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Discussion of the rediscovered article Yoga and Therapy by Sri K. Pattabhi Jois. Also next years practice, Kumbhaka in 2nd series.

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This rediscovered article by Sri K. Pattabhi Jois was posted by Eddie Stern this week on his site Ashtanga yoga New york


Here's the intro and first three paragraphs but follow the link to Eddie's page for the full article.

"Yoga and Therapy
This article is a transcript of a lecture that Guruji gave in Bangalore, in 1977. You can also find it on the Sri K Pattabhi Jois page. The article was published in a book called  Yoga and Science, published by the Budha Vacana Trust, 1977. Special thanks to Shaun and Leslie Kaminoff for tracking down and finding this extremely rare publication in India." Eddie Stern

Yoga and Therapy

By Sri K Pattabhi Jois

Mind is very fickle, like mercury. Fickle mind, with no discrimination of purity and impurity, flows arbitrarily, conducts itself with no restraints. Because of its unrestrained conduct, the mind influencing the organs of the body not only causes them to become sick, but endangers itself.  If the mind becomes one-pointed or fixed, it regulates the organs of the body and protects them from disease. Illusion is also a function of the mind, leading to many sicknesses.

The process of control and purification of mind is called yoga. Maharshi Patanjali has expounded this in an aphorism, Yogah cittavrtti nirodhah, which means that yoga is the process of controlling all the waves of the mind and fixing them on a specified object.  This is also called “Astanga Yoga” which has eight fold factors: yama: restraints; niyama: observances; asana: posture;  pranayama: breathing practice; pratyahara: sense control;  dharana: concentration;  dhyana: meditation;  Samadhi: contemplation.

These eight factors are divided into two groups called external devices and internal devices. Restraint, observance, posture and breathing practice belong to the external devices. Sense-control, concentration, meditation, and contemplation belong to the internal ones. It is far from easy to practice the internal devices without practicing the external. Therefore, to start with, one should practice the external devices.

Link to the full article at Eddie Stern's Ashtanga yoga New York

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In the article Pattabhi Jois quotes Sage Vamana, purported to be the author of the Yoga Korunta

"Sri Vamana has therefore made it clear:

Vina vinyasa yogena asanadinnakarayet ||

One should not practice posture without the method of inhaling and exhaling".

The same old line from Vamana Rishi. I've always wondered, if Krishnamacharya was supposed to have studied the Yoga Korunta for seven years in Tibet with his teacher Yogeshwara Ramamohana Brahmachari, and, supposedly learned it by heart, as well as later, reciting it to his eager student Pattabhi Jois.....

Why do we only have the one line?

It's the same line, always the same line.

Before switching to Philosophy I began University as a Classics student, all we have of some of the Ancient Pre Socratic Philosophers are, if we are lucky,  a handful of lines quoted by contemporary or near contemporary authors. One of my favourite Presocratic philosophers Anaxemenes has only the one line surviving

Just as our soul, being air, holds us together, so do breath and air encompass the whole world.

Just as our soul, being air, holds us together, so do breath and air encompass the whole world.

And you thought it was only the yogi's who wrote about the breath

Makes one think doesn't it, perhaps Krishnamacharya in all his reading, and he appears to have read voraciously on Yoga from libraries all over India, perhaps he only came across the one line of Vamana Rishi and that referenced in another text rather than the Yoga Korunta itself.

Or perhaps he did indeed study Vamana Rishi's Yoga Korunta with his teacher. The story goes Krishnamacharya later discovered a copy in a Calcutta library but that the text, written on banana leaves like so many other ancient texts, had mostly been eaten by ants. Perhaps the only legible surviving line was the one quoted above. It's also often claimed that Pattabhi Jois accompanied Krishnamacharya to that library in Calcutta, that might explain why Pattabhi Jois and later Sharath only quote that single line.

I am slight bothered by the translation, now my sanskrit is a little rusty (read virtually non existent)  but there's no reference to inhalation and exhalation only to Vinyasa.

The line is often translated....

'Oh yogi', do not practice posture without vinyasa

"Vinyasa (Sanskrit: विन्यास; IAST:vinyāsa; vi-nyaah-sa[needs IPA]) 
is a Sanskrit term often employed in relation to certain styles of yoga. The term vinyasa may be broken down into its Sanskritic roots to assist in decoding its meaning. Nyasa denotes "to place" and vi denotes "in a special way." Like many Sanskrit words, vinyasa is a term that has many meanings". Wikipedia.

Ramaswami has 'V'i as variations, and 'nyasa' as defined parameters.

Here's Srivatsa Ramaswami on Krishnamacharya's use of Vinyasa in his 1934 book Yoga Makaranda ( written at the time Krishnamacharya was teaching the young Pattabhi Jois

My guru believed that the correct vinyasa method is essential in order to receive the full benefits from yoga practice. The following quote, which I translated from Yoga Makaranda, perfectly captures this sentiment.

"From time immemorial the Vedic syllables…are chanted with the correct (high, low, and level) notes. Likewise, sruti (pitch) and laya (rhythm) govern Indian classical music. Classical Sanskrit poetry follows strict rules of chandas (meter), yati (caesura), and prasa (assemblage). Further, in mantra worship, nyasas (usually the assignment of different parts of the body to various deities, with mantras and gestures)—such as Kala nyasa, Matruka nyasa, Tatwa nyasa—are integral parts. Likewise yogasana (yogic poses), pranayama (yogic breathing exercises), and mudras (seals, locks, gestures) have been practiced with vinyasas from time immemorial.
"However, these days, in many places, many great souls who teach yoga do so without the vinyasas. They merely stretch or contract the limbs and proclaim that they are practicing yoga…"

Vinyasa than can mean variations within defined paramaters, perhaps in this context 'correct method'. So Vamana Rishi's should perhaps be translated more along the lines of

Yogi , don't practice postures without the (correct) method

The correct method or defined parameters, for Ramaswami, are we would find in the yoga sutras.

For Krishnamacharya this 'Vinyasa' method was the linking of the elements of the breath to the elements of the posture. Each movement in and out of a posture, and here we're talking yogic postures, asana, should be accompanied with the correct inhalation or exhalation. This received perhaps it's most formal treatment in Krishnamacharya's Yoga Makaranda where each movement received a count. Odd numbers were generally inhalations, even numbers, exhalations while the element of rest within the asana would often be associated with the appropriate kumbhaka ( breath retention). If the head was up in the posture, or stage of the posture, Antah Kumbhaka (at the end of the inhalation) might be employed, if the head was down then bhaya kumbhaka (at the end of the full exhalation) might be employed.

This is a practice that Krishnamacharya continued throughout his long teaching career. The formal count seems to have been discarded, perhaps it was only required for the large group of boys of the Mysore Palace and introduced accordingly, perhaps it was no longer deemed necessary in the one-to-one or small group settings Krishnamacharya taught after leaving Mysore in the 1950's. However, Krishnamacharya still continued to teach that each movement was accompanied by a particular stage of the breath and appropriate kumbhaka's continued to be employed.

In the Pattabhi Jois Yoga Therapy article Vamana's use of Vinyasa is translated as 'inhalation and exhalation' in keeping with the current presentation of Ashtanga in which no Kumbhaka is employed.

Pattabhi Jois also states in the article

'This method can be learnt only from an experienced yogi well versed in Yoga Shastra'.

Breath in the arms come up, 
breath out the arms go down, 
breathe in - come up, 
breath out - bend forward....

It's actually quite intuitive, how about the breath

'equal but otherwise, free breathing'.

Why do we need an 'experienced guru well versed in the shastras' to teach us something that appears so intuitive?

I have theory (what, another one)....

This year I've been exploring, through practice, Krishnamacharya's approach to asana, in particular, his employment of kumbhaka. I've slightly reordered the Primary Group asana from the table found in Krishnamacharya's Yogasanagalu (1941) to bring it more in line with the current Ashtanga primary series sequence. I'm presently doing something similar for the middle group also, bringing the Yogasangalu table order in line with current Ashtanga Intermediate series. The plan is to explore this approach to 2nd series in my practice this coming year. 

Krishnamacharya doesn't seem to have followed a fixed series although clearly there are sequences and subroutines that closely follow sections within the current practice of Ashtanga, that's to be expected of course much of it is intuitive, one asana often logically follows another. The Primary group asana table in Yogasanagalu is almost exactly the same as we find in the current Ashtanga Primary series, the Middle group is close, very close, however the Proficient group is more 'lumped together'. 

The story goes that when Pattabhi Jois was invited to teach at the Sanskrit college he came to Krishnamacharya with the asana he had been taught by Krishnamacharya grouped into Primary, Intermediate, Advanced A and Advanced B. Krishnamacharya is said to have given his approval.

I'm familiar with the Ashtanga series having practice Primary to Advanced series for a number of years, it makes sense to me to practice Krishnamacharya's instructions for asana in an order I'm familiar with as well as allowing me to offer it to others as an option to explore in their own practice.

Looking at this section of the 2nd series table that I'm currently working on, with it's employment of different kumbhaka depending on the asana, we can probably agree that this is significantly more complex. 

Actually it's even more complicated than the table suggests. In Yoga Makaranda Krishnamacharya gives instructions for different kumbhaka at different stages of the vinyasa of a single asana. We can see perhaps why the assistance of a guru well versed in the shastras ( here I read those related to pranayama practice) is advised particularly as there is an intimate relationship between kumbhakam and the employment of the different bandhas. I have been fortunate in that my teacher, Srivatsa Ramaswami, Krishnamacharya's student of 30 years still teaches, to some extent, the use of  kumbhaka in certain asana vinyasas, within the Jois Ashtanga lineage however this element of the tradition seems to have been misplaced. Manju Jois went so far as to tell me recently that Krishnamacharya was mistaken in his use of kumbhaka in asana, perhaps he is right. However we are not talking about one reference in passing to kumbhaka. Yoga Makaranda is all about the breath, each individual element of the breath, we find kumbhaka's described in almost every asana. 

Perhaps the employment of kumbhaka is something that Krishnamacharya didn't teach to his student Pattabhi Jois, and yet we find it detailed in Yoga Makaranda (1934) written while Patabhi Jois was Krishnamacharya's student and even in some cases teaching assistant (It is thought Pattabhi Jois, being a senior student, would have led the Mysore boys in their classes while Krishnamacharya would, on occasion, teach a more Vinyasa krama approach on a one-to-one basis in another room). Perhaps kumbhaka was not intended for the young boys of the palace or beginners.

Yet kumbhaka is everywhere in Yoga Makaranda (1934), in almost every asana description detailed instructions are given, likewise in Yogasanagalu (1941) and its presentation within the form of a  table. These were texts Krishnamacharya was instructed to write as pedagogic manuals for schools and elsewhere. Krishnamacharya wanted to share this approach to asana, he wanted us to practice asana this way.

Section of the 2nd series table I'm presently working on 

Krishnamacharya Yogasanagalu (19410 table in Ashtanga 2nd series order

Number in                                                                                        Asana
yogasanaglu        Asana                                      Vinyasas            position                       Breathing notes
table                                           

1.            Pasasana                            14             7-8              Bhaya kumbhaka
2.            Krounchasana                     22        7-8-14-15        Bhaya Kumbhaka
6.            Shalabasana A and B          10            5-6              Antah Kumbhaka
10.          Bhekasana                            9               5                Antah Kumbhaka
3.            Dhanurasana                        9               5               Antah Kumbhaka
4.            Parshva Dhanurasana         12           6-7-8            Antah Kumbhaka
9.            Ushtrasana                          15           7-8-9            Antah Kumbhaka
12.          Lagu Vajrasana                    15           7-8-9           Ubhaya Kumbhaka
15.          Kapotasana A and B            15              8               Antah Kumbhaka

11.          Supta vajrasana                   18            9-11            Ubhya Kumbhaka


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UPDATE - FIRST DRAFT

Note - Length of Kumbhaka's
Extend the natural/automatic mini kumbhaka between the inhalation and exhalation or between the exhalation and inhalation to 2-5 seconds in the postures indicated, certain more 'meditative' postures the kumbhaka might be extended to those employed in regular pranayama.





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See previous post for a look back over my posts this year, favourite posts as well as new resource pages on Ashtanga History, Sri K. Pattabhi Jois, Manju Jois and Srivatsa Ramaswami.

2013 A year in posts - New Ashtanga Vinyasa resource Pages, favourite posts of the year

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