We will look at their location and function and specifically how they can be utilized in various yoga postures.
YGPX 904
Sri T. Krishnamacharyas's Works
2.0 Semester Hours
Sri Krishnamacharya’s teaching methods and his philosophy of Yoga are contained in some of his works, especially Yoga Rahasya and Yoga Makaranda. In this course, these texts will be taught, especially all the four chapters of Yoga Rahasya. 
YGPX 906
Pranayama Methods 
2.0 Semester Hours
In this program, a variety of Pranayama methods and Teaching of Pranayama will be covered. A prerequisite is some asana practice. In this course different methods of Kapalabhati Kriya and Bhastrika Pranayama will be taught and methods of teaching. It will be followed by proper practice of long (dirgha) recaka-puraka (exhalation and inhalation), of Ujjayi and Nadisodhana Pranayama, and the Bandhas and teaching methods and Practice. The third segment will include varieties of Ujjayi Breathing, and other pranayama methods, use of Pranayanma Mantra and teaching methods.
YGPX 907
Visesha Vinyasas and Vinyasa Krama 
2.0 Semester Hours
In this program special Vinyasa Krama sequences and Teaching Methods will be taught. Important sequences like Sun Salutation and to the directions with and without mantras will be taught and also methodology of teaching will be discussed. Two practicum sessions covering all the main sequences of Vinyasakrama and adaptations will be taught. It will be a review and also an introduction to Vinyasa Krama.

Preview / Review : David Garrigues' Vayu Siddhi, Pranayama DVD/book set

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"Well it's like…asana, pranayama, limbs three and four….. so your supposed to be establishing the asana practice first but I also think there's a lot of value in doing a separate breathing practice , even as your establishing yourself in your asana practice. Or in fact in your case, you've been practicing for so long, your established in asana practice but then somehow you never got to a pranayama practice".

David Garrigues in an Interview with Peg Mulqueen  (see youtube clip towards end of post)

Link to buy a copy of Vayu Siddhi
I'm never sure if I'm previewing or reviewing in these posts, perhaps a little of both. When a new book or DVD comes out the first thing I want to know is what's inside, I want to pick it up, check the bibliography, the index, the copyright page and Acknowledgements, then the contents, work how many pages have been devoted to certain sections and then finally have a flick through the book and read a couple of passages, decide if I like the style of how it's written, decide if I'm actually going to read it, if I'll want to read it. I miss that when buying online

If  I still haven't decided to buy it by then (which is usually a deal breaker right there) I might check with somebody I trust who I know has read it already and if I can't find anyone then I might check newspaper or online reviews.

There was a brief discussion here on an older post when we first heard David Garrigues' was planning on releasing a pranayama DVD, lots of excitement in fact. We're familiar with David's tutorials on Vimeo, always fresh, gritty full on explanations of how to work on postures or techniques related to Ashtanga. He's always passionate, undogmatic, I remember him using a boogie board under the shoulders for shoulderstand and dropping back to giant blocks. Loved the last one because I'd received stick for working on my drop back to the sofa and tic tacking to stacked cushions, here was a Certified Ashtanga teacher taking a similar if a little more refined approach.

David Garrigues teaching pranayama, exciting.

When a release date, more details ( it was to be a double DVD and Book set) and price, $110 dollars, was set there was even more discussion. That's quite a bit of money though to somebody forking out daily shala fees and saving up for trips to Mysore, for somebody still not sure if they should be exploring pranayama in the first place, it's a financial commitment and several friends have mentioned it's caused them to hesitate in ordering it.

At the time I decided that it was no more, in fact less, than a weekend workshop and if it gave you the beginnings of an established pranayama practice then it was worth every penny.

I decided against getting it myself though, partly because of the cost but mainly because I already have an established pranayama practice ( Ramaswami taught me pranayama on his TT course at LMU in 2010). I couldn't justify the cost when I was already practicing it daily. However, I am interested in Ashtanga pranayama Sequence, I explored it a little with Tim Millers outline and Derek Irelands Ashtanga pranayama sequence CD, I've also practiced with Richard Freeman's Breathing CD and his online Pranayama course. So I was tempted and couldn't wait to hear what people had to say about it.

I was very excited then when Elizabeth, one of David's assistants, got in touch and asked me if I would be interested in reviewing David's Pranayama series here on the blog, the bytes of her email were probably still warm when I sent off my my own.

Thank you again Elizabeth and David too of course.

David's Pranayama set on the right
and a letter from David himself outlining the themes of the set
Here's what I wrote of my first impressions when it arrived last week.

"Just practiced the Ashtanga pranayama sequence with David, it's quite a bit lighter than the Derek Ireland CD (although the same sequence), the breath faster than I'm used to but that wont be a bad thing for somebody just starting pranayama and they can slow it down a bit once they've learned the sequence. 
Nicely broken down VERY accessible. 
On the one hand I think it is over priced, the book is quite light (content), nicely cloth bound hardback but only 100 pages (actually more like 75 of quite large print) mostly just prep,  instructions, exercises and the minimum expansion ( not necessarily a bad thing). The video is just a camera in a room tracking over a guy ( David of course) breathing or talking to the camera, kind of YouTube like. It's broken up into sections though. There's a little prep and set up, some exercises and then your down to the sequence which also can be broken down into different sections so you can work on it bit by bit and build up to the full sequence. there's also a kind of Q&A.

But then on the other hand it's so accessible, clear and simple, very Ashtanga, just what you need to get on the mat. It will give anyone who buys it an established, basic Ashtanga pranayama practice. How do you put a price on that and besides, forking out that amount of dollars will make you damn sure you do actually read the book and practice along to the videos.

No longer any excuse for not having a pranayama practice.

The book was hand made and designed by two of David's students I hear".

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The cost of the set is something I want to address right away as several of you have asked already

Is it worth it?

Yes, I think it is, very much so but I want to qualify that.

The Book

On the one hand it is light.
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Update: I'm struggling with my use of 'light' here, as in light in content... and yet it's heavy in instruction, guidance and inspiration. The text is surprisingly dense at times, I hesitate to say profound but why not this is profound subject matter, these are weighty matters. There are quotes from the shastras and I'm finding it a curiously poetic text, lines of instruction that I feel I'll want to come back to savour and allow to work on me some more.
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If we compare it to Gregor Maehle Pranayama book, say which is $20 and goes into so much detail on the subject of pranayama and for 330 pages, then David's 105 pages ( actually more like 75 of actual text) are going to make you ask if it's worth the money.

And yet it's easy to get bogged down in Gregor's book, get lost, be put off and not end up actually practicing pranayama. Claudia's 10 part+ review will help you work through it however .

I would argue that David's book IS lighter and yet that's because it's stripped down (but not dumbed down) to the essentials. It's VERY Ashtanga, just what you need to get on the mat and begin your practice. It's more of a support to the DVD, expanding on some of the areas David introduces and demonstrates there. So there's expansion on sitting well, on prana and apana, on the bandhas, the mudra for alternating the airflow through either side of the nose, the kumbhaka, finally it lists the full Ashtanga primary sequence. It's simple straight forward yet also characterised by David's enthusiastic, passionate style of delivery, you want to try this, you can try this, you should try this.

Another point about the cost, the book is hand made and designed by a couple of David's Ashtanga students, Bridget Morris and  Bella Forte of Book Binding Letterpress it's a really nice cloth bound hardback, reminds me a little of Lino's Ashtanga book, simple but something you want to keep and keep going back to.

Yes, David could have put the information in a small pamphlet and kept the costs down, I thought that for a moment but then decided that this is Pranayama, it's special, this profound practice, it' should be well presented and not in something that's going to get lost around the house somewhere but in a beautiful book that takes pride of place in your practice space.

Here's a closer a look.





Contents inc. subheadings 

Dedication
Centralising yourself in breath
Bowing to the Void-minded yogis who came before

Getting started
Three steps to learning pranayama
Guidelines and cautions
The power of Surrender and receptivity
Sit longer and with more ease in pranayama
Setting up a seated position
Setting up a supine position

Imagery for the central axis
Optimizing your seated position
The pelvis
The sacrum
mid torso

Ujjayi breathing
Nine keys to better Ujjayi breathing
prana and apana vagus. the highest agents
prana vayu
prana and apana vayu exercises

Mudras
Uddiyana bandha and kriya
Uddiyana bandha and kriya set-up positions and exercises
Jalandhara bandha
Jalandhara bandha gesture
Mula bandha
Energetic concepts of Mula bandha
Khecari mudra
Thoughts on shushumna

Kumbhaka
The art of becoming a void-minded

Stories
Remembering the source
Prana is first and foremost

The Ashtanga pranayama Sequence

Vayu Siddhi
Vayu
Siddhi

Afterword
Glossary
References


Check back later for some quotes from the book.

As I mentioned, the book supports the DVD and this is where it all happens, the book is like a set of notes outlining and at times expanding the instructions David gives on the DVD ( it also has some nice stories).


THE DVD's

DVD One






I think the pictures are pretty much self explanatory, each section is a few minutes long, anything from one and a half to nine minutes, very manageable, accessible.

Some instructions for setting up, (expanded on a little in the book) I particularly liked the laying back on the bolster exercise. the bolster is placed at the first ribs so lifting your chest up and allowing your pelvis to drop down, the block under the head gives you a natural hint of jalandhara bandha. David talks you through the long inhalations and exhalations, pointing out the terrain of the the breath. I'll be using this on my Itouch occasionally perhaps as an extra relaxation technique.


The exercises are short tutorials walking you through a particular aspect of pranayama technique, again only a few minutes long, bite size chunks. I've been practicing pranayama for a couple of years but  I found the directions, or rather the 'noticing' useful, be nice to play one of two of these before I settle down to my regular pranayama practice.

The interviews are short responses to questions we might have about different aspects of pranayama practice, even the breath in our asana practice.  Very much in the style of David's Vimeo videos where he seeks to explaining some aspect of asana or yoga practice. he's intense, full on, passionate, he wants you to get this.

DVD Two




In the first section David runs through each of the five pranayamas that make up the full Ashtanga pranayama sequence. This way you can work at each pranayama on it's own with David's instructions followed by the actual led technique in the second section. This is nice, you get to break up the whole sequence. Start perhaps by just practising the Ujjayi breathing your familiar with but as a seated pranayama rather than in your asana practice. Both the instructed and the led ujjayi practice are a little over seven minutes. That's a simple and yet still powerful short ( fifteen minute) pranayama practice right there.


You could practice a different technique each day or work on one a week. 




Or you can practice the Full Ashtanga pranayama sequence which takes around 30 minutes.

Final thoughts.

The book and DVDs have grown on me over the week. It's actually a quite brilliant approach in that I can't imagine a more accessible way into pranayama other than having David teaching you personally one-on-one in your practice space. And this is David, there's never any distance in his presentation, no aloofness, intellectual or academic or all-knowing but rather another ( more experienced) practitioner explaining how he understands the practice,  it's immediate, he's talking to you directly. 

It's quite wonderful actually.

For me personally the breathing is a little fast, but that's probably a good thing, I've been practicing a couple of years, the longer breath becomes comfortable. That said his kumbhaka's are of a fair length and some might struggle a little at first with a ten second kumbhaka after a couple of rounds.

However he provides guidelines cautions etc. in the book indicating when to return to natural breath, 

I'd have like to see a couple of versions of the full sequence, perhaps a beginner and intermediate version ( the full sequence here seems set somewhere between the two). The Ashtanga pranayama sequence is quick and easy sequence to learn however so once memorised you can go off on your own and practice at your own pace.

Interesting for me to look at the Ashtanga Pranayama Sequence again, I'm still not sure what to make of it, strikes me as an overview of pranayama practice (generally Sitali for example is practised in hotter weather), a kind of introduction to the practice. By the time I'd gotten settled into one technique the sequence had moved on to another, I'm used to spending 20,40, 80 rounds on the same technique. But then there's no reason why, once your familiar with the sequence, you couldn't do extra rounds of nadi Shodana say, or introduce another technique into the mix. This set is designed to introduce you to and establish a practice, it's up to you then to develop that practice further.

I raised the question of value for money at the beginning of this post. If this book/DVD set gets you to actually sit and practice pranayama and that practice becomes established then it's worth every penny and more besides, I think it will.

Here's David giving his own Intro to the course and an in interview with Peg Mulqueen




"DG: To me the breathing is the most important part of the practice, just period, that's all.

 PM: How come I've never learned it before? How come nobody has ever introduced me, REALLY to a practice, taught me to breathe? Ujjayi breath, breath with sound, whatever, in my asana practice but never separate from my asana practice.

 DG: Well it's like…asana, pranayama, limbs three and four….. so your supposed to be establishing the asana practice first but I also think there's a lot of value in doing a separate breathing practice , even as your establishing yourself in your asana practice. Or in fact in your case, you've been practicing for so long, your established in asana practice but then somehow you never got to a pranayama practice".


David's Vayu Siddhi  http://ashtangapranayama.com

and his regular website http://www.davidgarrigues.com

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I mentioned earlier in the week that the video was simplistic, Youtube like in that it was basically just watching a man (David) breathe in front of you, that's right up there with watching paint dry and grass grow right. It's more than that of course it's filmed by Joy Marzec an experienced practitioner herself, she know when to focus the camera on David's belly, the diaphragm, the hand mudra, drift off to look at the beautiful practice space and track back in time for the change from inhalation to exhalation or from left nostril to right. If David's presence feels immediate and direct then that is as much down to Joy's subtle camera work and set up as David's presence and passion for communication.

If Joy is constrained somewhat by the subject matter that is unlikely to be the case in her current movie project The Bhakti Boy Follow the link to the Start up page



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My own Pranayama page at the top of the blog. http://grimmly2007.blogspot.co.uk/p/pranayama.html

Day 1 Guest post: Workshop Report - Gregor Maehle's Workshop Kapalabhati and Pranayama

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picture from North Sydney Yoga

Last weekend Chiara Ghiron, a friend who occasional comments here, mentioned that she was on her way to Gregor's Maehle's Hamburg workshop. I asked her if she might be interested in writing a guest post based on her notes and what she's come up with is one of the most complete workshop reports I've come across. Chiara also passed the notes along to Gregor himself to make sure he was happy for her to post them and he's not only agreed but also gone through the notes and made a few corrections to the sanskrit.

A huge thank you to Chiara for taking such detailed notes and for sharing them as well as to Gregor for being gracious enough to give their publication his blessing.

Given it's such a long and detailed report we've split it over three days roughly corresponding to the workshop and it's morning and afternoon sessions. Today is the Introduction plus Kapalabhati and pranayama, Tomorrow I'll post the section on Asana and Chakra (Yoga) meditation and on Saturday, Nauli Kriya and a led Class.

Chiara mentions Gregor's books but I've gone further and added pictures ( to brighten the text up a little) and links to the Amazon preview.

I'm sure Chiara will respond to any comments or questions you may have. Oh and please feel free to jump in if you were on the course with Chiara or any of Gregor's other workshops and have something to add ( but remember Chiara's report is split over three days/posts).

Gregor Maehle's Workshop
Hamburg, June 7-9 2013

Introduction

I do not have a regular ashtanga vinyasa practice as I study and teach in the vinyasa krama tradition of TKV Desikachar (the so-called viniyoga of Yoga) but ashtanga vinyasa was my first love and as they say... you never forget it, so here we go.
A vigorous practice is what we need sometimes, although I must admit that I do feel a bit frustrated when people assume that this does not or cannot happen in TKV Desikachar’s teachings.

After reading about Gregor Maehle's Pranayama book on Anthony's blog I bought it and found it extremely useful.
I mainly decided to attend the Hamburg workshop because the program was going to be as much about Pranayama and the upper limbs as about asana.

Then, as soon as I heard that a Yoga meditation book was in preparation I kept my search engines open and ordered it. It arrived just in time to almost complete a first reading before the workshop.
Many of the concepts treated during the workshop can be found in fantastic detail with step-by-step practical instructions in these two books, and although I do not have his earlier two ones I am guessing it must be the same for the practical tips on the different asanas.
We were about thirty or so participants, mostly Germans from Hamburg and around, a couple of foreigners including me.

Overall a really great workshop, I liked Gregor a lot, his "however"-s, and "korrekt"-s, his piercing and scrutinising eyes, his knowledge and his way of transmitting it, interspersed by the recalling of many personal experiences.
There was a lot of stuff to take home and ponder-practice on, especially if you have not read his books yet.
I can definitely recommend the Pranayama and Meditation ones, where he gives all the details I described above and so many more and of course so much better.
The Pranayama book has extremely detailed descriptions of all the essential breathing patterns and comes with many exercises to help build a strong practice, as well as being interspersed by many philosophical and gross and subtle physiology considerations.
In the Meditation book Gregor has the same approach, many many details and progressive practice, and I loved the connection between the different chakras and the yamas and niyamas he makes.
In both books the progression in the exercises is accompanied by recaps on the previous ones, so you are not even tempted to jump ahead, as we all too often tend to do.

I do not have the first two books but although ashtanga vinyasa is not my main practice anymore I may end up buying them...

I just wish he spent more time on the other stuff that was indicated on the program, like mantra chanting and the dharana-dhyana limbs, because he seems truly knowledgeable.  Yoga philosophy appeared in bits here and there, not in a structured way but I guess it makes sense; you certainly cannot approach this stuff properly in only a few hours.

Gregor is going to be in Tuscany next summer (2014) and I think the Bali retreats could be worth it if you are seriously into Yoga.

Here follows a description of the workshop, a bit long I know but hopefully it will entice you to attend future workshops of Gregor's.

Please buy his books and do not hesitate to correct me if you were there too and I have misunderstood something.

***

Right at the beginning Gregor said that the main reason to start this European 'tour' was his preoccupation with the obsession so many practitioners have with the body, as if the main purpose of Yoga were to make the body beautiful.

In fact, quite the opposite, he said. Yoga really helps us to 'die before we die' in the sense of preparing us to part with the body and thus to start a process of dis-identification with it.
Essentially Yoga is a system to prepare us for the moment of death.

As a consequence with this obsession with the body he also sees an increase in injuries in Ashtanga Vinyasa practitioners, which also concerns him a lot.

So the workshop also dealt with the very important parts of Yoga that are somewhat neglected. Starting with kriyas, pranayama and meditation (and here he made a note on the fact that Yoga meditation is completely different from Buddhist vipassana meditation, and mentioned the different levels of Yoga meditation, with and without object).
Gregor stressed that we do not have to be masters of all asanas to embark in pranayama; in fact it is a very important practice that should be part of our daily routine.

***
Kapalabhati and Pranayama

In order to explain why kriyas, pranayama and meditation are so important Gregor started from the Taittiriya Upanishad where we learn of the panchamaya kosha model, the five layers which surround our Self.
The inner layers Vijnanamaya and Anandamaya can be related to the samadhi with object and object-less samadhi respectively, with the outer layers being of fundamental importance to get there.

Mentioning the '80s movie 'Once they were warriors' and the drama of domestic violence, Gregor introduced the concept of conditioning, an extremely important concept to understand: we see things coloured by our previous experiences, we see the world according to our past. So if our father was beating our mother, this will somehow seem normal to us and we may be lead into behaving in a similar way.

Paraphrasing Patanjali he also said that you could only be a true scientist if you overcome the conditioning (and I can certainly relate to that, having seen several times in my previous life how easy it is to more or less subconsciously 'direct' scientific experiments towards the direction we want them to take).

So body, breath and mind are essential layers for conditioning, and since they act as back up drives for each other, if you really want to change yourself you need to act on all three layers simultaneously. For example a big insult to the body has an effect on the mind, and vice versa, and also breath has a similar role in our behaviour.

Moving on to the practical aspects, we worked on the Kapalabhati kriya (skull polishing) where the fast and intense Kapalabhati breathing increases these movements and depletes the blood of CO2 simultaneously increasing oxygenation. Which is why it is very important to perform Kapalabhati properly, meaning leaving time for a full inhalation to take place after the fast and vigorous exhale. In practice, exhalation should take about 1/5 of the time and inhalation ca. 4/5 of the breathing cycle.

Given that Kapalabhati may turn the Apana Vayu up, it is not indicated during pregnancy or menstruation.
The lower abdominal muscles need to be engaged fully in the exhalation, we need to work on the lower part of the transverse abdominis. Therefore Kapalabhati is also a great preparation for Uddiyana Bandha and if done well, Moola Bandha will also spontaneously engage.
He said that people tend to hold Uddiyana Bandha too high and this will inevitably strain the diaphragm (since transverse abdominis and diaphragm interdigitate with each other) and consequently the heart, which is also connected to the diaphragm through a tendon.

It is important to keep the ribcage lifted, and Jalandhara Bandha can help with holding it up.
He gave us a couple of practical exercises:
- put one fist on the belly below the navel and the other hand on top of that. Press the belly during the exhalation phase to increase contraction and awareness.
- press the two index fingers to the side of the rectum abdominis two inches below the navel to feel the contraction in the transverse during the exhalation.
He made us practice with a metronome set at 40 bpm, in rounds of 20 or so.
In terms of building up our practice, we should start with three rounds of 20 with a pause (Ujjayi or just rest) in between and slowly (meaning months of practice) build up to 300 uninterrupted cycles at a frequency of 60 bpm, so ultimately for 5 minutes uninterrupted Kapalabhati.

We should only increase the speed if we can guarantee that the inhalation is still completely passive and full after the exhale.

He recommends practicing pranayama after the asana practice and before Shavasana. And in any case Shavasana should only be performed if we are really, really tired and for not longer than a couple of minutes.
Two reasons for this
- pranic absorption will be much more efficient after asana practice (and we will then also truly understand how important inversions are)
- after asana practice the nadis are generally balanced, both nostrils will be free, but after Shavasana most likely than not one of the nostrils will block up again so we will be unbalanced again

Meditation should be done before dawn, that is the time of the day when we are closer to God.

For Nadi Shodana he said it doesn't really matter which hand we use.
In fact, if we have a shoulder imbalance it may be useful to use the weaker side as the hand that closes the nostrils, in order not to loose even more strength and worsen the imbalance.
He recommended against Surya Bhedana since we already, as a society, use too much of the left hemisphere.
For pregnancy, standard practice should be Chandra Bhedana, since the right hemisphere and side of the body are those involved in the anabolic processes.
Essentially Surya and Chandra Bhedana are therapeutic pranayamas, so are not indicated for all people. Nadi Shodana is a much better general pranayama, balancing the nadis.
Nadi Shodana starts and finishes with the left nostril, to balance the anabolic functions.

For Nadi Shodana he advised against counting the cycles, better to set an alarm after 10-15 minutes and just carry on with the practice, aiming at lengthening the breath (finding our edge, and not progressing further until the breath length we use can be sustained even on our most shitty days). Otherwise, by maintaining both a high number of breathing cycles and lengthening the breath, we could easily be spending all day doing pranayama, which we may or may not afford to do.
Which is why Sri T Krishnamacharya was so happy when his householder duties were over, as he could then dedicate fully to practice (pranayama, which he loved, and a limited number of asanas, mainly inversions and Padmasana, Paschimottanasana).
Similarly we should aim at using a mantra to extend breath length, starting from OM repeated as many times as many seconds we want the breath to be, and counting these times moving along the fingers with the thumb (yogic counting) rather than count 'one, two, three...'.
Also it is better to use counts of seconds and ratios which are easily up-scaleable like 1:1, 1:2, 1:2:1:1;0, 1:2:2:2 etc he said, as visamavritti ratios like 3:4 tend to become very complicated to 'upgrade'. He used a metronome all along.
Then we can start upgrading and use the Gayatri Mantra one or more times for each breathing cycle to measure the length of inhalation and exhalation.

The drishti for Pranayama should gradually move to Bhrumadhya inside the head, but without muscular strain. So it is better to start from Nasagra, and then move to the middle of the eyebrows before Bhrumadhya proper.
If we perform Pranayama with our eyes closed (easier at the beginning) we should focus on our chosen Ishta Devata. This is important because we will ultimately become what we think about.

As teachers, we should always make students start from a samavrtti ratio and gradually modify to a visamavrtti that is more appropriate for the effects we want to elicit (keeping in mind that the inhalation will make us more rajasic and the exhalation will make us more tamasic). Kumbhakas are sattvic, especially the kevala ones. And they will be even more sattvic if we focus on our chosen Ishta Devata, as we should always do.

*Continued tomorrow Asana and Chakra Meditation

***

Chiara Ghiron
www.theyogicat.com

Day 2 Guest post: Workshop Report - Gregor Maehle's Workshop - Asana and Yoga Meditation

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Continued from Day 1(Kapalabhati and Pranayama)

Guest post by Chiara Ghiron
www.theyogicat.com
DAY 2 - Asana and Yoga meditation

I expected Gregor to just touch on the seated asanas after what he had said at the beginning of the workshop, but we did half of the primary series instead. Not that I am complaining.
There was no time for questions in the morning; we started straight away with the sun salutations after the opening chant.
Tips and anatomical considerations were given along the way, stopping to explain in detail. But from the beginning Gregor insisted of the utmost importance of Baddha Konasana as a preparatory posture to open the hips and on the importance of Virasana, he said we should spend at least five minutes in Virasana each morning, sitting on a block or towel at the beginning, then gradually lowering our seat.
Link to preview on Amazon
Asana

Adho Mukha Shvanasana
- we should take a wider stance than we tend to, in order to truly lengthen the spine. An opposition of movements (heart towards the thumbs and coccyx towards the sky) is what we are looking for, also in line with the sutras teachings of balancing opposites.
I liked the 'heart towards the thumbs' advice, very effective for me, I finally felt really light in the asana, while I normally end up relatively tired if I hold it very long.

Urdhva Mukha Shvanasana
- Gregor encouraged us all to keep our hands lower in UMS. He said that the common habit to keep our hands under our shoulder is very dangerous in terms of long term lower back injuries.
We want to lead with our hearts also here, not with the shoulders or collapsing in the lower back. To keep the hands at the level of our belly is much better to encourage a correct posture, even if at the beginning it seems impossible to achieve.

Virabhadrasana
- this asana has to be considered a preparation for back-bending, so we really need to open our hearts and have the hips level fully elongating the thigh muscles (foot at ca. 45 degree to allow this without knee strain), then bring our arms as further back as possible

Utthita Hasta Padangusthasana
- Gregor said that in the early days of practice this standing posture was not proposed until people could do the supta variation (on the floor) first. Practicing on the floor first is important to learn the movement of the leg. We should aim at the floor with the heel and not with the toes, to get an internal rotation of the femur in its socket.
- We need to really spread our toes to activate the arch of the standing leg foot otherwise knee injuries are more likely

Ardha Baddha Padma Uttanasana (or whatever that half lotus forward bend is called)
- He said that the correct order of movement is; bend your knee and touch the buttock with the heel (if you cannot do this, forget entering Padmasana); lift the bent knee up; rotate the femur bringing the foot to the inner thigh; bring the foot higher while keeping the heel in line with the navel; grab the foot from behind if you can. If you cannot grab your toe you should not bend.

Utthita Trikonasana
- extend as much as possibly before coming with the hand on the floor/thumb/leg and keep the heel of the back foot in line with the front foot. Really this initial extension is the most important part because if we want to touch the floor at all costs and we come down with a twisted back, there is no way we can straighten up afterwards.
- the front foot should have a slight internal movement towards the back one, in order to ensure internal rotation of the front leg, which is important for alignment. The stance should be wide.

Parivrtta Trikonasana
- the back foot should be rotated ca. 45 degrees in order to allow for the hips to be parallel to the short side of the mat without straining the knee
- because the hips are at 90 degree relative to where they were in Utthita Trikonasana, the stance should be ca. 25 cm shorter (more or less the average hip width)

Parshvakonasana
- wide stance again, bend the front knee as much as possible, bring the hand on the floor then extend the arm, shoulders open with scapula sliding down the back, again find the opposites of extension and grounding and work on those.

Partivrtta Parshvakonasana
- Start in a low lunge position and bring the hand fully to the floor by moving the shoulder as much over the knee as possibly. The hand should push down. Then try and strengthen the back leg. Then, but only if the hand is firmly pressing down, bring the back heel to the floor.

Prasarita Padottanasana variations
- make sure that the external side or the feet are parallel, engage the quadriceps, and do not overextend the knees. Lead with the heart.

Utkatasana
- we were encouraged to sit as low as possible without loosing the opening of the heart. Otherwise we can forget building our cherished yoga butts ;-)

Virabhadrasana II
- be aware of the difference of the back foot position between Virabhadrasana and this variation, for the sake of the health of knee and hip alignment

In order to learn to jump back and forth we should do at least 15,000 enthusiastic vinyasas, with the enTHEUSiastic part well firm in our minds, God and devotion need to be present at all times in our practice.
Aside from this, we should practice Lolasana (Padmasana not necessary for this training exercise, just cross the legs) and be able to hold it for at least 10 breaths. Use as many blocks to help with lifting our hips at first, and then decrease their number gradually removing them. Then start to swing, like a pendulum with amplitude growing with time spent practicing. Ad then one day we will magically succeed.

Paschimottanasana
- focus on releasing the head of the quadriceps that goes into the lower torso, and the abdominals, otherwise we will bulk up the belly and it will not be possible to extend/bend fully
- we should lead with our hearts, aiming at getting the heart towards the toes.
- don't rest the elbows on the floor.
- lifting the heels and hyperextending the knees is a sure and fast way to destroy the posterior cruciate ligament. Keep heels on the floor and activate the quadriceps (with the attentions described above)

Dandasana
- we should buy those physiotherapy resistance bands and train on developing the upper back muscles to fully extend the spine

Janusirshasana variations
- for the A variation, we should keep the knee at ca. 90 degrees, the foot somewhat extended (it does not matter if the toes end under the thigh), the shin on the floor with the knee extending away, the femur internally rotated (in both legs). It does not matter if the bent leg hip lifts off the floor a bit; we really need to work on the rotation as a priority
- for the B variation, the one with the leg in Virasana, we should aim at external rotation of the thigh after having moved the calf muscle away from it. (I seem to remember that in the Pranayama or Meditation book was warning against this though, as this movement could bring the knee out of alignment)
- for the variation where we sit on our heels the foot should be dorsiflexed with the toes pointing forward. External rotation of the femur here
- for the D variation we should prepare the leg by grabbing the foot moving the arm along the bent leg from the inside of the thigh to the outer side of the foot, pointing the heel towards the belly, pressing the ball of the foot with the heel perpendicular on the floor and bringing the knee to the floor with internal rotation of the femur. If we cannot keep the heel properly lifted, we should forget the rest of the asana and practice on the internal rotation of the femur with both hips lifted.

Virasana
- start sitting higher up, on blocks or a folded blanked until we can be comfortable with an extended spine. He said we should do all of our office work in this position, the intervertebral disks just get squashed through the day and we need to make sure that the upper torso and the lower core muscles can support us fully, otherwise not only we will shrink but also get back problems
- it is super important to work on extending the quadriceps otherwise we will hurt our knees

Baddha Konasana
- this is a really fundamental posture for all the hip openings (so Kino was right with her 50 breaths...). In Baddha Konasana we should open our feet soles and lift/suck the heels up and towards the belly, internally rotate the femurs and keep leading with our hearts. It is a double Janusirshasana A, it does not matter if the sit bones lift up a bit when we bend forward until we practice and practice and practice and the hips open and the sit bones will be on the floor again.

Baddha Padmasana
- we should only really try it if we can do a proper Baddha Konasana - a good test is if the can bend the knee and touch the sit-bone with the heel. If not, work on hip openers first.
- if we cannot do Baddha Padmasana, it is better to cross the legs bringing the shins parallel to each other, away from the hips with both feet on the floor and extend/lower the torso grabbing our elbows on the back, this is a fantastic hip opener

Sarvangasana
- you need to keep a 'short' neck here almost coming into your shoulders like a turtle

***
Yoga meditation

We did not have any formal session on the Yoga sutras or the Yama-Niyama limbs as Gregor said it takes four years of weekly classes to go through this stuff, so there is no point in just an overview. Fair enough.

He focussed on chakra meditation instead and pointed out several times that, unless we are super experienced or need to treat a specific serious problem, we should aim at activating and balancing all chakras, not just a chosen one.
We need to be fully functioning human beings, not just exacerbate and reinforce our existing tendencies.
Same as women always wanting to do backbends and men always wanting to do handstands while they really should to the opposite. I must be born in the wrong body/sex.

Gregor stressed again the difference between Buddhist meditation (very slow process just on awareness and breath) and Yoga meditation. He made the comparison of an Atari computer (vipassana) and a superprocessor (Yoga meditation).
He went again on the importance of Pranayama in balancing the nadis, since depending on the dominant nostril we will be more or less successful in the activities we start.
For example the right nostril should be open if we want to commit a crime, are a policeman wanting to arrest a criminal, give a public speech, study the Shastras, study a difficult scientific text, performing kriyas...
The left nostril should be open for conception, breastfeeding, counselling, listening to a friend, artistic activities, all other yogic activities.

By learning to regulate which nostril is predominant we can make sure that the activities we need to perform are successful (and to be honest after reading the Svara Yoga book I have started to notice that my right nostril is always more open whenever I feel it is a good time to study...).
It is better to lie on the left side than to drink a coffee, same effect. Lie on the right side if you want to fall asleep quickly etc etc.

Right nostril - sympathetic nervous system, catabolic
Left nostril - parasympathetic nervous system, anabolic
We have a dualistic mind, night and day, Ida and Pingala

Gregor mentioned the Shiva Svarodhaya Shastra, which has been translated into English (it is in the Svara Yoga book of the Bihar School of Yoga)

Every 90 minutes or so, on average, the dominant nostril changes. There are a few minutes where no nostril is dominant, both hemispheres are suspended (we feel a bit weird) the central nadi is active and prana enters it. This time is what Yogis want to elongate.
Time is the operating system of the mind, Gregor said, and mentioned an Indian analogy of the consciousness as a river: like a river is simultaneously at the source, rapids and estuary, so our consciousness if simultaneously at our birth, life and death.

Then Gregor gave us a Sushumna breathing exercise for 5 minutes: visualise a thin red thread going alongside the spine from the sacrum to the crown of the head while internally reciting the So (inhale) Ham (exhale) mantra

In meditation we need to turn Apana Vayu up, so it is not a good idea to meditate after lunch, because Apana will all be busy with digestion.
Gregor mentioned that the quickest way to get into a mystical experience is to fast. But this has to be done in a scientific way, accompanied by internal cleansing as well.
The peristalsis needs to be switched off completely, which happens after 4-5 days of fasting, the body goes into semi-starvation mode (not compatible with an intense asana practice). Vitamins and minerals need to be provided throughout this time though. Then studies have shown that semi-starvation is capable of extending lifespan (my note: it is true that caloric restriction has beneficial effects but this has not been proven extensively in humans except for alternate day fasting as far as I have checked with scientific literature so far)

Chakras represent various types of brain circuitry; there are several of them.
They have location, sense, shapes and colours associated, which have all been described in the Shastras. We should reject all the new age-y rainbow garbage when the colours described in the Yoga texts are explored, validated and very precisely indicated (see the cover of his Meditation book which reports the exact colours).
It is very important for meditation that we visualise the lotuses associated to the different chakras with their petals UP if we want to use visualisation as an aid to awaken and raise Kundalini.
He went though the most important chakras and for each we did a 5-minute meditation, beginning and ending by chanting OM.

- Mooladhara chakra (at the coccyx, tamasic in nature) which represents the reptilian brain, concerned with survival. If this chakra is closed the ability to care for others is impaired. Self-destructive behaviour, adrenaline junkies, heroin addicts are signs of a closed Mooladhara chakra. Very easy to revert to this chakra.
Mantra LAM. Exercise: mentally recite LAM n times during inhale and n times during exhale while focussing on the coccyx.

- Svadhishthana chakra (at the sacrum) represents the mammalian brain, encourages life in society, being a team player, procreate, raise and defend your family and kids, defending our territory, etc. It is connected to the limbic brain, being together and channelling emotions, being there for others. Very important in military life to be able to obey orders, exploited by third chakra people. If the second chakra is blocked, people may have an excessive sexual urge, and also be infertile. This chakra needs to be fully activated to live a full family life. He mentioned the example of a family of meth cookers who were also prostituting their child daughter while running porn videos as an example of second chakra closed.
Mantra: VAM. Exercise: mentally recite LAM n/2 and VAM n/2 times during inhale and then VAM for n/2 times followed by LAM for n/2 times during exhale while focussing on the coccyx-sacrum (inhale) then sacrum-coccyx (exhale).

- Third chakra, Manipura (rajasic, element fire) at the navel (behind it) represents the primate brain. Assimilation and acquisition of food, territory, wealth, power, responsibility towards society.
A blockage may result in a problem with asserting oneself, captivating people. Leaders will have an open Manipura chakra but need an open heart chakra as well to be good ones.
People with a strong third chakra do not concern themselves with what others think of them and tend to be extrovert. The different societies described by Marx in Das Kapital reflect the lower three chakras, while he could not envisage a fourth chakra society.
Mantra RAM. Exercise: mentally recite LAM n/3, VAM n/3 times, RAM n/3 times during inhale and then RAM n/3 times, VAM n/3 times followed by LAM n/3 times during exhale while focussing on the coccyx-sacrum-navel (inhale) then navel-sacrum-coccyx (exhale).

- Fourth chakra: Anahata at the heart (unstruck sound, because all sounds and the OM sound resonate here) represents the human being brain circuitry. Compassion, unconditional love, forgiveness, Jesus Christ had an open Anahata chakra. It is what makes us humane.
Traditionally a feminine chakra, men tend not to access it. But a woman with a closed Manipura chakra and open Anahata will become subservient, so again a good balance of all chakras is important.
It gives a feeling of trust in the divine, whatever this means for us (95% of the people feel that there is something greater than us, he said atheists typically have a closed Anahata chakra).
It may take the loss of a loved one, grief, to open the fourth chakra. This is because grief crushes our ego and opens our eyes to the fact that there is something other than us out there, allows to experience transcendence and the oceanic feel of belonging to something larger than us. So he was very critical of modern society trying to suppress grief with drugs at all costs.
Mantra: YAM, sense: touch (hugging is an expression of Anahata chakra), element: air.
Exercise analogously to previous ones, adding the repetition of YAM focussing on the heart for a time n/4 the length of our inhale and exhale, moving up and down respectively with the focus on each chakra

- Fifth chakra Vishuddha at the base of the throat. Mantra HAM, element: space. Through this chakra we can understand divine law and how it expresses itself in the creation and the laws that regulate the cosmos. E = mc2 for example. If this chakra is open we can 'download' this information. It is the chakra of geniuses, Einstein, Newton, Tesla, Beethoven, ...
But it is very important that the lower chakras are open otherwise we will not be able to create a supportive environment for ourselves (see Van Gogh for example). Autism can be seen as an imbalance of 1-5-6 open chakras, 2-3-4 closed chakras. Take LSD with closed lower chakras and you may develop psychosis.
If we could collectively open this chakra, the world would be a much better one.
Exercises, as before adding this one to the focussed breathing cycle.

- Sixth chakra Ajna, mantra OM, located at the centre of the cranium, at the third ventricle, in the cave of Brahman according to Yoga anatomy-physiology. Element: intelligence.
When prana enters this chakra we have direct experience of the divine.
Exercise, analogously as previous ones, moving up and down to and from this chakra.

- The seventh chakra, Sahasrara, cannot be accessed through the breathing cycles, but we get there through the kumbhakas.

* Continued tomorrow with nauli kriya and led class

***

Chiara Ghiron
www.theyogicat.com

Day 3 Guest post: Workshop Report - Gregor Maehle's Workshop - Nauli Kriya and Led class

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Continued from Day 2 (Asana and Yoga meditation)


Guest post by Chiara Ghiron
www.theyogicat.com

DAY 3 (final) day -  Nauli Kriya and Led class


At the beginning of the Mysore class Gregor reminded everybody that it is the breath that has to guide us throughout the practice.
He also reminded us of the Heyam Dukham Anagatam sutra (future pain must be avoided, YS II.16). If pain becomes a samskara, we will subconsciously look for it again and again. We must therefore be very careful not to introduce it in any endeavour.
I liked this reminder, which is also one of the guiding principles in TKV Desikachar's teachings.


Gregor spent some time explaining how activating the Agni fire is important for a healthy life and how it can help to fight diseases like viral and bacterial infections, although he was very careful to point out that cancer cannot be avoided through these practices because it is the karmic load that we carry with us that tends to cause it.
He also specified that a Yogi body is strong when Agni is active and can sustain periods of eating poorly or very little and also eating poison (like junk food) if necessary. He said we should of course aim to have a proper diet based mostly on vegetables, but if we have a properly activated Agni we will be able to digest everything with ease.
I liked this note because so many people are obsessed with 'proper' food (including me sometimes..) and he brought us all down to earth I think.

Link to Amazon preview
Nauli kriya

Before the led vinyasa count class Gregor spent a hour or so to show in detail how Nauli is done properly and broke it into progressive phases. He checked that no one had had breakfast, and stressed that Nauli is contraindicated with pregnancy, menstruation, deep vein thrombosis (if there is a clog and moves about you never know where it will end). On the other hand Nauli can help managing a prolapsed uterus and menstrual pain if these are related to a prolapsed uterus.
He said that if we spend 5 minutes every morning doing Kapalabhati and 5 doing Nauli, they would be the best-spent 10 minutes of practice. But of course we need to do all the rest as well!

- in phase I we exhale completely with legs slightly bent and hands on the thighs and then perform a fake inhalation. That is, close your throat completely and then open the chest completely. This action will suck the diaphragm in. It needs to be performed to your capacity, differently from a kumbhaka during pranayama, where you set a defined time. Also, important technical detail, this is Bahya Uddiyana, it is different from Uddiyana Bandha, where we actively contract the lower abdomen muscles bringing them to the spine

- in phase II we perform Agnisara, that is during the fake exhalation we keep the upper part of the throat contracted and chest expanded, and repeatedly release-recatch the belly to create an up-and-down wavy motion. The speed has to be increased gradually, as with Kapalabhati control is the most important thing, rather than performing this practices fast and poorly

- in phase III we keep the external retention and push strongly with our hands on our bent thighs to isolate out the rectus abdominis, which creates a vertical muscular bulge

- in phase IV we remove the pressure from the left leg to isolate the right part of the rectus abdominis, then we do the same on the left side by bringing pressure on the right thigh again and isolate the left part of the rectus abdominis

-in phase V we perform phases III-IV-III-IV in succession on the two sides to create a counterclockwise turning movement and then invert the sequence to create a clockwise one

We should gradually upgrade to 3 1/2 turns in each sense, but really gradually.

Initially we should do just three rounds of Agnisara for about 20 waves, and then up to 50 is apparently achievable.
Then 3 Bahya Uddiyana, three right side Nauli and three on the left side, and finally go for the full cycle.

I found the Agnisara practice difficult, for some reason Nauli is OK, I was doing it right all these years! but I found this initial preparatory phase hard.

***

Led Class

In the led class Gregor just counted and observed, making very few comments along the way.
He let us rest for a 10-minute long Shavasana (contrary to what he had said previously... we must have looked knackered!) with a nice chant.

For the whole practice I kept my usual long quiet Ujjayi in the asanas and only managed three breaths in each of them.
It was really funny to hear all the breathing noise the other people were making, sometimes it felt like it was a bit over the top, done because 'you are supposed to do it' rather than really necessary.... also funny how it changed in tone and volume during the practice.
At the end of the class everybody was soaking with sweat and I was dry, although I guess Gregor is right in saying that we need some cardiovascular exercise as well.

As usual I skipped the vinyasa between sides in the seated postures, and the Chakrasanas because whenever I do them I invariably hurt my neck.
Either I was so absorbed into myself and did not see it happening, or we skipped Garbha Pindasana.
I tried to apply all the hints he gave in the led class, although I was a bit confused about the internal-external rotations in the Janusirshasana variations, need to work on those more.

I tried to lead each pose with the heart and this hint really helped in all the asanas. Also, as a metaphor for how to approach life gave me cause to ponder for the whole practice.
I must admit I never felt so light in Adho Mukha Svanasana.

I had forgotten how much I struggle in Parivrtta Parshvakonasana so instead of pushing it I just stayed up on my hands working on the femur rotation and observed myself. Same story of course for the Marichyasanas C and D but never mind.

Another asana that I usually hate is Sarvangasana. For some energetic reasons I tend to feel very oppressed and cannot wait to get out of it.
But this time I kept my neck short and I was comfortable for almost all the 25 breaths. There you go...

Urdhva Dhanurasana was really enjoyable; perhaps my heart chakra is opening after all....

***

At the beginning of the Mysore class Gregor reminded everybody that it is the breath that has to guide us throughout the practice.
I got a lot of help in a number of asanas. I am not going to list them all otherwise it will be another ten pages or so, I wrote down here the ones, which were more closely related to the advice given in the led class and not just to my usual problems. Gregor was not only adjusting but also stopping briefly to answer questions related to the adjustments, which I found very good.

In Adho Mukha Svanasana he actually made me shorten my stance to bring the heels strongly on the floor and typically (I always get this adjustment) pushed me more towards the sky. While breathing, I realised that my hip imbalance is not going to get any better without a reference point, so I guess I will stick to this slightly shorter stance.

Gregor also helped me in the understanding this Janusirshasana internal rotation. Yes, it works much better this way, I had been externally rotating but it now seems absurd. I was pushing the knee away but with the incorrect femur rotation all along. There you go..

In the second part of Utthita Hasta Padangusthasana he pushed my upper leg hip further forward, he said it is important to feel the stretch in the internal thigh muscle, that's where we want to work.

Got a lot of help with Baddha Konasana, and it was super useful. I tend not to open my feet like a book enough, not that I cannot do it but I sort of thought I was cheating that way, turns out I should really go for it!!
But for sure I was not sucking the heels towards the spine enough. I was concerned about my sit bones lifting when he pushed me down, but he said it does not matter too much for the moment, I need to work on the internal rotation more.

Chiara Ghiron
www.theyogicat.com
---------------

I'll be adding these three posts to my Ashtanga Workshop Review page that lives at the top of the blog


Updated: Superman bound - Sick for a month!

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See, to me as a kid, it wasn't that he was indestructible (except for the green rock- which I never believed could harm him anyway, merely a literary requirement ) or that he could fly, although that was pretty cool. It was that he was so damned noble, gentle, he had Gyges ring and yet trod softly amongst us. What is it to be a god among men, an angel, do they weep for us, raise us up when we fall, believe in us more than we in them....

Prometheus bound

God, has it been a month?

Picked up a viral infection in the throat around this time last month ( kind of started the day after that long 3 hour 40 min Full Vinyasa experiment- surely not to blame?), got a little nasty, even went to the doctors ( big deal for an Englishman) after spending a night hardly able to breathe.

Picture at bottom of post for anyone arriving searching for throat infections, but it down there so as not to put you off your breakfast.

Somebody slipped some kryptonite in my tea

A side note about this, they (?) say pranayama is good for Asthma in that it supposedly helps you not to panic during an Asthma attack. The idea seems to be that in pranayama you're constricting the air flow by breathing slowly, thinly yet smoothly ( like the pouring of oil) and then retaining the breath or holding it out for those long Kumbhakas, that you're kind of putting yourself in a stress situation re the breath yet staying relaxed and composed.

Does seem to work, my throat got so bad that night, felt I could hardly breathe at all. When I started to consider it as a pranayama exercise, long slow thin breaths the growing panic subsided and it got me through the night.

 Note from Chiara When CO2 partial pressure increases, it not only prompts haemoglobin to release its oxygen load but has an important myorelaxing effect, including of course the respiratory muscles

The following morning I went to the Doctors who took one look ( 5 min Emergency appointment, 5 minutes!) and decided it was just a viral infection that would pass.

Taken a month to pass completely.

So that played havoc with my practice like nothing else, how does an Ashtangi practice without Ujjayi, you don't want to make the throat any worse so try not to constrict it any more than it is already.

No ujjayi, no rhythm

No rhythm, practice sucks.

Eventually the throat got better and thus the practice too.

Enough to explore David Garrigues' Vayu Siddhi, Pranayama DVD/book set

and try some of the ideas from Kino's The Power of Ashtanga Yoga

But just as the throat infection seemed to tail off I started coming out in this small bite like rash that spread all over, no really, ALL OVER. Horrible ( actually not so horrible, bad idea to google image search 'rash' - nothing like those thankfully. God, what some people have to put up with, the suffering to be endured). Anyway, back to the Doctor, he seemed to think it might be related, all part of the same viral infection. Sent me for bloods anyway (still awaiting results).

So now I'm trying to practice without raising a sweat...

Light practices, cold room and a mini savasana in place of every half vinyasa.

Quite a month.

And I've eaten like crap, comfort food,  a LOT of ice cream (for my poorly throat you understand)

Häagen-Dazs Dulce de Leche, my medicine of choice
Thursday afternoon, just like that - like the turning on and off of a switch, I felt a change, suddenly I'm feeling like Superman. I remember having morphine once on drip, I'd been in pain from a dodgy Gall bladder  for twelve hours( they whipped it out in Japan), finally they turned on the drip and this cool, clean sensation ran down my arm and spread throughout my body, beautiful.

It was like that, a feeling of good health flooding my body, Superman.

Friday practice? sensational, again.... Superman.


Why Superman?

Anyone else get that, when practice is going well you feel you could.... fly.... that you're indestructible...I 'm talking Sunday - the middle of the week obviously, end of the week it's more like this


OK, got a soft spot for th Man of Steel, my Superhero of choice since I was a kid, 

Growing up with an obsession for the Gods and Heroes of Ancient Greece, along comes Superman, a god like hero without the failings of an Achilles or Theseus, 

What's not to like.

Another Prometheus with a rock (a green one)

No surprise I went to Uni to study Classics then (switched to Philosophy in my 2nd year after a stunning Greek Philosophy lecture ..... twas a noble Greek too who taught me Heidegger come to think of it, Thank you Demetrius)

So finally perhaps, a Movie that does Superman justice? Let you know Tuesday ( no, not another review, enough of those for a bit).


-------------

Superman......think Holderlin rather than Nietzsche perhaps....

Near and hard
to grasp
Is the God.
But where danger is
Deliverance also grows

Hölderlin 
----------------

“when i was a boy
a god often rescued me
from the shouts and the rods of men
and i played among trees and flowers
secure in their kindness
and the breezes of heaven
were playing there too.

and as you delight
the hearts of plants
when they stretch towards you
with little strength

so you delighted the heart in me
father Helios, and like Endymion
i was your favourite,
Moon. o all

you friendly
and faithful gods
i wish you could know
how my soul has loved you.

even though when i called to you then
it was not yet with names, and you
never named me as people do
as though they knew one another

i knew you better
than i have ever known them.
i understood the stillness above the sky
but never the words of men.

trees were my teachers
melodious trees
and i learned to love
among flowers.

Hölderlin 
-----
i grew up in the arms of the gods. 

Hölderlin 
-----------

Once there were gods, on earth, with people, the heavenly muses
And Apollo, the youth, healing, inspiring, like you.
And you are like them to me, as though one of the blessed

Hölderlin 

------

Superman.... or Angel perhaps...., here's Rilke from the first elegy

Who, if I cried out, would hear me among the angels' hierarchies?
and even if one of them pressed me suddenly against his heart:
I would be consumed in that overwhelming existence.
For beauty is nothing but the beginning of terror, which we are still just able to endure,
and we are so awed because it serenely disdains to annihilate us.
Every angel is terrifying.

Rilke - Duino Elegies

If you have to have a narrative....

yeah, yeah, I know ....it's not about the siddhis

but the Man of Steel has his yamas/niyamas down and everything



See, to me as a kid, it wasn't that he was indestructible (except for the green rock- which I never believed could harm him anyway, merely a literary requirement ) or that he could fly, although that was pretty cool. It was that he was so damned noble, gentle, he had Gyges ring and yet trod softly amongst us. What is it to be a god among men, an angel, do they weep for us, raise us up when we fall, believe in us more than we in them....

http://www.tate.org.uk/art/artworks/epstein-jacob-and-the-angel-t07139

"...all angels are terrifying, we love them so because they serenely disdain to destroy us  ( my favourite translation of the Rilke)".
---------------

Eight weeks to go till Manju's course, enough time to get my practice and discipline back on track...

--------------

Thank you again to Chiara for three guest posts now sitting up on my workshop review page, could take it easy.





by Chiara Ghiron www.theyogicat.com


Gregor Maehle's Workshop Hamburg, June 7-9 2013 Day 1 (Pranayama)


Gregor Maehle's Workshop Hamburg, June 7-9 2013 Day 2 (asana + meditation)

Gregor Maehle's Workshop Hamburg, June 7-9 2013 Day 3 (nauli kriya + led class)
http://grimmly2007.blogspot.co.uk/2013/06/day-3-guest-post-workshop-report-gregor.html

---------------------

Picture of throat infection for anyone arriving searching for info on this.



East meets West: Swara Yoga - Breathing, nostril dominance etc, some papers/articles etc.

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http://www.amazon.com/Swara-Yoga-Swami-Mukti-Bodhananda/dp/8185787360


Here's the section on nostril dominance from Chiara's notes to Gregor Maehle workshop

"Gregor stressed again the difference between Buddhist meditation (very slow process just on awareness and breath) and Yoga meditation. He made the comparison of an Atari computer (vipassana) and a superprocessor (Yoga meditation).
He went again on the importance of Pranayama in balancing the nadis, since depending on the dominant nostril we will be more or less successful in the activities we start.
For example the right nostril should be open if we want to commit a crime, are a policeman wanting to arrest a criminal, give a public speech, study the Shastras, study a difficult scientific text, performing kriyas...
The left nostril should be open for conception, breastfeeding, counselling, listening to a friend, artistic activities, all other yogic activities.

By learning to regulate which nostril is predominant we can make sure that the activities we need to perform are successful (and to be honest after reading the Svara Yoga book I have started to notice that my right nostril is always more open whenever I feel it is a good time to study...).
It is better to lie on the left side than to drink a coffee, same effect. Lie on the right side if you want to fall asleep quickly etc etc.

Right nostril - sympathetic nervous system, catabolic
Left nostril - parasympathetic nervous system, anabolic
We have a dualistic mind, night and day, Ida and Pingala

Gregor mentioned the Shiva Svarodhaya Shastra, which has been translated into English (it is in the Svara Yoga book of the Bihar School of Yoga)

Every 90 minutes or so, on average, the dominant nostril changes. There are a few minutes where no nostril is dominant, both hemispheres are suspended (we feel a bit weird) the central nadi is active and prana enters it. This time is what Yogis want to elongate".

from Guest post by Chiara Ghiron
www.theyogicat.com
--------------

I asked Chiara if she had any articles on this from the western perspective, research papers etc.

Of course she does.

Thank you yet again to Chiara for providing these links, have been wanting to read some more on this for some time.


Here there are some references on breathing, nostril dominance, contralateral hemispheres. I am not sure all can be freely downloaded.
The last is an interesting review from the IJYT which I passed to Anthony, he may be able to share it on the blog or just ask me or him for it.

Physiology of nostril breathing exercises and it's probable relation with nostril and cerebral dominance.
http://www.nepjol.info/index.php/JMCJMS/article/view/7885/6431

The effects of unilateral nostril breathing during the night on heart rate and sleep apnea in young sportsmen
http://www.npbrjournal.com/article/S0941-9500(11)00053-4/abstract

Sex- and diagnosis-related differences in nostril dominance may be associated with hemisphere dysfunction in affective disorders
http://journals.tubitak.gov.tr/medical/issues/sag-12-42-1/sag-42-1-4-1011-1321.pdf

The emergence of emotional lateralization: Evidence in non-human vertebrates and implications for farm animals
http://www.journals.elsevierhealth.com/periodicals/applan/article/S0168-1591(13)00052-X/abstract
Voluntary Breath Regulation in Yoga: Its Relevance and Physiological Effects
http://www.resourcenter.net/images/AAPB/Files/Biofeedback/2008/biof_breathing_regulation.pdf
The Psychology of respiration: Eastern and Western perspectives
http://iayt.metapress.com/content/y144x63037425587/
This last one can be found below
















And also this

from KHYF. 

Question: Should we be throwing out the baby with the bath water.

Kausthub Desikacar and any organisation he's associated with, past/present or future, may be discredited,  due to the "varying allegations of sexual, mental and emotional abuse against Dr. Kaustaub Desikachar" but what about the scholarship, some excellent articles have appeared under the KHYF banner? Do we throw those out as well?



"Ah me! alas, pain, pain ever, forever!" - Name the tweaked muscle (modelled by the Feminist Ryan Gosling)

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"No change, no pause, no hope! Yet I endure.
      I ask the Earth, have not the mountains felt?
      I ask yon Heaven, the all-beholding Sun,
      Has it not seen? The Sea, in storm or calm,
      Heaven's ever-changing shadow, spread below,
      Have its deaf waves not heard my agony?
      Ah me! alas, pain, pain ever, forever!"                         30


Too much?

So my Superman post from a couple of days ago, got over the Viral throat infection, got rid of the rash that was on the heels of the throat infection, feeling of great health and well being, like Superman in fact.

Hubris much?

They come in three they say.

So I'm being sensible, responsible. I might have felt like the Man of Steel but I'd been poorly, so I forced myself to settle for half Primary followed by David Garrigues' Ashtanga Pranayama Sequence, and Gregor's Yoga meditation exercises, LAM LAM LAM LAM, VAM VAM VAM, (love this).......

Yesterday morning I thought I'd practice up a little further to Baddha Konasana, don't know what happened. Nicely warmed up, taking it easy not going too deep until perhaps Marichiyasa D where instead of the lighter finger bind I'd been doing all week I felt comfortable going a little deeper and binding at the wrist.

That felt fine, Navasana, Garbha P, Kukkutasana,.....Kurmasana was nice and deep, chest on the floor, hips nice and open so went into the Dwi pada Sirsasana ( legs behind head) entry to Supta Kurmasana and the Tittibasana exit. 

Everything seemed fine until I settled into baddha konasana, felt this pain in my back, low off to the left side of my back. Sitting up in baddha Konasana it felt like something was being compressed.

Took a savasana and it felt like the Kidneys? Kidney stone? Please God not again! No, never had them in the left kidney ( and haven't had a green smoothie since).

Tried Shoulderstand but that was painful too, again as if something was pushing down on the/a muscle.

It's been there ever since, sitting up is so painful have to roll on to the side to get up, laying down is painful, standing and sitting even more painful.

POP QUIZ, what have a done, which muscle have I pulled, tweaked, whatever.

Was going to post a picture of my own back but thought readers might prefer the Feminist Ryan Gosling. X (or rather an oval) marks the spot/area of ....discomfort

Hope Ryan doesn't mind but he does Yoga too, No?
Ashtanga?
Still from the movie The Place Beyond the Pines

Was so psyched to start getting my practice back on track too (sigh). The thought does pass through the mind...

Am I too old for this?

No, of course not. It's going to happen, cycling, swimming, whatever exercise I do there are going to be the odd tweaks, better to exercise than not. And besides I approach my practice a little more sensibly than I used to, strong breath focus, more awareness of shifting the bodyweight to make transitions easier rather than powering through.... 

That's perhaps the most frustrating aspect though, I'm listening to my body so much more than I perhaps used to, happier to settle for a lighter bind or expression of a posture if I feel a little tight or less open than usual and yet I still tweaked something. Wouldn't mind so much if I did it doing something stupid, at least then I'd know what to avoid.

No, actually the most frustrating aspect is that I could happily put up with putting my practice to one side for a while, do whatever Vinyasa krama is available to me as long as I could enjoy the more time available for pranayama and meditation but Sitting up hurts worse than anything....

I could try laying down pranayama and meditation, lets see how that ZZZZZZzzzzzzzzzzz

Going to read Kevin's posts for the last six months so I don't feel too sorry for myself : ) There's some Promethean endurance for ya

------

Sitting up to blog aches too, guest post(s) anyone?


PS. Bigging this up a little because I know it seems my practice always goes along swimmingly and I often get asked if I never injure myself during practice. 
But I'm fine, little sore but not as despondent as I make out. Over the last six/seven years or so I think I've got off lightly.

PPS I was asked why The FEMINIST Ryan Gosling?

Link to Amazon

AYA2 (Ashtanga) House recommendations....for the Home Ashtangi

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I mentioned last week that the AYA2 (Ashtanga) House Recommendations were being turned into a small booklet designed by Laura Shaw Feit of Small Blue pearls and http://lshawdesign.com. Well, here it is available free to download to your iPad (you just have to register) or it's a couple of quid for the printed copy.

Downloaded the pdf but kind of want a printed copy, have to check about International postage. Just did, ordered a copy, postage about a quid to the UK. $5.20 including postage, bargain.

------

So then I thought, how about a House Recommendations for the HOME Ashtangi, for the Home shala........

SAME book.

and highly recommended, will provoke thought and reflection for the home and shala ashtangi, beginner and more experienced alike, which is always good right ( off the mat obviously).

Here's What Small Blue pearls has to say about it.

"Designed and produced by yours truly, this incredibly helpful resource is now available as a free digital download (there are choices on format here) as well as a lovely printed version to keep mat-side. The printed version costs under five bucks and covers the printing and shipping only. Let's all thank Angela Jamison for crowdsourcing and curating this awesome pamphlet!"


LINK TO BUY PRINTED COPY OR DOWNLOAD FOR FREE

I like the cover so much that I thought it deserved a larger shot all of it's own along with the contents and the introduction (double page spread here to give an idea of the design. Love the layout, marries well with the tone.

http://www.magcloud.com/browse/issue/585165




No doubt the main area the Home Ashtangi and the Shala Ashtangi part ways is in the question of relationship, we practice at home, solo, we have no relationships. This chapter (see below) perhaps provoked the most reflection for me, sometimes painful or at least uncomfortable, it's the area in which I'm most stubborn.

Are we missing out? Hard perhaps not to feel that you are on reading this section. No doubt we gain/develop something too, an independence and self reliance.... I'm reminded of the suggestion that Ashtanga focuses on the breath therefore Ashtanga includes pranayama, that Ashtanga encourages a highly focused drishti therefore Ashtanga is meditative. And yet if you actually practice pranayama and if you practice meditation then it's pretty obvious that it's not the same thing. Ashtanga is excellent preparation for pranayama and seated meditation but it's no substitute for either. In pranayama you're just focused on the breath, nothing else is going on, same with your seated meditation. Likewise perhaps with Shala practice. We might argue that the Mysore shala is a room is filled with eighty solo practices or a smaller Shala being a room with ten solo practices but that's not the case, not really. Home practice is solo practice, the only energy in the room is your own, the motivation, encouragement, the discipline.... the will is yours and yours alone. If there's any surrender, going on it's directly to the practice, your 121 is with the divine.

That's the stubborn bit, there's truth there and yet.... 

I think my practice has been developing nicely thus far. I've stuck with it for six years plus, managed to get on the mat everyday for practice. I've progressed through to Advanced B, realised the error in racing ahead and gone back to basics, to foundations... first principles, developing a practice with a stronger focus on the breath. I've moved into the other limbs, studied shastras somewhat.... it seems to be moving in a healthy direction but have I really done that solo?

Haven't I built relationships through blogging about my practice,? It's not the same perhaps as sharing a shala and yet there are nodding acquaintances, regular readers who never comment but I recognise their flag and less commonly noticed city come up on the Feedjit gadget, I know they come, that we share a practice. There are others who comment regularly as I do on their blogs and then some who have become dear friends, there's love here. And trust, not afraid to be critical at times to question each other strongly, there's also support and encouragement.

How can I say this is a solo practice.

And then there are the online teachers, some we learn the odd tip or trick from others we become attached too, Richard Freeman for one. I've read his book, his articles, practiced along with his DVDs over and over, listened to all his dharama talks and when I eventually took a workshop with him his voice and mannerisms were so familiar that I felt I'd known him for years.

It's one way (although isn't he speaking to us), not the same but there is relationship there...of sorts, isn't there?

It's not the same because I eventually studied with Ramaswami and developed a relationship with a teacher, I know the difference now, but even here despite the support and the encouragement over the last few years I only actually spent one month with him....he spent thirty years with his teacher Krishnamacharya, much of that time visiting him daily. Pattabhi Jois similarly spent twenty years plus studying with Krishnamacharya, Manju and Sharath spent similar lengths of time practicing and studying with their father and grandfather. 

Is such practice and study, a relationship with one teacher still possible in this day and age and in the West.

Well yes, it seems it is and it's something Angela is touching on here. It's an available aspect of Ashtanga practice, that six day a week practice with one teacher, year in year out....it does give me pause.

Is it too late?

And what of the relationship we have with ourselves. Angela suggests at some point that we look for a teacher who know something we don't. For me that would be my common sense self, that side of ourselves that we listen to when we're tempted to get all gung-ho in our practice. How many other aspects of self do we have to listen to. How far can we equate the idea of the inner guru idea with the external teacher.  Argument goes that we're already Ishvara, already Buddha, already divine, we just have to chip away the marble. 

If this is the only teacher available to us in our solo practice, how do we listen....

Here's Angela's 'Relationship' section in full because this began as an Ashtanga at Home blog and us Home Ashtangi's perhaps we have a lot to hear from it. Besides, I want to give more of a feel for the marriage of tone and design of this big/little booklet







If you Like Laura's design of the book you might like to wander over to her website and have a look at her portfolio, we all have a book in us....or two



Book covers 
(bit embarrassed now with my own)


http://lshawdesign.com


 Page designs


http://lshawdesign.com


Self publishing?
http://lshawdesign.com


Back pain follow up (this morning's modified practice) and peek inside of Sharath's 'new' book on Primary Series

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Phew, long title.

I added the update below to my back pain post from a couple of days ago, the one where I use the Feminist Ryan Gosling as a model for where I'm feeling the pain, thought it could have it's own post.

"Ah me! alas, pain, pain ever, forever!" - Name the tweaked muscle (modelled by the Feminist Ryan Gosling)

thought it could have it's own post.

UPDATE
One of the comments suggested the exercises for back pain in Sharath's book, mentioned I didn't have a copy yet and I was kindly sent the appropriate page, thank you  for that appreciate it.




This morning I took it easy again.

Put a tennis ball between me and the wall and rolled around a bit seems i can find the spot standing up and with a slight turn to the left and a gentle squat. With theracane work do we massage the spot or just press, must check unless anyone beats me to it.

Started practice with a light Vinyasa krama tadasana sequence then a very gentle, hesitant sury, working my hands very slowly down my legs to the mat over five breaths, stepping back more of a suggestion of a sury actually.

Same with the first couple of postures from the ashtanga standing sequence, more a suggesting, a nod in the direction of the postures.

Moved into 2nd series, hint of pasasana, skip krounchasana and settled into the backbends which feel fine, nice actually. Didn't want to push it with laghu vajrasana and kapotasana this morning so moved on to Urdhava Dhanurasana instead.

Can't work out a way to get up to savasana avoiding the pain, probably not going to do any harm but erring on the side of caution here. Did a couple of supine poses instead, seems bringing the knees up to the chest is fine.

Sirsasana was OK. Oh, forgot, added some VK hip openers while in headstand, only place I can seem to work them in.

Sitting is still painful, that pinching around the illiac crest, noticed in ustrasana that vajrasana is fine so settled on that for finishing.

Stayed in vajrasana for some pranayama but then switched to David Garrigues pranayama prep posture and did the Ashtanga pranayama sequence there instead, some Yoga meditation too, really like that posture.

feel better for doing it, pain free for a little while afterwards but sitting here writing this is uncomfortable again.



David Garrigues pranayama prep posture, loving this.


Update to that update.

My backs been feeling a LOT better all day, think either the modified practice, Davids pranayama prep position or the tennis ball has made a difference.

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Sharath's Book - Ashtanga yoga Anusthana

Anyway, I posted the picture from Sharath's book above on fb with a link to the post and a friend Gaby asked me which book it was from.

I thought I'd posted a preview when it first came up but seems not. This is all I've posted on it on THIS post


Jois Yoga Greenwich have this to say about the book on their fb page

"It is a primer on ashtanga yoga philosophy and practice. It offers the correct vinyasa count and drishtis for the primary series, a few therapeutic postures, and some mantras".

A few therapeutic postures? That's interesting no?

I asked my friend Joy about Sharath's book as she's just picked up a copy
She says...

 "It's a lovely book, only $12 (about 6 Quid for you), starts out with a beautiful dedication to Guruji, great description of all 8 limbs, sutras and why we do what we do, there is a focus on Yama and niyamas, notes on practice: Tristhana & Vinyasa, then full Primary (looks like same pics from Yoga Mala and Lino's book), opening mantra, asanas for therapy, magala mantra and shanti mantra".

Thanks Joy.


However, some screen shots are trickling out on google image search so these are for Gaby ( hope whoever originally posted them doesn't mind me reposting them).

I still don't have a copy, doesn't seem to have shown up in the UK anywhere yet. Heard it's supposedly only 500rs in the Mysore shala shop, what's that $8?


Details below from Ashtanga Yoga Jiva

Ashtanga yoga Anusthana
By R. Sharath Jois
Published in Mysore, in March 2103.
87 pages, Rs. 500.
Thus far only available directly from the KPJAYI Shop, in Mysore.
Includes a dedication to Guruji, exploration of the eight limbs of Ashtanga, a note on practice, Primary Series asanas, mantra, supplemental asanas for therapy.  

The dedication:
This book and its teachings are dedicated to Shri K. Pattabhi Jois, Guruji.
Without him, none of this would be possible. Guruji sacrificed so much to study and then share this practice with us all. He left his home in a small village to devote himself completely to his studies. many years of hard work passed before Guruji became well-known to the world. His teachings now cross continents, and more students come every year to this wonderful practice.
Guruji was committed to passing on the practice exactly as he had learned it from his teacher, Krishnamacharya. he spent years learning all he could from Krishnamacharya and when it came time for him to begin teaching, Guruji did so following his teachers instructions. This is parampara, which means an uninterrupted succession; the direct and unbroken transmission of knowledge from a teacher to his or her student.
All who dedicate themselves to this tradition and who teach within this parampara owe much to Guruji. Devoting oneself to the lineage of Guruji is to enter an ancient river of teachings that flows to an ocean of wisdom.
I dedicate this book to him, in loving memory.
om sri gurubhyo namah


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Jois Yoga have it now for $18 same at Eddie's Ashtanga Yoga New York Shipping to UK is another $18. I'll wait and and try and pick a copy when Sharath comes to the UK.

I wonder about this though, if your new to Ashtanga, which book are you going to buy, Patabhi Jois' Yoga Mala  or this one by Sharath? You'd hope they would buy both but I wonder if Yoga Mala will become marginalised somewhat, less read which would be a shame because I love that book, find something new whenever I come back to it.

Preview on Amazon

Anyone finding there way to this post over the next few years and wondering which to buy, GET BOTH, or get this one yourself and tell your loved one(s) to but Yoga Mala for Christmas, for your birthday, 4th of July, Valentines Day.........












On the subject of new books and booklets, take a look on at my previous post on Ashtanga House Recommendations from Angela Jamison, AYA2 and Small Blue pearls.

More on the back pain (yawn) but some videos of modified practice including the pranayama bolster.

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The idea here is not so much to cling on to my practice, could stay in bed longer and study or do extra pranayama and meditation....what I'm aiming at is keeping the area around the injury strong and flexible to add support while it heals itself. Seems to make sense, feeling better for it anyway. And besides this is a time to explore what is and isn't possible, the limitations and shifting location of the edge, to get to know and understand ones body a little more....sure I shouldn't be enjoying these minor injuries this much.. 

Thankfully I haven't had to face anything too serious thus far....touch wood.


Continuing with modifying my practice to take account of the lower back pain from Monday. (linked post is the one with the preview of Sharath's book).

Today was pretty much the same as yesterday as it felt so good and felt better throughout the day. I guess I'm using Ashtanga as a framework and then looking in the Vinyasa Krama tool chest to modify. Here's a recap of yesterday's practice

YESTERDAY

Put a tennis ball between me and the wall and rolled around a bit seems I can find the spot standing up and with a slight turn to the left and a gentle squat. With theracane work do we massage the spot or just press, must check unless anyone beats me to it (susan came through on this,  more of a gentle rolling, dont kill it and bruse the spot, oh and do it 6x a day- Thank you Susan).

Started practice with a light Vinyasa krama tadasana sequence then a very gentle, hesitant sury, working my hands very slowly down my legs to the mat over five breaths, stepping back more of a suggestion of a sury actually.

Same with the first couple of postures from the ashtanga standing sequence, more a suggesting, a nod in the direction of the postures.

Moved into 2nd series, hint of pasasana, skip krounchasana and settled into the backbends which feel fine, nice actually. Didn't want to push it with laghu vajrasana and kapotasana this morning so moved on to Urdhava Dhanurasana instead.

Can't work out a way to get up to savasana avoiding the pain, probably not going to do any harm but erring on the side of caution here. Did a couple of supine poses instead, seems bringing the knees up to the chest is fine.

Sirsasana was OK. Oh, forgot, added some VK hip openers while in headstand, only place I can seem to work them in.

Sitting is still painful, that pinching around the illiac crest, noticed in ustrasana that vajrasana is fine so settled on that for finishing.

Stayed in vajrasana for some pranayama but then switched to David Garrigues pranayama prep posture and did the Ashtanga pranayama sequence there instead, some Yoga meditation too, really like that posture.

feel better for doing it, pain free for a little while afterwards but sitting here writing this is uncomfortable again.

THIS MORNING

Much the same as yesterday except I pretty much went through most of the Standing postures, just not as deep, the twists in the triangles were a mere hint, a suggestion of the postures. 
Managed to do utthita hasta padangusthasana sequence but with the knee bent and near my chest, then out to the side and finally unheld, no strain at all.

Included a modification of Krouchasana, video below of that and a modified suggestion of pasasana.


And a video of the first heavily modified Sury, did three of those, didn't even bother to try to go any deeper in the forward bend.



Backbending is still the best so did all of 2nd this morning up to and including kapotasana, such a Joy to find these backbends are still available to me.

Found a way up into Savasana this morning, rolling up as far as comfortable and then lifting my pelvis up to take it the rest of the way and allow me to straighten the legs.

Lots of hip openers in headstand and a nice long lotus. (Thank you Ramaswami and Vinyasa krama for the tool chest).

The rest of finishing was in Vajrasana and virasana.

For pranayama I used a mixture of the pranayama bolster ( calling it that, David Garrigues just uses it for a noticing the breath exercise, I'm taking it further because it's more comfortable than sitting up) and vajrasana, virasana for meditation.

In the video below I'm doing Ujjayi with kumbhaka after the inhalation, then ujjay with kumbhaka after the exhalation and finally kumbhaka after both.

nadi shodana works here too.



Nice practice

Fun.

Advanced Budokon Yoga Transitions - by Cameron Shayne - Floating and Inverting. Also back exercise from Kino and Patrick.

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So you can watch my slow, modified for back pain, Surynamaskara from this mornings post OR you can watch this stunning, floaty transition video instead.

Thank you to James for the heads up on this, for some reason your comment had ended up in blogger's spam box.

I tended to be a bit disillusioned with arm balances back when I was exploring Advanced A, seemed to be playing to my strengths as a guy, ie leanings towards upper body strength, at the time I found the second half of Advanced A much more interesting and challenging.

Arm balances seemed to be all about ego and party tricks.

Coming around to them again now though, although I'm not exploring them that much, mostly appreciating them more in others. It's not just about upper body strength but working with the bandhas, the subtle shifts of body weight, in a word control...which of course is focus and concentration, the name of the game.

This should give you an idea of what I mean- don't blink at the beginning you'll want to skip back and play the first one again, watch the hands.



"The Budokon®Yoga style recognizes tradition while innovating and leading the way for what is possible. We recognize that Yoga does not look the same as it did 5000 years ago or even 5 years ago, therefore, we continue to press the boundaries of creativity while maintaining the crucial therapeutic application of asana".

And why not take a look at this one too. I posted recently on a couple of videos by Meghan Currie and how she reminded me about the movement aspect of Vinyasa, breath and movement right, I tend to focus more on the breath aspect than the movement at times. Good reminder below to be more aware of the movement along with the breath in our own practice


-----------------

Oh and Thanks too to Kino for posting this backbending video with Patrick. I like the internal rotation of the thighs idea and especially the 'constructive rest position'. My back was feeling a lot better after my modified practice this morning but after spending all day sitting at my bench repadding a Saxophone it was aching again by the end of the day. Ten minutes or so in Kino's Constructive rest position and it feels much better.



Couldn't resist explore this in Ramaswami's dwipadapitam (desk pose) variations from Vinyasa Krama's Supine sequence, Makes all the difference trying these while holding the idea of the  internal rotation of the thighs in mind

from my Vinyasa Krama Practice book.

Some closure to the back problem story arc

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Just to close up the back problem story that's been going on all week.

Feeling a lot better this morning, still a twinge there, enough for me to tell Boodiba in a comment early this morning that I'd probably practice the same modified 2nd series from yesterday rather than Friday Primary.

Strangely it felt worse after rolling around on the tennis ball, as if the ball had woken up the painful area.

Five minute Vinyasa Krama subroutine then on into the Sury's. if you saw my modified version from yesterday you'll see it took me five breaths to get the beginning of a forward bend. This morning I was pretty much straight down. Still backed off a little for the first few but all fine by the fifth such that I made a video at an attempt at a floaty one. Not quite there but coming back and didn't want to mess around taking another video to try and get it budokan.



Sound from the camera is a bit Pauline Oliveros Rachel, no?

http://youtu.be/DMCTxkFwLHw

Perhaps not

Standing was fine, proper twists in the triangle pose.

Standing went so well that I thought I might as well explore primary rather than the modified 2nd, hey it's Friday.

And it was fine, felt a little painful as soon as I sat in dandasana, there's kind of a compressed sensation, I'm going to throw illiac crest out there mainly because I like saying illiac crest

 illiac crest illiac crest illiac crest illiac crest illiac crest illiac crest

from here 

Was still unsure about deep forward bends but did all four of the paschimottanasana variations, OK as long as I stretched right out of my pelvis nicely, going to say it again, ILLIAC CREST? Is it pressing against something when I'm sitting, digging into the QL (quadratus lumborum) perhaps.

And so it went on, nicely through the Janu's, was worried about the marichi's as I suspected the problem might have started with the deep mari D on Monday, backed off, just a finger tip bind and it was fine.

Kind of hoped I might feel something in navasana which could give me the excuse never to do another navasana again but no, fine.

Decided to call it quits there and move on to finishing which was by the book, no problems, nice backbends but decided aagainst dropping back and coming, no need to be silly.

And at last after a week of pranayama on a bolster a decent seated pranayama and meditation practice.

So all's well, thank you for the concern and get better soon's

Always tended to practice on Saturdays and Moon days but going to take the advice of a friend and take Saturday off, walk in the park or go out for coffee, and Sunday is Supermoon, so why not take that off too like the good Ashtangi I'm becoming and rest up for a couple of days.

See I do listen.....sometimes.

UPDATE
This is very interesting, still don''t really understand trigger points ( although I was taught about it somewhat by the guy taking the Anatomy course on Ramaswami's TT ) but the identification of the area of pain is spot on in this article.

http://www.triggerpointtherapist.com/blog/quadratus-lumborum-trigger-points/ql-trigger-points-masters-low-back-pain/



for Sissy A full moon in Greece. (Photo: Associated Press)

Krishnamacharya and headstands, also Ramaswami's Inverted sequence and the Ashtanga seven deadlies.

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My friend Ryan http://www.ryanleier.com posted a picture of Krishnamacharya in Sirsasana (headstand) on fb today with this quote from Indra Devi.

"Sri Krishnamacharya used to tell me: 'Do the Headstand when you are tired and in need of a tonic; when you are unable to fall asleep; when you are hungry, nervous and unhappy. Do it when in need of relaxation, when the brain is clouded, when you are in low spirits. Do it when your thoughts are distracted and you cannot concentrate properly or meditate.'" ~Indra Devi


Thought it was a nice opportunity/excuse to show the great man in the headstand sequence from the classic 1938 Black and White movie

the headstands start about five minutes in.



With the minor back problem I had this week just sitting was painful, so no hip openers, no half lotus no lotus.... on the contrary, Ramaswami taught us the Headstand sequence and variations he had learnt from Krishnamacharya which allows you to explore your hip openers while inverted, perfect.

The sequence can be found in Ramaswami's books. Everyone seems to get the first one the Complete Book of Vinyasa Yoga but check out the second (actually Ramaswami's first book), still for my money one of the best books on an integrated yoga practice out there, I keep coming back to it again and again.


Link
Link
Here's my own breakdown of the subroutines found in the Inverted sequence, you don't have to practice the full sequence of course, one or more subroutines or parts of one subroutine and parts of another are some of the myriad options available.

from my Vinyasa Krama practice book



Here's Ramaswami teaching headstand, he has this approach where you bring the heels close to the buttocks going up and coming down....he also gets you to try and bring  your knees, shins, backs of your feet back down to the mat at the exact same moment....tricky.



And if you want to develop an integrated yoga practice, Asana, Pranayama, pratyahara and meditation as well as  the study of Krishnamacharya's writing (line by line), Patanjali's Yoga Sutras (sutra by sutra) and an exploration of Yoga for the internal organs then try to get onto Ramaswami's 200hr TT this summer, it may well be that last year he runs it. The plan was to teach 108 I believe and I think he's pretty much there.

Ramaswami's 200 hr teacher training is running July to August this year at LMU in California
http://academics.lmu.edu/extension/programs/vinyasa/teachers/requirements/http://academics.lmu.edu/extension/programs/vinyasa/teachers/requirements/

I took it in 2010 and can't recommend it enough. Here's a link to my recent post on the course

Ramaswami on teaching Pranayama and his teacher training 2013 at LMU

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And why not, the Ashtanga seven deadlies while we're at it, the seven headstands from Ashtanga 2nd series.



You know what...it was cloudy, never saw the Super moon.

Which means I can go practice said Inverted sequence.....

--------------

ALSO
Krishnamacharya mentions in his 1934 Book Yoga Makaranda that he will be looking at Sirsasana, the headstand, in part II .

AG Mohan has released what he believes to be Yoga Makaranda Part II , here's the section on Sirsasana


19. SIRSHASANA--HEAD STAND
This asana is so called because the head supports the whole body. This is also variously called KAPHALASANA, BRAHMASANA. These three, however, differ to some extent both in the technique and in the benefits derived. These differences have to be learnt under personal instructions form a Guru. This asana is beneficial in a large number of diseases and is rightly termed the ‘king of all the asanas’.
Technique:
1. Place something soft, like a cushion, folded blanket or carpet on the floor touching the wall.

  1. Kneel on the ground facing the wall.
  2. Lock the fingers together, thumbs upright, and place them about four inches from
the wall. Let the elbows rest on the cushion, the elbows being not more than a foot apart.
4. Bend the neck and place the top of the head firmly on the cushion inside the knitted fingers. The thumbs should press behind the ears.

  1. Eyes are to be kept closed.
  2. Raise the hips, so that the knees are straightened and bring the feet as near the head
as possible. The toes, the feet and knees are to be kept together. The back will now rest
against the wall.
  1. Take long breaths twice.
  2. Life both the feet simultaneously to an upright position. Toes together, knees
together. The back will rest on the wall. Straighten the back so that the whole body may rest solely on the top of the head without the support of the wall.
Note: For beginners to raise the legs upright without bending the knees will be difficult and the help of another person may be taken. If necessary the knees may be bent, brought closer to the body, the back still kept in contact with the wall and with a slight jump the legs taken above the head, and the knees still bent. The legs are then straightened slowly, the knees together, the toes together and the toes pointed.

  1. Toes should be pointed and the thigh and calf muscles should be stretched.
  2. Slowly inhale and exhale deeply with rubbing sensation in the throat. When
exhalation is complete the abdomen should be well drawn in (UDDIYANA BANDHAM). Note: For proper benefit of the asana it is essential that the breathing should be regulated i.e., as long and as thin as possible, Normal shallow breathing does not give any benefit. (Concentration on Lord Ananthapadmabanabha gives added benefit.) (a combination of asana, pranayama and dhyana gives proper benefit.) (See in this connection Sutra 47 Chapter II of Patanjali’s Yoga Sutras, Vaschaspati Misra’s and Bala Ramodasin’s commentaries.
For the first week do not exceed six inhalations and exhalations. There should be no retention of breath. Uddiyana bandha, in the beginning should be done only once a day. Every week the number of inhalations and exhalations may be increased by four, so that the duration of the asana is slowly brought up.
11. After the number of rounds of breathing is over, slowly bring down the legs. In the beginning the knees may have to be bent, but as practice advances, the knee can be kept
straight.
12. Lie on the back relaxed and take rest for at least for three minutes.
Note: 1. For people who are overweight over 190 lbs. Sirshasana should be begun only after the weight has been reduced.
SIRSHASANA-VIPARITAKONASANA (according to the Hatha Yoga)
Technique:
1. Place something soft, a folded blanket, cushion, or carpet on the floor. Kneel on the ground. Bend the neck and place the top of the head firmly on the folded blanket. Stretch the arms in front of the body, with the palms upward, fingers together and pointed, and the palms not more than 21⁄2 feet apart.
2. Raise the hips, so that the knees are straightened, and bring the feet as near the head as possible. The toes of the feet and the knees are kept together.
3. While inhaling, lift both the legs together to the upright position. The legs are spread apart, toes should be pointed, and the thigh and calf muscles kept stretched.
4. Spread the legs apart while exhaling, and the thigh and calf muscles kept stretched. (toes should be pointed).

  1. Stay in this position for 6 deep breaths.
  2. Bring the legs together, while inhaling.
  3. While exhaling, lower the legs to the ground by bending the body at the hips. Bend
the knees and get to the kneeling position, and rest. SIRSHASANA-EKAPADA-VIPARITAKARANI - (Hatha Yoga) Technique:
  1. The first three steps are the same as for the last asana.
  2. While exhaling, slowly lower right leg to the ground so that the right foot will rest
on the right palm. The left leg is kept upright. The thigh and calf muscles of both the legs
15
are kept stretched.
  1. Stay in this position for 6 breaths.
  2. While inhaling, raise the leg back to the upright position.
  3. Repeat with the left leg.
  4. The next steps are the same as in step 7 of the previous asana.
SIRSHASANA-DVIPADA-VIPARITAKARANI - (Hatha Yoga) Technique:
  1. The first three steps are the same as for the last asana.
  2. While exhaling, both the legs are lowered so that the feet may rest on the respective
palms. The knees should not be bent. The thigh and calf muscles should be kept stretched.
  1. Stay for six deep breaths.
  2. While inhaling raise both legs together to the upright position.
  3. While exhaling bend knees and return to the floor and rest.
When Sirshasana has been sufficiently mastered so that one can stand steady without support, for at least 15 minutes, the following variations may be practised.
VIPARITA KONASANA:
  1. The first eight steps are the same as for Sirshasana.
  2. Exhaling, the legs are spread apart, and the thigh and calf muscles kept stretched,
toes should be pointed.
  1. Do six deep breathing.
  2. Inhaling, bring the legs together.
The next steps are the same as 11 and 12 given under Sirshasana. DVIPADA VIPARITAKARANI
Technique:
1. The first step is the same as Sirshasana.
2. While exhaling both the legs are lowered to the ground without bending the knees and keeping the thigh and calf muscles stretched.
  1. Do six deep breathing.
  2. While inhaling raise both the legs together to the upright position.
  3. While exhaling bend knees and return to the floor and rest.
(Note: The above three variations are according to Hatha Yoga).
Note: In the beginning it may be difficult to bring the body to an upright position without bending the knees. So the knees may be bent and the thighs bent over the body. The hips are raised from the ground and the back supported by the palms. The legs are now stretched. If there is still difficulty, the help of somebody should be taken.
If the body is fat and no help is available, the help of the wall may be sought so that it can support the heels at gradually increasing levels. This is done by lying on the ground facing the wall perpendicular to it. After some time the hips can also be raised by having a bedroll near the wall. When some strength is gained the heels are removed from the wall and the legs brought upright. (As breathing exercises are done in these positions the abdominal muscles get toned up and the stomach becomes more and more pliable and soft.
4. The chin should be locked in the neck pit. This ensures that the head is placed symmetrical with the body so that the neck muscles may not be strained. The neck pit is the depression in front of the thyroid between the collar bones.
Note: The chin lock will not be possible in the beginning stages, but it should be kept in mind that the head is kept symmetrical with the body and the neck muscles are not strained.

The full chin lock will become possible when the body is fully upright and the palms have reached a position in the back as low as possible.
5. Slowly inhale and exhale with even, long breaths through both nostrils, with rubbing sensation in the throat, not more than six times at the beginning. There should be no
retention of breath. The number of inhalations and exhalations may be slowly increased at the rate of two each week.
Note: The final duration of this asana can be 5 to 10 minutes when it is done by itself. If on the other hand other asanas are also being done the duration may be suitably reduced.

6. Exhale, bend knees, so that they approach the throat, lower the hips so that the back rests on the ground and then stretch the legs, so that the whole forms a rolling movement.
7. Take rest at least for a minute.
Benefits: The thyroid gets special benefits. The waist line is reduced. This tones up the liver. This helps in preventing piles, and helps in curing gastric troubles.

Guest post: Visitor report from Kino and Tim's Miami Life Centre - Mysore Intensive Old shala style

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In a recent comment Matthias mentioned that he was currently in Miami on a week long intensive at Kino and Tim's Miami Life centre, I asked him if he fancied writing a guest post....and here it is, we hear a lot about Kino's workshops, was curious about what it was like at home base. Besides, practicing at home many of us don't have a local shala available, a short Mysore course might be an occasional option and alternative to another backbending or learn to jump back workshop.

Thank you Matthias, appreciate it.

http://www.miamilifecenter.com


Thank you for inviting me to do a guest post.

The course was a week of Mysore Intensive Old shala style, e.g. 12 students, 2 teachers.

Let me start with the shala, e.g. Miami Life Center: I was kind of surprised how small it seemed. I guess that with two international teachers, I kind of expected a huge set-up, but it is a very well designed and hospitable shala, totally sufficient for the local community they cater to. They have two rooms - a larger one that can probably host 20 plus students and a smaller one for eactly 12 students. The energy is very nice, just your typical Yoga shala.

Kino and Tim offer the Old shala-style course several times per year (though next year, so far it does not appear on their schedule). The workshops fill up extremely early. To get in, you either have to book as soon as they are showing up on the website of Miami Life Center or hope for the waiting list. They have a good cancellation policy (free of charge up to one month before the date) and, if your are flexible, there still are always one or two last-minute cancellations.

The Mysore classes are every morning from Sunday to Friday, from 7.30 a.m. to 9.30 a.m.. If your practice is longer, you can finish in the "public" Mysore class in the larger room. On Friday, they suggest to do Primary - but you can also do your usual practice.

Sunday afternoon, Tim gave an introduction into one basic Pranayama "Guruji-style", which we then could practice on our own for the rest of the week half an hour before the Mysore class started. On Thursday morning, Tim would then check in on us again for the Pranayama. The Pranayama is quite basic - one round consists of 3 times inhaling and exhaling "breathing with sound", then three times with Kumbhaka after the exhale and three times Kumbhaka after the inhale, and all this for 5 rounds total. The main reason why he does this is in my view a) to introduce the students to the concept of Pranayama and b) to increase the focus on Moolha and Uddhiyana bandha control that he is also emphasizing very much for the Asana practice itself.

On Tuesday afternoon, Kino or Tim (this time Tim) offer each student the chance to ask questions and get extensive guidance for a specific Asana the student is struggling with. There you get your 20 min one-on-one while the rest of the group is watching. Quite an interesting experience.

And on Thursday afternoon, Kino guided a 30 min meditation (focus on the breathing) and you get to ask both of them further Asana questions and general questions on Ashtanga, food or whatever you feel like. By then, everybody was quite tired, so that workshop did not last the entire 3 hours foreseen.

I had done Mysore with Kino and Tim in larger settings, but never with such a small group. Already in larger groups, they are a very good and balanced combination: usually very positive energy between them, relaxed, helpful and attentive. In Kino's case, the balance is usually more towards the verbal explanations than towards the "explanation by adjustment" approach, whereas in Tim's case, in the Mysore setting, he teaches very strongly through the touch. In some cases Kino steps back and lets Tim do the work (especially with the larger guys), in other cases they complement each other. And of course this combination of the two is even more efficient with just 12 people. You really get all the help and explanation you need (and sometimes more than you thought you needed...). And the energy in the room is very intense -and (at least mid June) the heat as well. Too intense for a home Ashtangi? I cannot answer that - I just noted that quite many of the participants do self-practice for the rest of the year and just check in with Kino and Tim on such an occasion.

Should you have additional questions, feel free to ask.
Warmest regards from Germany
Matthias

Ashtanga Yoga Plus
Matthias Schmidt

Ashtanga Yoga: Ann Arbor workshop for beginners - Angela Jamison

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Thank you to Rose for posting these 'bootlegs' of Angela Jamison's Intro to Ashtanga from AYA2
http://yogarose.net

AYA2
http://www.ashtangaannarbor.com

In this Ashtanga Yoga: Ann Arbor workshop for beginners -- held at the Phoenix Centre on May 19, 2013 -- Angela Jamison discusses
==Overview==
-the opening and closing mantras
-counting in Sanskrit
-the eight limbs
-tristhana
-examining the idea that ashtanga is an athletic, pose-focused practice
-ujjayi pranayama vs. breathing with sound
-recognizing breath patterns as a form of self-discovery
-recommended readings
-avoiding Internet pitfalls.

The Full 1:20 minute here, bite size chunks below


==Links mentioned in the video==
Opening invocation: http://bit.ly/9za76T
Closing prayer: http://bit.ly/Zp1Xsv
How to wake up for yoga: http://bit.ly/S8SZG4
How to get up for yoga, again: http://bit.ly/RLA0GT
The film Guruji: http://bit.ly/14YDqJO
KPJAYI website: http://kpjayi.org/
Recommended books: http://bit.ly/12cX1bS
AY: A2: Link to the shala's library: http://bit.ly/16l22Re
AY: A2 House Recommendations: http://bit.ly/MWZqc2
Blog post on evening vs. morning practice: http://bit.ly/RxQcpF

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Here's the talk again (much of it), but in bite size chunks

Eight limbs and tristhana
 
More from Angela on bandhas here on an earlier post
Angela Jamison on mula bandha and questions to live by

Ashtanga as a natural movement practice

Some more on practice from Angela on this post
Jumping back in Ashtanga with short arms, Angela Jamison and AYA2

Ujjayi Breathing
 
Remember this is an Intro to Ashtnga and plenty to be going on with here however....you might like to take a look at an earlier post of mine for some more thoughts on Ujjayi and perhaps a different viewpoint
Ujjayi breathing. Is Ashtanga traditional? Kumbhaka in Yoga Makaranda

House recommendations


See my earlier post on the AYA2 House recommendations

get the book http://www.magcloud.com/browse/issue/585165


I include a quote from this on my previous post, a guest post by Matthias called
Guest post: Visitor report from Kino and Tim's Miami Life Centre - Mysore Intensive Old shala style

"If you are doing mostly self-practicing and are wishing for support, you are not alone. Many people practice mostly at home... The most nourishing way to receive this sort of inspiration [from a true master teacher of this method] is to keep your eyes open for a teacher who excites you and who knows something you don't. Go to them at their home base, not a workshop. Spend time practicing in, and being in, that setting. Just be yourself there. Deliver your whole mind-body to the experience. Do honest practice. Pay attention. Hang out with the teacher's other students. Prioritize listening over performing, and over trying to get approval or quick answers. Then the following year, do it again."
AYA2 House Recommendations

Book(let) Review : Ashtanga yoga Anusthana - R. Sharath Jois

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New Rug and Sharath's book(let) arrived

I mentioned in a previous post that I didn't yet have a copy of Sharath's recently released book on the Ashtanga Primary series and was waiting for it to turn up on Amazon UK. Within days I was kindly offered not one but two copies, that was really kind of you both thank you. My copy arrived yesterday along with my new/old rug (thank you Lizzie, it will be well loved and used I'm sure) and I believe the other copy is on it's way to Ireland.
new/old rug in the home shala
I make a point of featuring the rug/home shala because this book review is written from the home practitioner perspective, a nicely done shala going view can be found here

A Book Method in Review: Astanga Yoga Anusthana by R. Sharath Jois. by Peg Mulqueenon

I particularly liked this line

"So to anyone out there looking for a bit of hard core dogma to wave in judgment or in contrast, rattle and rally the rebels—sorry, you’re simply outta luck. Because all I discovered was a very pragmatic and compassionate approach to a practice that is often decried as just the opposite". Peg Mulqueenon

I'm calling my post a book review but actually this is more of a booklet than a book and there really isn't much to review.

Nothing wrong with a booklet of course

Given the slight variations in practice that have sprung up over the years it makes sense to produce a codification of the practice such that anyone coming to the Mysore Shala or indeed the world tours are all on the same page.... for while they're there at least before returning to their own shala and parampara. Many of the variations in practice are a result of the small changes in how the practice was taught over the years by Pattabhi Jois himself and that teachers have continued to teach, to pass on the practice, just as they were taught and in good faith.

And it needs to be small enough to fit in your backpacks for when you do go to Mysore or in your shala bag perhaps, it's a mat book, something you can hide under your mat to surreptitiously check the 'correct' vinyasa (kidding, don't try it) .

However, I'm a little disappointed I have to say. I'd heard there was going to be something along the lines of what we hear about from Sharath's conferences, a kind of Q and A section or the responses at least and rather than reports from the conferences by others, something that Sharath himself had decided to publish. 

That would have been interesting, in fact the handful of paragraphs we get on the Yamas and Niyamas are the most interesting section of the book, more of that would have been nice.

Also, once I'd heard there was a section on Yoga Therapy I was hoping for a few more pages than the two  we get. 

Still, even two pages on Yoga therapy is a bit of a bombshell. It shouldn't be a surprise of course Yoga Therapy has always been a part of  the Ashtanga method, it was there when Krishnamacharya taught Indra Devi in Mysore, Pattabhi Jois mentioned, in an interview ( must find the interview) that he was taught a therapeutic approach by Krishnamacharya who claims that's what he was taught by his own teacher in the Himalayas. Manju Jois mentions in his own interviews that his father Patabhi Jois would treat patients in the shala. Perhaps it's something that's been lost somewhat along the way although the practice, the sequence has it seems always been adjusted to meet the needs of the students in the more experienced Shalas. 

Perhaps including these two pages on Yoga Therapy will open the floodgates somewhat and more attention will be given to the myriad possibilities of adapting the Ashtanga Vinyasa Krama to the requirements of the students. 

Interesting times

The inclusion of the two pages on Yoga Therapy is along with the yam as/niyamas the most interesting aspect of Sharath's book. Otherwise it's just the 'correct' Vinyasa count and a few paragraphs each on aspects of practice, much of which can already be found word for word on the KPJYI website.

This sentence under Breathing I found a little disturbing however

"The inhalation and exhalation should be the same length and maintained throughout the practice. For example, if you inhale for two seconds, the exhale should be two seconds" p21

Two seconds!

Thankfully a couple of lines later we get...

"Long deep breathing activates the digestive fire that burns in the lower abdomen...." p21

Not sure how we balance the two lines from the same paragraph, does a two seconds inhalation suggest  to anyone long deep breathing or am I nitpicking on my favourite bugbear, he did say it was just an example..

Patabhi Jois would talk about ten second inhalations, fifteen seconds even twenty second inhalations (and was saying the same in Interviews even up until the 1990s) and the same for exhalation throughout the asana practice.  OK, maybe it's an ideal, I personally only manage to practice at eight seconds each for inhalation and exhalation, that drops to perhaps as little as five in the deep binds like marichiyasana D and Supta kurmasana, but two seconds, really?

If it's a book on the current Ashtanga methodology you want then you may well be better off spending the extra .71 cents and getting Petri Räisänen's 192 page Ashtanga Yoga, Definitive Primary Series Practice Manual' book. The Vinyasa count is up to date, 'official' and you're getting so much more besides ( see my earlier review) as well as a beautiful, professionally, produced addition to your bookshelf. I'd check the vinyasa count is indeed exactly the same in both books but I loaned Petri's book to Susan (Susananda) on Tuesday.

Personally, if you're only going to buy one Ashtanga book ( yeah right) then I'd say stick with Pattabhi Jois' own Yoga Mala which is a lovely, well produced, book and something I keep finding hidden treasures in to chew over.

Yoga Mala: The Original Teachings of Ashtanga Yoga Master Sri K. Pattabhi Jois [Paperback]
UPDATE: Note from Steve in comments on the KINDLE version of Yoga Mala

"As an aside, if anyone that doesn't have a copy of Yoga Mala were to buy the recently released Kindle version, they'd pay almost as much as for the paperback, yet the entire front section on yamas, niyamas etc. is excluded AND 90% of the photos have reverted to negatives. It's a real rip off so worth avoiding".
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So lets take a look at what you're getting

Ashtanga yoga Anusthana
87 pages




Interestingly the book is designed or by the same designer as the Jois yoga website


The pages are glossy but  it feels a little cheap in the hand almost like a glossy pamphlet . The design is adequate at best but it has more of a self published feel to it than something professionally published. That's fine for 500rs in the Mysore shala shop perhaps but Jois Yoga are selling the book for $18 which is pushing it a little.

To put that in context here's a quick look at some of the Ashtanga books on Amazon.com

Kino's  Primary 240p $21 list  but reduced to $14
Gregor's Primary 320p $19.95
Petri's Primary192p $24.95 list selling at $18.71
John Scott's 144p $13
Yoga Mala $18 list selling for $14

Looking inside


After the dedication there's a brief look at the Yamas and Niyamas, here's one from each...most are about a paragraph,

from the yamas
Brahmacarya: celibacy however, gets a whole page .


and from the niyamas

"4. Svadhyata; Self-Study
Svadhyaya means self studying what we have learned from our teacher; not only trying to understand what has been said, but deepening that understanding and expanding our knowledge by reading manuscripts and thinking more about the subject we are learning. Self-study is to engage our mind to further our studies. It is our duty to do our homework, to do and review what the guru has said, to go deeper into whatever yoga subject we are learning and in understanding and experiencing the self and the devine. The teacher cannot push, he or she can only guide. If he or she shares who Ganapati is, the remover of obstacles, it is up to the student to find out more about Ganapati and those obstacles.

svadhyayadisthadevatasamprayogah ys 2.44

While practicing self study, we totally submerge ourselves in the deity we have chosen"." p20

Liked that explanation.

99% practice 1% theory? The above makes us think a little more what might be meant/intended by that.


----------------

There are a few notes on practice, a paragraph each on breathing, posture and gazing. There's also a page on Vinyasa which is word for word the same as on the KPJYI webpage

VinyasaVinyasa means breathing and movement system. For each movement, there is one breath. For example, in Surya Namskar there are nine vinyasas. The first vinyasa is inhaling while raising your arms over your head, and putting your hands together; the second is exhaling while bending forward, placing your hands next to your feet, etc. In this way all asanas are assigned a certain number of vinyasas.
The purpose of vinyasa is for internal cleansing. Breathing and moving together while performing asanasmakes the blood hot, or as Pattabhi Jois says, boils the blood. Thick blood is dirty and causes disease in the body. The heat created from yoga cleans the blood and makes it thin, so that it may circulate freely. The combination of the asanas with movement and breath make the blood circulate freely around all the joints, taking away body pains. When there is a lack of circulation, pain occurs. The heated blood also moves through all the internal organs removing impurities and disease, which are brought out of the body by the sweat that occurs during practice.
Sweat is an important by product of vinyasa, because it is only through sweat that disease leaves the body and purification occurs. In the same way that gold is melted in a pot to remove its impurities, by the virtue of the dirt rising to the surface as the gold boils, and the dirt then being removed, yoga boils the blood and brings all our toxins to the surface, which are removed through sweat. If the method of vinyasa is followed, the body becomes healthy and strong, and pure like gold.
After the body is purified, it is possible to purify the nervous system, and then the sense organs. These first steps are very difficult and require many years of practice. The sense organs are always looking outside, and the body is always giving into laziness. However, through determination and diligent practice, these can be controlled. After this is accomplished, mind control comes automatically. Vinyasa creates the foundation for this to occur.

There is a welcome additional paragraph added on to the end of the web description of Vinyasa

"It is important to note that the indicated number of vinyasas may not be possible at first. In the beginning, extra breaths may be necessary, but one should adhere to the proper inhalation and exhalation movements. With time and practice, the correct vinyasa for each posture will be possible". p25

A list of the asana names as well as translations 



Opening mantra
Promotional page from the designers website http://pascalewilli.com/2013/04/26/astanga-yoga-anustana/
And then we are into the 50 pages of the sequence starting with Suryanamaskara



Fifty of those eighty-seven pages are taken up with the Primary series itself, a picture of Sharath in the asana and the the vinyasa count in and out of the asana, 


This is my favourite page below, is that two or three Sharath's, the third one with the beard is clearly more recent but I can't decide if the first two are from the same period.

 I love that his leg in the third picture is about as high as mine rather than something along the lines of Derek Ireland, I find it comforting.

Shouldn't there be a picture for dve, chin to the knee.



The most interesting section follows the main series where we find a section on Yoga Therapy. I was quite excited about this but it turns out to be only two pages, one on back problems, the other on respiratory problems the later includes a paragraph on nadi shodana (without kumbhaka).


At the back of the book are a four pages of mantras.

And that's it. I don't know what more to say about it really except that given the cost of studying in Mysore and on Sharath's world tours it might have been nice to give out a free copy with the shala pass. 

Don't get me wrong it's still a nice document to have but if you're impatient and considering an online purchase I'd wait until you're in India and can pick it up for 500rs on the day you arrive rather than ordering it online for $18 plus postage or ask a friend who's making the trip to bring you back a copy. 

If not forward bends then backbends.....

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If not Primary then 2nd....

If not Sury's then Tadasana

If not the Standing then Sirsasana

If not Sirsasana then Savasana....

and the breath.

If you had to choose one Ashtanga book...?

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I wrote in my previous post on Sharath's 'new' book Ashtanga yoga Anusthana

"Personally, if you're only going to buy one Ashtanga book ( yeah right) then I'd say stick with Pattabhi Jois' own Yoga Mala which is a lovely well produced book, something I keep finding hidden treasures in to chew over."

And than somebody (mis)quoted me, that 'Yoga Mala was the only (yoga) book you should buy'.

To clarify, I was writing in the context of the Ashtanga of Pattabhi Jois.

If I was to recommend ONE and only one YOGA book it would have to be Ramaswami's Yoga for the Three stages of Life
Amazon link

...but that's assuming you had a good library locally with Aranya's Yoga Philosophy of Patanjali and Swami Venkatesananda's two volume The Supreme Yoga- A new translation of the Yoga Vashista and of course had already downloaded Krishnamacharya's Yoga Makaranda and our ( really Satya's) on going, almost finished (one chapter to go) translation of Krishnamacharya's Yogasanagalu.

link

link















But back to Ashtanga (as if we'd never left), if I really was to recommend one, just one book on Ashtanga (Jois method), which one would it be? Would I really stick with Pattabhi Jois' own Yoga Mala?



There are lots of options out there....


Ashtanga Primary Books (reviews from my REVIEWS page)





Tuesday, 4 June 2013



Tuesday, 23 April 2013



Wednesday, 3 April 2013


Wednesday, 6 February 2013


Friday, 24 April 2009


Thursday, 23 April 2009


Thursday, 25 September 2008

also


Matthew Sweeny's Astanga As it is


John Scott's Ashtanga Yoga



Ashtanga Yoga Practice & Philosophy
by Gregor Maehle

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I'm looking at my copy of Pattabhi Jois' Yoga Mala now, ONE Ashtanga book, ONLY ONE?

Yep Yoga Mala. 

Of course Yoga Mala, there's more Krishnamacharya in it than in all the others, in fact I tend to think of Pattabhi Jois typing Yoga mala up with a battered copy of Yoga Makaranda in Kananda on his desk beside him. 

It's an elegant book, a bugger to work from in home practice perhaps and I put mine to one side again and again, but I kept coming back.... I keep coming back. 

There are treasures awaiting the first second, tenth reading.

It gets interesting if you allow yourself TWO books or say that Yoga Mala is a given (of course you're going to buy Yoga Mala), what else, which other Ashtanga book if you could buy ONLY ONE more.

Hmmmmmmm...... Help me on this because I can't really say for the Shala Ashtangi having only been to a shala twice in seven years. I should probably go with Sharath's book, as Steve points out, it's probably got all you need for day one. Still, I think I'd have to go with  Petri Räisänen's 'Definitive Primary Series Practice Manual' and hope that your Shala gave you a printed out cheat sheet of the sequence as described in Sharath's book or included a copy in your first months membership. Petri's book has the 'official', current, up-to-date Ashtanga sequence but also mentions some of the variations that you might encounter in your own particular Shala and it's teacher(s). There's a lot of Pattabhi Jois' wisdom in it, Petri asked a LOT of questions plus there's much else besides.

My uninformed choice for the Shala Ashtangi

But what about the Home Ashtanga, the teach yourself Ashtangi. John Scott's is excellent, all you need to get started although I think I started with Tara Frazer's from my local library but I've always tended to go with David Swenson. It's true you wont need the second series for at least a year or so but he provides you with variations of each and every posture as well as shorter versions of the practice for when your working towards a full practice or actually have a life outside Ashtanga.

But it's got competition, Kino's book is excellent for the Home Ashtangi  lots of tips and hints, as is Gregor's and with it's excellent anatomy side panels...

NO, I'm going to stick with David Swenson (sorry Kino), if only for the clear, simple, layout and the intelligent shorter versions of  the practice in the back.

STILL my informed choice for the Home Ashtangi

And in an extra category, for the Ashtanga blogger


My choice for the Ashtanga blogger, couldn't blog without it.

Also, special mention....


Not a laying out of the sequence but no doubt says more about the Jois Ashtanga method than all the above combined.

Amazon link

And you, which would you choose?

And did I miss anything?

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