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"Huge variety of Krishnamacharya`s teachings" - Wild Yogi Interview - September 2017 Newsletter from Srivatsa Ramaswami—

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Warm Greetings from NJ. In August I taught a well attended 50 hr ten day program on Bhagavat Gita at Loyola Marymount University based on the teachings of Sri Krishnamacharya. I will be doing this program again in New Delhi from about Mar 8 2018 at Mini Shastri's Omyoga. I will have the information posted im my website when the details are finalized. I also taught a 20 hr Vinyasakrama yoga program to a small group at LMU



Two years back thanks to the efforts of my senior yoga teacher friends Sara Mata and Arun Deva, I taught a 25 hour Bhagavat Gita program to a compact group of long time yoga practitioners in Los Angeles. During that period I was able to cover about 10 chapters all of which were professionally videographed.My friend Jacquelin had kindly taken up the onerous task of editing it professionally. Hopefully some of it will be ready in the next few days. I was able to have alook at the rough edited work and it appears good. I intend making one chapter Chapter II ( about 3 hours of lecture) available in Youtube when it is ready and after getting the necessary permissions. Thank you Sara Mata, Arun Deva, Lisa Leeman, Kija Manhare, Neerad Reddy and of course Jacquelin.
I am scheduled to teach a 15 hr Samkhya Karika program at Chicago Yoga Center, Chicago.SSSamkhya is one of the six systems of orthodox Vedic philosophies. It is one of the three nivrittie sastras, or philosophies of liberation—liberation from the repeated cycles of birth. The other two philosophies are Yoga and Vedanta. Smkhya Karika, written by Iswarakrishna, is considered the most authentic text on this subject. It is considered to be the theoretical basis for Yoga darsana, and hence, many yogis, including Sri T Krishnamacharya, would urge study of this text in addition to Patanjali's Yoga. It consists of 72 slokas, or verses, and is considered one of the great Sanskrit works. The author, some consider to be the avatara of the great Sanskrit poet and philosopher Kalidasa. All the slokas will be gone through verse by verse in this program. Here is the link for registration
http://www.yogamind.com/workshop-ramaswami-samkhya_2017.shtml
I can teach a few programs in 2018. I plan to be in India during the early months of the year. In addition to the Bhagavat gita program mentioned earlier at Omyoga in New Delhi, I am scheduled to teach two programs at Yoga Vahini in Chennai. I will be teaching the 100 hr Advanced Vinyasakrama Yoga program there for the third year in succession between February 14 to March 2, 2018. Earlier in January I will be teaching a 5 day 20 hour program of Samkhya Karika as I studied with my Guru Sri Krishnamacharya. It will be between January 3 to 7, 2018. Here are the links of these programs
I would like to teach as many subjects as possible from the teachings of Krishnamacharya.
  1. 100 hr Advanced Vinyasakrama yoga program (60hrs of asanas and vinyasas. 20 hrs Pranayama, yoga for Internal organs and 20 hrs yoga sutras)
  2. Samkhya and Yoga (40hrs) The twin nivritti philosophies. About 20 hrs each of Yoga sutras and samkhya karika
  3. or the two subjects can be taught separately 20 hrs each
  4. Hatayogapradipika (20 hrs)
  5. Yoga Yagnyavalkya (15 hrs)

  1. Taittiriya Upanishad (20 hrs)
  2. Bhagavat Gita in the teachings of Krishnamacharya for Yoga practitioners (50 hrs)
  3. Katha Upanishad (15hrs)
  4. Yoga for Internal Organs (10 hrs)
  5. Pranayama and introduction to meditation (10 hrs)
    Other subjects that I studied with Sri Krishnamacharya include Chandogya Upanishad, Brahadaranyaka Upanishad, Mandukya Upanishad, Mundaka Upanishad, Svetasvatara Upanishad, catussutri-- the first four sutras of Brahma Sutra, Prasna Upanishad which also can be taught.
***

Interview (Wild Yogi)
Several years ago Yuri Sharonin an eperienced yogi attended my 200 hr Teacher Training program in Vinyasakra yoga at Loyola Marymount University. Towards the end of the program he interviewed me for about 3 hrs or so and had the interview published in a web yoga magazine Wild Yogi. The interview published is about 20,000+ words. Not many people have read this interview. Many times when I teach a program some ask about my experiences with my Guru Krishnamacharya. I am reproducing it hereunder. Thank you Yuri, Ilya Zhuravlev and Wild Yogi magazine.
S. Ramaswami (born 1939 in Madras, Tamil Nadu, India) was a student of the father of modern yoga, Shri T. Krishnamacharya, and studied under him for 33 years, from 1955 until 1988 shortly before Krishnamacharya's passing. He is Krishnamacharya's longest-standing student outside of Krishnamacharya's immediate family. Нe currently lives and teaches in the U.S.

Interview with Srivatsa Ramaswami

http://wildyogi.info/en/issue/huge-variety-krishnamacharyas-teachings-interview-srivatsa-ramaswami


Questions: Yuri Sharonin, Ilya Zhuravlev


   

Yuri: Lets talk a about your Guru, Sri Krishnamacharya (1888-1989). You were studying with him until the end of his life, for 33 years. It seems  that his teaching was represented by two major periods: teaching in Mysore (1926-1953), and teaching in Madras (Chennai) (1955-1989).  Each period spans roughly 30 years. Nearly entire former period went under a patronage of the Mysore royal family, in his prime years. His Chennai years started in his mid-50s, and lead into the sunset of his life. How did you meet him?

Shrivatsa Ramaswami: Yes, in fact, I had described this in my book [Yoga for the Three Stages of Life, see also an extract published as "My studies with Sri Krishnamacharya" in Namarupa magazine]. 
What happened is that I have a brother, who is somewhat handicapped. My father was told by one of his friends that there were a yogi from Mysor that settled down in Madras, and he was coming and teaching at the college where my father's friend was the Principal. And he suggested - "Why don't you try him?" My father met him, and brought into my house. He started to teach my brother, and all the members of my family one by one joined him. In fact, Krishnamacharya was coming to my house about 4-5 years every morning - about 4-5 days a week he would come and teach for an hour, hour and a half. After a long period of time my farther discontinued studying with him, but I continued. Later on I started going into his house, and this went on for a long, long time.

What was your first impression of him?

First impression was that he appeared to be a bit stern. But once he started to teach - the first thing he said was "Inhale, raise your arms. Breath with hissing sound, rubbing sensation in the throat." - I had never seen a yoga teacher doing it with breathing. I used to have a few teachers, seen a few books. I was young - just 15 at the time. Like all Indians, I had some exposure to yoga. First thing that struck me was the use of breath, the way he was teaching vinyasas. He was very clear with his instructions. And then also types and number of vinyasas he was able to teach - that was also very impressive. Even with the first few classes I can see that yoga was much different than how we were practicing in India at that time. I had started  studying with him, this went on, he started to teach lots of other things. Soon he started teaching pranayama, then afterwards he started teaching Vedic chanting. I had some exposure to chanting when I was young; I liked the way he taught Vedic chanting. Then he started to teach various texts, like Yoga Sutras, Samkhya Karika... So this went on. I never knew he was a scholar, I thought he was just a yoga teacher. But later on I found he was an exceptional scholar.

Did you have any background in sports, any martial arts?

Me? No, not in martial arts. But I used to play cricket at school; I was playing tennis also. I had some exposure. In fact, I was in college tennis team, captain of the team. I used to play ping-pong. Once I started studying with him, I slowly cut down on these, and concentrated more and more on yoga.

Do you feel it helped you?

No, it feels so different, you know. Yoga was so different. But I used to be interested in yoga as a physical culture. Even in school we had a yoga teacher. I've learned many simple asanas. But the big difference was use of breath. I had never seen anyone to teach like this. And look at the vinyasas - the number of vinyasas he taught was quite enormous!

Was yoga in India then considered to be mostly physical, as it is now in the West?

Yes, in India yoga was considered mostly physical, but still, the way yoga was practiced is not the way yoga is practiced in the west. It was still a physical practice, but more -  subtle. They would practice some of the well-known asanas, like headstand, shoulderstand, and few forward bends. But not the kind of difficult postures you would find in the West. A few teachers used to do it, but by and large, general public had about half a dozen - ten different asanas that they would practice. Most of them would be able to sit in vajrasana, or padmasana; most of them would be able to do a shoulderstand, or headstand. That's about all the practice we used to do. And a few people will do Surya Namaskara. But of course there are other people who are yogis. Usually yogis are known for their extraordinary feats, like getting buried in the pit, or laying down on the bed of nails, or thorns. These are few exceptions here and there. General public were interested in yoga, but their interest were limited to a few asanas. You would practice for 15 minutes or half an hour every morning. Not the kind of intense practice you find in the West. That is my understanding.

When did you realize that he is your Guru?

I just started going to him - I thought everything he has to offer was very useful to me. I did not have any plan. I was very young then. I used to be interested in Indian philosophy at that time. When he started teaching I found that was another dimension to his teaching, which I thought was very good for me. I did not know he was able to do that. One day, I think it was his son, Desikachar - we started chanting together – came and asked "I am going to study Yoga Sutras with my father. Would you like to join? My father asked me to find out from you." I got interested, and started to study Yoga Sutras also. After we went through Yoga Sutras, we went through the commentary of Vyasa. By that time 4-5 years are gone by. Then he was started saying "why don't you study Samkhya Karika?" So we went on studying Sankya Karika. Like that, he would suggest which subject I should study, and I studied with him.


Young Ramaswami & Krishnamacharya

How did you came to know T.K.V. Desikachar?

I came to know him, because he is Krishnamacharya's son. He was studying somewhere else; after he completed his studies he came to Madras, and started to work with his father. He also started studying with his father. We came to know each other very well, because we are more or less the same age. I studied number of chants with Desikachar; we used to sit and chant along with Krishnamacharya. Yoga Sutras we studied together, Samkhya Karika we did once. A few Upanishads we did together. Then after some time, some common classes, Krishnamacharya stopped teaching, and asked his sons to teach. I was asked to study with Desikachar; I studied with Desikachar for a while. But then when Krishnamacharya started teaching texts, he said, he did not want me to have two teachers - he would take over and teach me.

How old were you at that time?

When I started studying I was 15, after he came to Madras and settled down. Then when Krishnamacharya stopped teaching for a year or so, at that time I was maybe 27-28, and after that I went back to study with him, until year before he passed away.


Did he ever talk about his Guru, memories of his studies, or his students?

No, no. In fact, he never spoke about his guru, at least to me. Maybe he told about it to his son. But basically our classes were confined purely to studies. I would go there, he would start with his prayer, go through the class, and then at the end another prayer, and then I used to come out. Very, very minimal communication on anything. Once in a while he would ask me, "How is your father?" Otherwise there were little or no talk. He never spoke of his guru. And I was not interested in that, I have never asked him. About his students, I don't think he spoke, except once or twice about Iyengar, I think. But about Pattabhi Jois I have never heard him saying anything. Or Indra Devi. Not for any reason, it just happened that way. There were no need for him to talk about it. Sometimes when you would ask questions which are not entirely connected with the subject, he would not encourage you to ask those questions.

I don't know his lineage as far as his teachers. I've never asked him, he never told me. There is a saying “don't investigate the Nadi Mulah and a Rishi Mulah. Mulah means the origin, Rishi means the sage. Don't try to find out his antecedents. Likewise, don't try to find out the source of a river. What I wanted from him, is whatever he could give. And he was interested in giving that. I am still not interested in all the gossip that goes on, what his teacher was, how did he develop his asana practice. Sometimes people say he borrowed his techniques from gymnastics... Then I get upset a little bit. Otherwise, let people say what they want to say. I go with what I directly was able to see from him.

These days it is pretty common to indicate which lineage of yoga one follows, how did one came about it, and so on.

Yes, but you see, at that time I went to him, I liked what he taught. He knew he had a proper lineage. And moreover, the way he was talking about scriptures, vaishnavite philosophy, and all that - you could see he was a great scholar. Subsequently I came to know through Desikachar that he had different degrees, in Samkhya, in Vedanta, in Vedas, number of other degrees. I knew he was a great scholar by the way he was teaching. And it is very difficult to find in India a teacher with such a comprehensive background. Normally yoga teachers have a very limited understanding of the shastras - only physical aspect. But this was one man, who had tremendous control, tremendous knowledge about yoga - I am talking about physical aspect, and also knowledge of the shastras.  You can't find a person like that. That made me go to him - I thought I can get anything I want from him.

Looking back, what do you think was most unique about him?

His scholarship, his understanding. And one more thing - in India, when you want to study some of these texts, want to study Vedanta, you won't find anybody who would be prepared to teach you at your level. I did not have a necessary background. But Krishnamacharya was able to come down to my level and teach. He was not just a scholar - he could explain it to you so you can understand. Initially it was a bit difficult for me - I had to raise my own level. But at the same time he would come down to your level; he would talk to you so you would see he wants you to understand the basic principles. Whereas if you would go to lectures of scholars, you would get just a scholarly presentation. And you don't really get the feeling that these are all Atma Vidyas, things that are meant for our own good. So when you study Yoga Sutras, Vedanta with him, you would get the feeling these are all meant for us.

How he selected his students? Was he teaching to anyone who is willing to listen?

I don't know. So far as I am concerned, he came to my house, I saw him, and I started to study with him. He did not reject me, nor I did went about searching for a guru. I don't think he was very choosy about anybody who wanted to study with him, but then unfortunately not many people at that time came and studied with him. Of all those people who came to him, 90% of them came for some ailment or other, so he came to be known better a person who used yoga therapy. They did not know what he can offer. Most people came for some ailment or the other, and after that they used to go - very few people stayed with him for a long time. There were one or two who studied with him for a long period of time, but they did not want to teach, they had other avocations.  He did not specifically ask me to teach, until twenty years or so. One day he asked me "would you like to teach?" Until that time, I did not think of teaching, because when you sit in front of him, and study with him, you get a feeling you do not know anything. When this started, I started to think about various things I don't know, rather than what I knew. As I was studying I was also teaching - it helped me to improve my teaching, I asked more questions. I was able to broaden my base much better once I started teaching. As you start teaching, you start developing. It is a parallel development: you go back, refer to whatever he had said. That was a very good experience: studying with him on one side, on the other side going and teaching.
Most of his teachings really are not well-known. If you say that most of his teachings limited to few of the sequences that you find in the modern Ashtanga Yoga, I think that's not fair to him.

Have you observed his practice?

No, no. Ekagrata. Everyone has his own practice. But occasionally - suppose I was five minutes early to his class, I could probably sometimes see him doing his headstand, or shoulderstand, or sitting in mahamudra, or some of those postures. But then, he would be completing his practice. So I would stand outside. Of course he did not object me observing his practice, but you don't really go sit down and look. Sometimes he used to show some pranayama, some postures. Beyond that I did not observe his practice. And he also had daily puja which he was  performing, so I had a good idea how he spent his time.

India had changed tremendously during those years. How is his teaching had changed through the years you had studied with him?

I studied with him on one-to-one basis. I have no idea how he taught others, except when he asked me to come and observe if he wanted. For instance, when he was treating some people, occasionally he would ask me to come and observe. That was very rare, not frequent. I really have no idea how he taught others.  But I can't believe that he taught anybody without breathing, synchronizing the breathing with the movement. Every time - it was thirty years - every class I go to, he would start with the breathing.  Another thing - he gave a lot of importance to pranayama, he gave a lot of importance to chanting. That is why I try to combine all of them, whenever I try to present this program [LMU 200hr TT], because he taught all these subjects.


What was it like to study with him?

His main goal was to convey the subject to the student, that's all. He would be focused totally on that. His focus would be teaching, and you would be always thinking whether you are able to understand what he was talking about. Usually he would close his eyes and speak for 5-10 minutes, because most of the Sutras he knew by heart. And then suddenly he would open his eyes to see if you were sitting there, then close his eyes and continue. With him, there were nothing extraneous. From the moment you come to the class and start with the prayer, go through the class, and end with the prayer. After the prayer is over, I would just stand up, and go out of the room, and then come back next class. He was totally focused on whatever he wanted to teach. Not merely the subject, but how to convey it so you will be able to understand. That is the main thing. I think the impression you get from studying with him was this: these are the shastras, scriptures. His life goal was to understand it, bit by bit, so they will become part of his own psyche, his own way of thinking. And then convey it to the next generation. The rest of the things were secondary. I don't know how he was earlier. You can see a fierce intent in transmission of knowledge. Of course he used to charge fees. He needed money, everybody needs money. But that was not the main thing. If you can show that you are really interested, he came out of his way to help you by explaining, that's about all. And normally I never used to ask questions. If I had a doubt, I would keep it to myself. I tried to understand it myself by thinking about what he said, did I miss something. Sometimes I refer to other notes, other commentaries. But usually, if I had a doubt, in two-three days time, I don't know how he knew, but he would explain it. That was something very good about him. You can see that he was really interested in you, in your development.

Was he willing to be patient with a student, explain things over again?

I had never asked him many questions. Very rarely asked him. I think one time I'd asked him a question, because I did not understand, he said, “What is wrong you? You are not being observant.” You are not listening. I kept quiet. Then I realized, yes, he mentioned about it. Why didn't I notice? One day he said, “your absorption is not good”. So I used to be very attentive. Not because of compulsion, but because the way he used to put it. But then again, I had studied with him for thirty years, and subjects came up again and again; I had plenty of opportunities to reflect...  Sometimes when he was teaching a new subject, even then things were explained again in a different way. The time factor, the length of time I could spent with him – that played a very big role. 
So what you should do is try to develop your own studies.

Krishnamacharya's scholarly qualifications are so numerous and impressive, he could have easily been a stellar scholar. Why do you think he chose to be a Yogacharya?

I will put it this way: There are hundreds and hundreds of yoga teachers, who just teach asanas. There are hundreds and hundreds of scholars who just teach philosophy. Very rarely you can find a person, who combined yoga practice, and also philosophy. And his approach was this: that without yoga it is not possible to achieve all those things that were mentioned in the shastras. If you want to be a Bhakti yogi, or you want to be a jnana yogi - whatever spiritual height you want to achieve, you have to have a solid yoga base, at least a solid hatha yoga practice, consisting of different asanas and pranayama. It is quite obvious: asana and pranayama are necessary to control one's rajas and tamas; without controlling rajas and tamas, you cannot really go into many of the meditative procedures mentioned. It was very clear the way he was teaching.

Which part of Krishnamacharya's teachings is least explored?

I think therapeutic applications of his teachings. His Chikitsa Krama. But then, I think more than giving simple movements or exercises to people, I think his approach to the Six Koshas is very important.  It is not therapeutic application, it is more fundamental. This is something you can find in Yoga Rahasya, he mentioned these things. In Yoga Makaranda, see the kind of importance given to Pranayama, and also Bandhas, the inversions – few things that are unique to Yoga. They have to be put in a way, so that ordinary people will be able to appreciate things that could happen – rather than talk about chakras, and some of those things which are very difficult to explain. But you have to quantify it. The only reason why it is not brought about, is that we have to validate all those things. Once validated, it will become very popular, I am sure. It is quite logical. It will be quite useful. More people will do Pranayama, more people will do the Bandhas, headstand, shoulderstand, more people will meditate. My wife is a doctor – she says they appear medically sound. Only thing is – she says, it will be better if you can validate it. I tried to do that, but I was  able to do some minimal work. In fact, two-three years back I was start thinking about coming up with a book called “Yoga for Internal Organs”.  I can use my wife's help, so she can deal with professional terms used my modern medical practitioners, so they can appreciate what's been said.  But the only thing is, I need some more studies to be done.

I tried for two years, and initially got something done. But then I started coming here. Here, in the USA I cannot do anything. In India I stayed for two-tree months, I cannot organize anything in that time. But still, I got it clear in my mind; I know what I want to do. What I need is some good technical design some experimental studies, so whatever  I want to do he will be able to implement. I don't know kinds of various equipment available now. I don't even need a doctor. See, these people are trying to say how it won't work. First thing they say, oh yes, this won't work. So I need a technician, I want this to be done, studied. I think this time when I will go I will be able to get something done.

This is one project I would like to do. If I can't do it, it is OK... Maybe this time I will do this...
Otherwise his emphasis was on Yoga Sutras, Philosophy, Vedanta, Bhagavad Gita... There is a group of people which was interested in India, studying with him, they were not interested in asanas. In fact, I know a person who is two-three years older than me, about 75-76. He was a long time student of Krishnamacharya. He studied asanas, but not very much. But he studied a lot of philosophy, not even chanting. Very good in Yoga Sutras and all that. But he did not want to teach. He became a Public Prosecutor, he is a lawyer. He did not want to leave his profession. But because of his law background – very very sharp fellow.  Likewise, there are few people who studied with him, but at the same time they were not prepared to teach.

In your time of studying with Krishnamacharya, were there any Indians who were seeking yoga as sadhana? Not for health reasons, or mental peace, or studying philosophy?

People who came during his Madras/ Chennai stay, many people came for some therapy. Some chronic back problem, or neck problem, or scoliosis... Or sometimes they came due to inability to sleep, physiological problems. Sometimes people came for treatment of bronchial asthma. That was one group. The other group was people who were interested in vaishnavite philosophy. They came to him because he had a lot of knowledge about Vaishnavism. In fact, once he was considered for a top post, to head Vaishnava Mutt - Matha is a particular vaishnavite denomination. He was a great vaishnavite scholar, and many people came to study with him. He used to teach Bhagavad Gita, Ramanuja's works, Desikan's works. That was another group. The third group was coming and studying asana. People like us, to whom he also taught related subjects like Samkhya, Hatha Yoga Pradipika, Upanishads...

And were there other ones who seeking yoga as sadhana?

Many of the real yogis keeping it to themselves. At that time there were number of renown yoga teachers - Kuvalayananda in north India, there was a yoga teacher called Sundaram in Bangalore area, Krishnamacharya was in Mysore... His book was popular at that time, people would look at his pictures and practice. But again, as I told you, it is all confined to few asanas.

What was Brahmacharya for Krishnamacharya?

Brahmacharya, of course is a strict celibacy. Patanjali talks about two types of Brahmacharya. Brahmachayas, they called Naishtika Brahmachayas, people who maintained Brahmacharya throughout their life, and have no problems. They can live without sex all their life. There are very few people like that. On the other hand, if you don't have this capacity, don't have this mental control, you are not allowed to remain a Brahmacharya throughout your life. In Brahmacharya Ashrama [first stage (Ashrama) of life in Vedic Ashram System, student life] you are expected to maintain the celibacy. But then , after completing studies, you must get married [enter the next stage, Grihastha, or householder], so you are not a nuisance to society. But still, as a Grihastha you can practice Yoga, then become Vanaprastha [next stage, in which one partially giving up material desires], ultimately, once all your duties are done, you can become a Sannyasi [the final life stage of the renouncer] and proceed. So Krishnamacharya used to say, that during Kali Yuga [current epoch, or Yuga, in the cycle of four yugas described in the scriptures], this particular period of time, Brahmacharya is not possible. There are more distractions, they are not as disciplined as during previous Yugas. 
Brahmacharya is not a choice. You can't just decide “I want to become a yogi. I want to become a Brahmachari.” They won't allow that. If you even have thoughts about sex, you are not a Brahmachari, you must get married. This is a simple test. Unless you can maintain real Brahmacharya, you don't fool around, trying to say you are a Brahmachari. Because later on, all these people create problems.
That is why in Vaishnava philosophy, they don't allow to remain Brahmachari – even the heads of the Mutt. Whereas in the Advita Shankaracharya tradition, boys are taken and then made into Shankaracharyas. This system of maintaining celibacy all life in several religions have been less than 100% successful.  Unfortunately sometimes they make mistakes. When they make mistakes, they create lots of problems. 

So basically, for him it was faithfulness to the marital vows.

Yes.


It is said that in his late years he practiced only Bhakti Yoga, as he was a great devotee of Lord Vishnu all his life. Does this mean that he came to conclusion that Patanjala ashtanga yoga, and samadhi is not a practical way to achieve Kaivalya?

No, that is not so.. He did not become a Bhakti yogi in his late years. He was a Bhakti yogi from the very beginning, it was his family tradition. If you want to categorize Krishnamacharya whether he was a Bhakti yogi, or a jnana yogi, or a hatha yogi, I would say he was a Bhakti yogi. That was a main thing. Everything else he did would have to lead to Bhakti yoga. But then he also used to tell, that various procedures and practices mentioned in Yoga Sutras are very important, because Bhakti Yoga does not deal with that. That is why he started teaching. He used all angas of ashtanga yoga, or Patanjala yoga darshana, and simultaneously developed a Bhakti yoga practice. He used to say there is only one dhyana - that is Bhagavat dhyana - meditation on the Lord. Once you practice your pratyahara, next thing for you would be meditating on the Lord. So all those things mentioned in Yoga Sutras become very academic, because that's not what you want. His purpose was to have a vision of the Lord, everything would be directed towards that.

And what is the predicament of non-believer?

If you have no faith in God, then you can go through the procedures mentioned there. Yoga Sutra provides provisions for that: do your pranayama, your meditation, try to develop one-pointedness, and then try to understand True Self. None of them requires belief in God. There is a royal path available. But if you believe in God, you got additional support, additional help. You can use that.

Have you seen him practicing asana in his late years?

Yes, that is what I told you before. But not the same kind of asana you see him doing in 1938 film, not that kind of yoga. He himself used to say that you have to change your approach to yoga as you get older. Clearly, more emphasis on pranayama. And then, I've seen his pranayama - something extraordinary was in a way he was able to expand his chest, and then do the bandhas afterwards. He insisted that everybody should practice pranayama. Unfortunately, nowadays pranayama is neither taught, nor encouraged.

It is said that Krishnamacharya was continued to call himself a student because he felt that he was always “studying, exploring and experimenting” with the practice. It seems like his practice changed through the years. His yoga as presented in Yoga Makaranda seems quite different from yoga he taught you.

I would not say Yoga Makaranda and Yoga Rahasya are complete representation of the way he taught. Sometimes when you write a book, you are writing about some asanas, how particular asana should be done.

Watching snippets of his 1938 movie, one get impression of very active, fast practice.

Right, right. I will tell you that all those things were done with a purpose of demonstration. For the purpose of people knowing it. See, when he was teaching in Mysore, he was teaching youngsters. He was also teaching the royal family. I don't think he was teaching those things to the royal family. They were not jumping through, or doing those difficult things. He would adopt to individual requirements. People like to see those things, so he presented things that people like to see. And that does not mean that this was what was he teaching. Even at that time he was teaching differently to different people.

It is clear that he was leaning towards individual, one-on-one approach in his later years.

No, even in earlier years. Whatever you see in the movies, in those photographs, or whatever is mentioned in Yoga Makaranda - he wanted to present a particular view of the whole thing. Whereas in Yoga Rahasya he says that the whole thing have to change, depending upon your age, view not found in Yoga Makaranda. So books are not a complete picture of how he was teaching. That is what I feel reading Yoga Makaranda, Yoga Rahasya, those movies. And I think he himself would say it sometimes that those were made to attract people towards yoga. Because people like to see those things, and shown them. He was capable of that. I would not say that his teachings were confined to what you see in 1938 movie, or what was mentioned in some of the earlier books. That is my view.

There is a saying "Success is 99% practice." Pattabhi Jois used to say: "Practice and all will come." Is the secret is just practice, or studying shastras is essential?  What place study of scriptures should take in one's progress?

Again, it all depends on individual interests. If you are happy with asana practice, and maintain that, that is good. But the way Krishnamacharya used to teach, it may not be sufficient. Practice changes as we get older. That is why he had three different kramas: srishti krama when you are young and growing, with emphasis on asanas and vinyasa; in midlife chikitsa, or sthiti krama to maintain a good health, and then as you get older, anta, or samhara krama. Philosophy helps to guide you in the old age. Many times in India, after they get to 60 years, they retire, and start studying Vedanta philosophy - it is difficult to understand it then. You have to have a good grounding even when you are young. I think people who practice only asana, and try to be satisfied with that - after some time... It is not a complete picture.

So much written about Yoga Sutras, it is so commented, that frequently comments obscure the original meaning rather than clarify it. What was Krishnamacharya's method of studying scriptures, Yoga Sutras in particular?

He considered Yoga Sutras as the most important text if you want to study yoga. It is the most important text, because it contains yoga philosophy. And yoga philosophy considered to be one of the fundamental philosophies belonging to the Vedic period. If you want to study yoga philosophy, you want to study Yoga Sutras. And then he said, once you have understanding of Yoga Sutras, you can compare it with other texts. If other yoga text is consistent with Yoga Sutras, then it is acceptable. Because Yoga Sutras by itself cannot explain everything in great detail. It can only explain basic parameters, because it was meant to be brief. It gives overview of the whole thing, and at the same time gives all the necessary details about the important things. If you want to know more about asanas, yes, Yoga Sutras gives only two sutras to explain parameters of asanas. It does not tells you about various asanas. There is a general rule "anuktam anyato grahyam" if the main text does not explains certain things, you have to go to other texts, which will help you to understand. That's a common approach.

When I studied Hatha Yoga Pradipika with him, he said that most of it is quite acceptable, but there are certain areas that are not acceptable, you do not have to read them. Especially some portions of the Third Chapter. How do you tell they are not acceptable? They are not consistent with Patanjali Yoga Sutras, go against principles of Raja Yoga. HYP is a very good text, but don't take it as a Gospel Truth. But otherwise, it is an excellent book – especially for Pranayama, the varieties of Pranayama discussed, you get idea about that. But in the olden days there were number of yoga systems which seem to violate some of the Yamas Niyamas mentioned in the Yoga Sutras. So he would say, be careful about that. People who study the Yoga Sutras will know - this is not according to main teachings of the Yoga Sutras.

Can you give any example of that?

There are many practices that are not helpful to maintain brahmacharya. They are considered to be OK in some traditions, if they encourage that, or experimenting along those lines. He would say, don't go near those practices. This kind of information is available when you go to traditional yoga teacher, like Krishnamacharya. But if you go to a teacher who does not belong to this tradition, you do not know. There was a lot of mixing up in yoga practices in the olden days. and more so nowadays.

Ramaswami teaches.

How did he study actual source? There is actual text, which is very terse, and there are a lots of translations and commentaries. How did he approached it?

Let us take Yoga Sutras. The fist time around, he would just take the sutra, word by word meaning. Give a brief understanding of the sutra. Give a derivation of each and every word. The first reading itself, you are very close to the text. Then whenever you read the commentary it goes much easier. But nowadays what happen is that people do not read the sutras, because some understanding of Sanskrit is necessary. Krishnamacharya would break down every word, every word in the source, and then explain etymology. That way you get very close to the Sutras. That is the first reading. Second reading you go to the commentary. Then it becomes that much easier. If you read only the commentary, and don't have understanding of sutra, what it means - I read a commentary, write a book, then somebody reads my book, he writes another book... Over the period of time meaning becomes completely different, watered down - this is not acceptable.

When I was young, there were not many people who were teaching Yoga Sutras at that time, because Yoga Sutras was considered to be a very difficult text to deal with. Whereas people would teach Vedanta very easily. Brahma Sutras were taught. At that time, I remember Yoga Sutras were taught more in Western universities than in Indian universities. You apply to the shastri position in Sanskrit college (teacher learned in the texts and commentaries) - people would prefer to study Nyaya Shastra, or Nyaya, Vyakarana (grammar), or Mimamsa, or Vedanta. Very few people were studying Yoga Sutras, because many people did not have necessary background to teach yoga. Yoga studies were very limited at that time, and only Krishnamacharya and few people like that could teach. Now, of course, almost everybody teaches Yoga Sutras. I remember we were very, very reluctant to explain Yoga Sutras at that time, because we were afraid we were not explaining it properly. Now because yoga is popular, people started to teach Yoga Sutras.

He taught only Vyasa's commentaries. And then there were another comments by Shree Shankaracharya.  But more than anything else, I would say that Krishnamacharya interpretation of Yoga Sutras was the most important thing. Again, the way he was approaching it was - go to the Sutras. Try to understand the Sutras without any of these frills. Then when you want a little more about it, and these commentaries will be helpful. But you can't understand Yoga Sutras by reading commentaries alone. You must have a basic understanding of the whole thing by reading the Sutras.

When you start to explain Yoga Sutras through commentaries - "this commentator says this", "this commentator says this", - this way you are not really explaining the Sutras. There is little point in saying "X says this", "Y says this", etc. What is it you want me to understand? This is exactly what you would get from Krishnamacharya: he would explain what it means. You would study it, and then think about it. Because there should be cogency. Some of the things he would say - Yoga Sutras are divided into three parts and addressingmeant for three different groups: the born yogi, an entry-level yogi, and a life-long yogi. This kind of representation you cannot find in modern commentaries. Then what happens, you try to take one sutra from here, one sutra from there, and then try to paste some meaning out of it. There is a structure to it, you know. That he was able to present properly. Again, you don't find that even in traditional commentaries. This makes you understand Sutras structure, whom Patanjali is addressing, all these things. It becomes easier when you study with a guru like him.

What other works he considered to be essential?

After the Yoga Sutras, he asked us to study Samkhya Karika, because a lot of things that are taken for granted in Yoga Sutras you find in Samkhya Karika, that is a theoretical basis for Yoga. [Yoga philosophy piggybacks on Samkhya philosophy.] He taught Samkhya Karika shloka by shloka, and then he also used Gaudapada's brief commentary on that. First you go through the Samkhya Karika text, and then - the commentary. There is also equally good commentary by Vachaspati Mishra; both are available in English translation. Traditional translations are available. That was the second most important text.
Then he went on to teach several of Upanishads. Not the complete Upanishads - he would take one section, they called Vidyas, Upanishadic Vidyas. Like the Panchakosha-Vidya, or Panchagni-Vidya, or Sad-Vidya, Bhuma-Vidya... That went on for a number of years. And of course, in addition to that - chanting, a lot of chanting. I have learned a lot of chanting.

Was it part of part of Bhakti Yoga?

No, the interpretation of Svadhyaya in Yoga Sutras is study of the Vedas. Chanting of the Vedas. [Traditions of Vedic chant are considered oldest unbroken oral tradition in existence, dating back to early Iron Age.] He would teach chanting of mere Yoga Sutras, some portions of Upanishads. Upanishads portions of Jnana - the knowledge portion. And some Bhakti - like Purusha Sutra, Rudram Chamakam. They are Bhakti portions. And some of them are rituals. You take Surya Namaskara mantra, the chanting is done every Sunday. Those supposed to have a very laudable benefits - if you chant Surya Namaskar, you are supposed to have a very good health. He used to say, even if you only hear those mantras, you are bound to feel healthier. That kind of belief is there. We used to study and chant Surya Namaskar every Sunday along with him for a number of years. There were number of other sections he taught. Mere chanting itself has an effect. Chants are supposed to vibrate in different chakras in the body, they are very auspicious sounds. If you believe in that and chant, it has a very salutary effect on your system.

Vedic chanting must be done in a very particular way, and it is not singing, is it? [The oral tradition of the Vedas consists of several pathas, recitations, or ways of chanting the Vedic mantras.]

Yes, you cannot change that. He himself studied the Vedic chanting when he was young, and he was able to teach us.

Krishnamacharya wrote several books throughout his life. He wrote in his mother tongue, Kannada. What was his target audience - who was he writing for? E. g. Yoga Makaranda has a very different form than Yoga Rahasya.

I think Yoga Makaranda was written for Indians in general. It was not addressed for Western audience per se. He wanted  many Indians who were not practicing yoga to start practicing. He was probably directed by Maharajah of Mysore to write a book, and I understand he wrote it in two-three days time; pictures were taken, and he wrote the whole thing. It was two things - one is the instructions for Maharajah, and two - he wanted more Indians to practice yoga.

Whereas Yoga Rahasya is a text which was lost, remember, I told the story of Natamuni wanting to transmit a knowledge to his grandson. He wanted to represent the Vaishnava Yoga, yoga based on vaishnavite philosophy, and also number of other things that he wanted to say: the therapeutic benefits of some of the procedures, like pranayama, etc. So he wrote that book. I don't know when he wrote that, because during the class he used to quote from Yoga Rahasya, he would say "this is what Yoga Rahasya says." I used to note down many of those things. But later on Desikachar was able to collect all of them and publish it as a book, I found that some of the shlokas he taught in the class are not there, and some of the shlokas the he did not teach were actually there. Let us assume that he wrote everything himself, with the inspiration from Natamuni, if you take it that way.  It was addressed partly the vaishnavite philosophy, partly the therapeutic applications. And also I could see he was talking about three stages of practice. There were few other ideas you do not find in Yoga Makaranda.

I think later on, towards the end of his life, he wrote a commentary for first chapter of Yoga Sutras. He wrote it in Kannada, translated to Tamil, and then published. Unfortunately, I don't know why it was not translated in English. I don't know if he wrote the commentaries on the other three chapters.

In his writings he sometimes comes across as severe, categorical, and sometimes angry. Is it sign of times, or his character?

A bit of disciplinarian he was. And all of that was directed by his firm belief in the shastras. It is not only him - most of the elders at that time were very forthright. They won't mince words, they tell you right in your face. Maybe is is the case in every civilization. He was one of those. 
Yes, he was very stern, but at the same time there was a very beautiful element in him, very nice things about him. He was interested in Yoga, how many teaches are there like that?

He was also a patriot. India was not independent at that time.

Yes, he believed that by following yoga, by maintaining good health Indians should be more disciplined and not be so easily swayed by Western influence at that time.

Krishnamacharya was speaking only in Kannada?

No, that's very interesting about him. He knew Kannada, his mother tongue virtually. He lived in Mysore. Then when he came to Madras, he learned Tamil, and started to teach in Tamil. He learned Tamil. He was in Madras for about two years before my father met him, and by then he learned it. The only thing, he had a very strong accent. He would use many Sanskrit terms, that was very helpful. Initially, for first few days it used to be funny,  like the way we speak English sometimes. Like that, he had an accent, he had an odd choice of words... But then, over the period of time you get used to it, and it was very good. No problem at all.

Did he understand or speak English?

He spoke English, but it was worse than his Tamil. English was very difficult. But at the same time he had Western students, and they were able to understand him.

Did he have Western students?

Yes, at that time there was an American Consul General in Madras. He learned Tamil, and then he would study with him.

What was his name? I wonder what become of him?

His name was Dr Albert Franklin. He is no more. But he was a very, very good friend of his. He was my father's age. He was a good friend of his, and he and his wife used to come there. I don't know if he wrote anything about Krishnamacharya, but I think he studied with him for a number of years, because he was living in Madras, and he was US Consul General. He was one of those people who did not merely studied asanas. He also studied number of other things. I think he studied Bhagavad Gita, Yoga Sutras, and all that. He was a Harvard Ph. D in Political Science, great scholar. A very nice man.

Were there any other western students?

This one I remember. May be there were a few others. Because sometimes after his class was over, I used to go for my class. I used to meet him just outside the class and speak for couple of minutes. He knew Yoga very well. I wish people like him teach Yoga. Unfortunately... This man would have been a very good teacher. I don't know why he chose not to teach.  Indra Devi was there.

Indra Devi was born and brought up in Russia, actually. She emigrated after the revolution, but visited USSR a couple of times after she settled in Argentina.

I've met her just once, for a few minutes. She came to see him on his 99th birthday or something. I did not speak to her; somebody introduced me, she said “Hello.”

Did he ever share his thoughts about Tantra?

You see, Tantra itself is a huge subject. There are some practices that were considered to be not acceptable from the Vedic approach. They called it Sadachara  and Vamachara. He was pretty severe about Vamachara practices, objectionable practices. If it is an idol-worship, some people say it is Tantra. He himself used to practice that. He had an icon, and worshiped it on a regular basis, but that is acceptable. And then some other practices, like I told you, in Hatha Yoga Pradipika, that are not acceptable. He would say "Be careful about those practices."

Are you familiar with tradition of Tamil siddhis (sittars), and Tirumantiram scripture? Do you think this tradition is still alive?

In fact, I wrote an article about Tirumantiram in Namarupa magazine (there was also an article about Tirumular and Tirumantiram in Vinyasakrama Oct 2009 newsletter).
Tirumular was a great yogi, supposedly a contemporary of Patanjali. He was more known as siddha. The entire Tirumantiram consists of 3000 verses or so. There is one section, one eights of it, is on ashtanga yoga. The others is about Tapa Siddhi. If you want to understand those, it is a very good text. Some shlokas hit you as very very meaningful.

In your opinion, why in lineages originated from Krishnamacharya (B.K.S. Iyengar, Pattabhi Jois, T.K.V. Desikachar, you, A.G. Mohan) Shatkarmas (cleaning procedures) are not taught? In his early work, e. g. Yoga Makaranda, he gave plenty of attention and importance to these practices. In traditions of Sivananda, Bihar school of yoga, Vivekananda, and followers of Dhirendra Brahmachari place great emphasis on teaching these procedures.

In fact, Krishnamacharya, when he started teaching us, never gave much importance to them. Only the kriya that he said was important was Kapalabhati kriya, because you are not putting anything external into the system. See, Kapalabhati takes the air to cleanse the whole system, whereas other kriyas introduce a lot of foreign material. And they are not very pleasant. He said, in fact I do remember him indicating it, he mentioned them because they are all in the texts. It does not mean you should practice them. He himself would say, I think it is mentioned somewhere, that these are not necessary for everyone, only people who got a lot of toxins that should be removed. They should practice this. So when we were practicing, he said, "it is not necessary for you, your breathing is normal, you do not have to do all those kriyas." When you talk about the system, you must know that these are various things available, use it if it is necessary, not on the regular basis. You don't need to use Neti Pot daily, just because it is mentioned there.

To be able to use it, one needs to know how.

Yes, you have to learn how to use it.

Did he teach it?

No, at the time he said, "It is not necessary for you." At that time I was not thinking of  teaching, so he was teaching only for my own requirements. I did not ask him how to do this, and he did not teach me. I do not teach it to anybody, because I don't know how to use this. And then Hatha Yoga Pradipika clearly says this is not for everybody, but only when absolutely necessary. Shat-kriyas need not be practiced by everyone. They are there if needed, it is an option we have.

Did he give any recommendations on massage, oil bath, other cleaning procedures?

Yes, oil bath is something that people in India, especially in South India, do it regularly. He did not give any particular recommendations, but he would say don't let anybody do an oil bath or a massage to you, as a yogi, a practitioner of yoga. You have to massage your own body, allow 20 minutes to half an hour for oil to soak, and then have a bath. And then there are some materials that are available to remove excess oil from the body. Usually this was done twice a week. He would also recommend taking castor oil twice a year for cleaning digestive tract. These were accepted practices. 
Normally in Madras we take a warm water bath in the morning. Many times we take a cold water bath, it is more refreshing. But Krishnamacharya insisted you take warm water bath. Of course yogis take cold water bath, we know that. But he said, at your age, this is what you should do. Naturally the condition of yogi who lives in Himalaya will be different. But from that day on, I take a warm water bath before my yoga practice.

Did he give any other recommendations on diet, sleep, or monitoring one's health?

As far as sleep is concerned, he would say, go to bed early, and get up early in the morning. Because morning is the best time for you to practice your yoga, or chanting, or meditation, or whatever. He himself used to wake up at 3 o'clock in the morning. But he used to go to bed around 8:30 at night. Of course, this would be difficult in theWestern countries. In India sunset is always around 6pm, whether it is winter or summer. So he used to go to bed around 8-8:30, be up by 3 in the morning. By 6 or 7 would have completed all his morning ritual, and the ready to receive anybody for a class, about 7 o'clock in the morning. He would say, "go to bed early, get up early in the morning, try to get at least 6 hours of sleep." 
"Don't put on weight, be careful about your diet." I think I mentioned to you, that he would say "don't allow your thighs and waist to spread."

Did he recommend measuring thighs, waist, and heart rate on a regular basis?

Yes. Another thing he would say, "don't allow a heart rate to go up, don't allow a breath rate to go up." Even though you are practicing asanas, you have to take a rest frequently. Whenever you find a student struggling for breath, don't ask him to go on. If the breath rate is above the normal, allow them to settle down. The whole purpose was to slow down the breath rate. The metabolic breath rate should come down.

He was also an Ayurvedic practitioner. It seems that in old days, yogic approach, including shat-kriyas, was prevention of diseases, and was independent from Ayurveda.

Yes. Yoga texts in general don't talk about Ayurveda practices. Whereas Ayurveda, I understand, mentions that if diseases cannot be cured by Ayurveda, it should be tackled by Pranayama. That is what I hear. I did not study Ayurveda practices. But then you must also understand that yogi was usually a recluse. He did not have facility of Ayurvedic doctor/vaidya. They would have to manage the everything by themselves. So yoga, over period of time, develop its own techniques of maintaining the good health. The first thing they would have to do is to have a good health, so they could sit down, meditate, be alone. From that point of view, yoga got enough material to maintain a good health.

How did he come up with Ayurveda? Did he use it in his own practice? Did he use it for healing?

For his own sake, I don't know if he used Ayurvedic preparations, I don't know. But whenever students came to him, he would teach them asanas. But asanas were not sufficient, because they did not have same discipline that he had. So he would supplement them with Ayurvedic preparations. I don't think Krishnamacharya himself was an Ayurvedic expert, Ayurvedic Vaidya. He had a good working knowledge of Ayurveda. That is my understanding. He would use them as a supplementary method. When students come to him, he used to prescribe medicated oils, for joint pain, or things like this. He also gave certain lehyam [Ayurvedic jam], powder. And he had a good understanding of human anatomy, physiology. He used pulse. He had his own methods of diagnostics. He would check your pulse, check your marmasthanas [vital body regions]. Few things he developed and used. I don't think he taught this to anybody. Maybe his son learned about it. He had a good working knowledge how to treat patients - with asana, with pranayama, with few Ayurvedic preparations. And sometimes he would teach some mantras to chant. Like that, he would draw from different sources, and then make a recommendations to his students.

Let's talk about Pranayama. In his writings he says numerous times, that Pranayama is the key to the whole practice; it is the most important anga. Vinyasa Krama you teach is centered around the breathing.

Right.

And yet, Pranayama, by and large, taught on the fringes, and sometimes has an air of being remote like samadhi. Often presented as dangerous. How Krishnamacharya taught it, and how soon?

I don't remember when he started to teach me Pranayama. I know it was very early, because he had started to use breathing on day one. That itself is half Pranayama: long inhalation, long exhalation. You start from day one. And then Pranayama practice is regular. I think I mentioned, Pranayama practice is an integral part of daily routine in olden days. You are required to do ten times Pranayama with Gayatri Mantra, and all that. Pranayama is considered essential part of your daily life. You are required to do, say, ten in the morning, ten in the afternoon, ten in the evening, and there two or three in addition in every sitting. Virtually you do forty pranayamas every day. Everybody - you don't have to be a yogi to practice Pranayama. Everybody is required to practice Pranayama forty times every day. So, what's the big deal?

Samantraka Pranayama (pranayama with Mantra)?

Samantraka Pranayama. But still a pranayama. In fact it's a more difficult pranayama. If everybody, even non-yogi do forty times pranayama, why yogi should shy away from that? And I don't think Krishnamacharya told anybody not to teach Pranayama. He might have not told somebody to teach specifically pranayama, I don't know what happened. But he didn't prevent anybody... He taught Pranayama from very beginning. In fact, almost anybody who has studied with him learned Pranayama from him. He would himself teach Pranayama. Normally your asana practice ends with pranayama session. I have never come out from his class without practicing Pranayama. I think I've mentioned it several times. You see, Pranayama is the one that makes Yoga unique. In all other systems there is no control over the breathing. In all physical exercises, there is no control over the breathing. Here you try bring your breathing under voluntary control. If there is something very big, very unique about Yoga - it is the breathing. Any people who want to meditate, to achieve samadhi, achieve kaivalya, some of those things that are mentioned - if you shy away from Pranayama, how can you progress? You have to use this vehicle, you got to use Pranayama. Krishnamacharya was insistent that without Pranayama, there is no Yoga. 

In fact, word Hatha, as in Hatha Yoga, means Pranayama. You look in the Hatha Yoga Pradipika, the commentator says Ha is Prana, Tha is Apana, Yoga is a Union, Hatha Yoga is a union of Prana and Apana, which is Pranayama. So Hatha Yoga Is Pranayama. How can you say, "I practice Hatha Yoga without Pranayama?"
I don't know why people are unnecessarily discouraged from Pranayama. Everything is dangerous. If you do Pranayama in very unorganized way, then perhaps... But then enough instructions are given in the books. And they say you have to be careful, you have to learn from a teacher. Yes, you have to learn from a teacher. See that it is within your limits. In fact in Hatha Yoga Pradipika, the first instruction is "Inhale as much as you can." Yetashakti "Exhale as much as you can." Slowly build your capacity. You have to work along these lines. People who discourage Pranayama are doing a disservice to Yoga. That may not be their intent, but they are creating unnecessary fear in people, and they are doing a disservice to Yoga.

One reason why people are reluctant to teach Pranayama because they are afraid of teaching it. They don't teach Pranayama because they don't want to get into any problem. They don't want to teach Sirsasana, or Sarvangasana because they don't want to get any problem. These postures, these procedures are a bit tricky. If you understand, if you are able to practice them – well and good; but sometimes you make a mistake, you feel very uncomfortable...

If Hatha Yoga is Pranayama, then Pranayama is Kumbhaka?

Kumbhaka is holding ones breath. It has to be proceeded by inhale, or exhale. Pranayama is control of the breathing. Kumbhaka is the most essential aspect of that. You have to use your inhalation or exhalation before you are able to hold your breath.

How would Krishnamacharya teach it?

After you practiced your asana, he would ask you to sit in padmasana, vajrasana, etc. do your Kapalabhati, 108 times, or whatever. And then he would ask you to do - one day Ujjai, another day Sitali, another day Nadi Shoddana, like that he would slowly build up the practice, and then later on you have to practice Pranayama on your own. You don't have to teach forever. Once he knew that you practice your Pranayama properly, he would say at the end of the class, "practice Pranayama for 15 minutes."

Which Pranayamas were taught, and which ones were mostly frequently used?

Mostly, in Vinyasa Krama practice, he would use Ujjai breathing, because we use Ujjai in our practice, so it becomes easier. Ujjai and Nadi Shoddana are the two most important pranayamas. And then if you combine those two, you get Anuloma Ujjai, Viloma Ujjai, Pratiloma Ujjai. Occasionally he would ask me to do Sitaly pranayama. When weather is very hot, he would say "you look tired, why don't you do a Sitali pranayama." The main emphasis was on Ujjai and Nadi Shoddana. Normally for Mantra Pranayama, they use Nadi Shoddana pranayama. Inhale through one nostril, chant the Pranayama Mantra, exhale through the other nostril. Nadi Shoddana pranayama is mentioned in the texts also.

What about Bhastrika, Brahmari?

Brhastrika, Brahmari are special pranayamas. 
They are not as common as Nadi Shoddana and Ujjai pranayamas. Because most of benefits expected from Pranayama you can get from these two procedures. Next question is how long you can inhale, what ratios you can maintain [puraka - antar kumbhaka - rechaka - bahya kumbhaka]; there are different parameters that come into play.

He did not use much of Bhastrika?

No. He would ask you to do Kapalabhati. Because Kapalabhati is a cleansing kriya. Bhastrika is a specific pranayama, for certain conditions.   

What scriptures did he use as authority on Pranayama?

Hatha Yoga Pradipika talks about it. And then there are number of Smritis (texts) which refer to Pranayama, how to use the Mantras. Pranayama has two things: one is technique of doing pranayama; the other is how to use the mantra in this pranayama. There are several Upanishads, several Smritis which talk about Pranayama. So, lot of material available on Pranayama.

Pranayama, according to Krishnamacharya, not effective without Bandhas. Just as Bandhas not viable without Kumbhakas.

Yes, without Bahya Kumbhaka, especially.

How did he teach the Bandhas? And how soon?

Once your breathing is comfortable, you have long inhalation and exhalation, and you can hold the breath for a short period of time, Bandhas can be done. I think he taught Trataka Mudra as the best procedure positioned to teach Mulah Bandha, and Uddiyana Bandha. Once you are able to do Bandhas in that position, then the next thing for you would be to try it in Adho Mukha Svanasana, then some of the seated postures, especially Padmasana and Vajrasana. These are the postures he would ask you to practice the Bandhas.

I think considerable confusion exists about Bandhas, and perhaps it may be useful for many people if we will discuss it. Let's go through three major bandhas. In case of Mula Bandha, queues can be very simple - yet books written about it.

He gave simple instructions, he did not elaborate on this. He would say draw your rectum and tighten lower abdomen. That is all instructions he would give. He would observe how your Bandha is, and say, it is fine. That's about all.

Uddiyana Bandha, anatomically, is a passive stretch of a diaphragm, done by exhaling, closing one's voice box and lifting the chest. But that description does not make it possible to do Uddiyana Bandha on inhale. Yet Hatha Yoga Pradipika talks about it. How is it done? Some lineages talk about Uddiyana Bandha vs. Uddiyana Kriya.

I don't know about Uddiyana Kriya, so I can't talk about it. Hatha Yoga Pradipika talks about Uddiyana Bandha, I think, even at the end of your inhalation, Antar Kumbhaka. I asked my teacher, he said, "this is not for Grihasthyas" [non-Brahmachari]. The idea appears to be getting the union of Prana and Apana, by pushing the Prana in the Antar Kumbhaka, pushing up Apana. It is a difficult procedure. Probably you can learn from a teacher. He himself practiced this, it is not impossible. But, the most benefit you get from certain things - for instance if you want to work with your heart, it is better to do it on exhalation. Depending upon the requirements, your condition. If you want Prana Apana Vayu to enter Sushumna and all that, maybe you would like to do your bandhas on inhalation. On the other hand, if you want them to be helpful to massage your internal organs, probably you want to do your Uddiyana on exhalation.

Do I understand it correctly, Uddiyana on exhale is not only passive lifting a diaphragm, but also active pressing of abdomen against the spine?

Yes, pinning of abdomen against the spine.

So Uddiyana on inhale, it is only pressing abdomen against the spine, because you cannot lift the diaphragm?

But there would be pressure there, you see. What I am trying to say, we do the Jalandhara Bandha, and then you got the air inside your chest. When you try to pull Uddiyana Bandha, it may be not as deep, but at the same time we produce enormous amount of pressure inside your chest. That way they say the Apana is moved up, and you get the union between these two, that's the idea. You can't lift the diaphragm as much as you can during Bahya Kumbhaka, it may be a negligible movement, but at the same time you will be able to feel the pressure. I don't know why it is mentioned there, I've not been taught that, but he said, it is not for us. Because he was not talking in terms of the Kundalini Yoga, Prana, Apana through Sushumna and all that. He was using Uddiyana Bandha, Mula Bandha, for the six koshas of the body. If you look at it from this point of view, it appears to be very logical. It all depends on who is asking you to do what. 

I guess it is confusing to me because on exhale the diaphragm is relaxed, and this normally continues in Bahya Kumbhaka, where as during inhale, it is contracted, and after inhale completed, in Antar Kumbhaka, it can be either left contracted, or be relaxed.

Yes, but increasing chest pressure is what they are wanting to do - they wanted to get Prana and Apana closer.

Jalandhara Bandha. How did he teach it?

In Jalandhara Bandha, he showed me, saying, "get the chin to the breast bone, and then pull it up." Try to bring chin down, he would say four inches below the neck pit, some of the texts talk about it. Then lock the chin, and then straighten your back. What happen is the whole chest moves up along with it. And that is the correct Jalandhara Bandha.

And this bandha is let go once you start inhaling or exhaling?

Yes. The main thing you want to do it when spine is straight, while you hold your breath, that is during kumbhaka. You inhale, bring your chin down, pull it up and lift your chest. During this kumbhaka period, Antar Kumbhaka, you maintain Jalandhara Bandha. In Bahya Kumbhaka also, you bring it down down and pull it up. In Bahya Kumbhaka you maintain Jalandhara Bandha, Mula Bandha, and Uddiyana Bandha. The bandhas are very important during kumbhaka period. Naturally during inhale or exhale you will relax your bandha, but still you have to control the breath. You still control the breath by maintaining Jalandhara Bandha. You maintain the control with Jalandhara Bandha in Ujjai; you maintain the control with your fingers in Nadi Shoddana pranayama.

Jalandhara Bandha aids Ujjai.

Definitely! Jalandhara Bandha aids Ujjai. It also has a number of other benefits. It helps you to keep your back straighter. Once you pull up the spine, your Mula Bandha and Uddiyana Bandha also become more effective. Because the pelvic muscles are pulled up, there is more space between the pelvis and ribcage, so you are able to do the bandhas much better. They are all related.

What asanas recommended for its practice?

Usually Padmasana, Vajrasana are two main postures, which are helpful. You can do it in Maha Mudra, you can do it in Maha Bandha and all that. Sidhasana is very good for that too, you can keep the back much straighter.

What about practicing bandhas during inversions?

Yes, in Sarvangasana, Shirshasana - if you can develop good Mula Bandha and Uddiyana Bandha it is helpful, both from the Kundalini point of view, and for helping your body koshas.

Jalandhara Bandha is natural during the Shoulderstand and the Plough.

Yes, Jalandhara Bandha is natural during the shoulderstand. But it is better than in the Plough, because you keeping your whole body up. You don't get a gravity advantage in your Halasana. If you want to work with Jalandhara Bandha, you can do it in Halasana. But there is no point for staying in Halasana for 15 minutes, as you are able to stay in Sarvangasana. Benefits you will be able to get for staying in shoulderstand for 15 minutes are entirely different from what you will probably get with Jalandhara Bandha in Halasana.

What about Viparita Karani?

Viparita Karani is just an intermediate procedure for a shoulderstand, so your legs and the whole body can relax, and then get into a proper shoulderstand.

How is Drishti used in Vinyasa Krama?

Drishti is mentioned in many of Pattabhi Jois works, but for all those years I've been studied with Krishnamacharya, he never mentioned about Drishti. He never mentioned about it. Only thing he will say, whenever you do Trataka you gaze at the lamp, and then internalize it. That's about all. But whether you must look at the toe, and all that I find,  that kind of thing he never mentioned. Keep your head down, and your eyes closed. Most of the time our eyes are closed, we are following the breath. Most of the asanas you keep the eyes closed and work with the breath. Concentrate on breath, except in standing poses. When you are doing Paschimottanasana, you better have your eyes closed, so that you will be able to focus on the breath and the bandhas. Everything is happening inside, you don't need to keep your eyes open.

Did Krishnamacharya teach Jihwa Bandha, Kechari Mudra?

No, no. Whenever we do Ujjai breathing, we will ask you to roll the tongue back.

But that is not comparable to the real Kechari Mudra, it is much deeper.

No, no, no. All those things mentioned in Hatha Yoga Pradipika, or Yoga Makaranda, - any of the fancy things you find in those books - undercutting the tongue, or the Neti Pot, or the Sutra Neti, all that he mentioned in Yoga Makaranda, he did not teach in the later years. And people won't do it in India. He was not teaching yogis, he was teaching ordinary people, you know. Ordinary people were coming, and I was part of that gang. You go and study. Fortunately over the period of time, I developed interest in that. I think I had a very deep interest in the subject. Otherwise, most people... He won't be teaching all these things. And then he was not teaching teachers. He did not try to develop teachers or anything. During his later part of his years, he was teaching to people whatever is required for a particular individual.

Yuri Sharonin & Shrivatsa Ramaswami


Why didn't he teach yoga teachers, or yogis? Prepare, so to speak, a replacement for himself?

No, the whole thing is, we have a different impression about him, as some... But he, at that time, what he was trying to do - he was in Mysor, he has come to Madras, and what do you do? There are not many people who want to become yogis, yoga teachers. Even now in India, yoga teachers... It is completely different. What is going on in the West is different from what is going on in India. Nowadays a few people are interested because it is more popular in the West. In my time, you don't even tell anyone that you are practicing yoga. The elders used to discourage it, they think you will become a recluse. Lots of misconceptions were there in India at that time. It was very difficult to get married if you were to become a yoga teacher at that time. He had to teach for anybody wants to come to him and wanted to learn something. And he would teach. Most of the people never knew what he was capable of. Nobody knew. They would come, take few lessons and go away. A few people, like us, got interested in that. Because of our own personal interest. I wanted to know what it is all about. Not because you wanted to become teacher, or become this, or that. I wanted to know. He was the man who can give you the knowledge that you need.

What about Dharana and Dhyana? Since they are entirely internal practices, antaranga sadhana, and teacher's options are quite limited. How did he teach?

Not much here that he would teach. See, what I was found with him, rather than teaching Dharana, Dhyana directly, he started teaching the Chanting. I think I told you, chanting also helps your mind to become focused. You take a particular chapter; the chapter has got a theme. As you chant, if you know the meaning, you are able to get this particular theme in your mind. For instance, Pancha Kosha Vidya in the Taiitriya Upanishad, it slowly leads you, from Annamaya Kosha, to Pranamaya Kosha, to Manomaya Kosha... Like that it leads you... So if you chant for fifteen minutes, you have done a meditation on that. 

It develops Ekagrata [focus]?

Yes, instead of taking a mantra and repeating it, - that's one way of getting your mind focused - now you take one particular concept, one particular idea, and then you remain focused on that. The same approach is done in the Puja also. You take one Akriti, one particular deity you want to meditate upon, that has a physical form, that helps you to bring your mind to it, then you do Archana to it [chanting names of the deity], then it helps you to do Akara Dhyana [form of a meditation]. There are hundreds of methods by which this can be done. The one that we do is one method, it is not the only method. If you are Bhakti Yogi, you don't have to go through all this. That's why he would say, there is only one Dhyana, Bhagavad Dhyana. If you are doing Bhagavad Dhyana, start doing all these things. Every day for 15 minutes or half an hour, if you are doing Bhagavad Dhyana, it can be a Puja, it can be Akara Dhyana, or chanting sahasranama, a thousand names of a particular deity, like that. I thought he was insisting more and more along these lines, rather than going through the various parts of Patanjali. Because either you go through Bhakti Marga [path of devotion] or Jnana Marga [path of knowledge].

This is in addition to practice of Dharana, Dhyana?

He taught that you practice it. But he also brought all these other things. So if you really look at him, he did a lot, he did a lot to develop your Ekagrata, he did a lot for your meditation. He did not stop with taking a mantra and asking to do your Dharana, Dhyana, because other mantras are also available. It is also a very conventional way. And then the problem with most people of other backgrounds is that it will be difficult for them to do the chanting; it will be difficult for them to attach to this kinds of practice. In such cases it is better to go through Patanjali's procedure. He taught both of the methods. But I prefer after some time to go through the chanting procedure. I chant and meditate upon that. Surya Namaskara you chant for one hour. Entire one hour your mind will be on that. You can't think of anything else.

It is peculiar that here in the West, people seeking to start meditation practice come to Vedantic or Buddhist meditation, and think of Yoga only as a source of health benefits. Why do you think that is? Why not Yogic Meditation?

The whole problem is, nobody teaches that. Nobody teaches the yogic meditation. You look at some older teachers, they don't teach meditation at all. So people who practice Yoga, when they want meditation, because meditation is mentioned there, what do they do? They have to go to Vedantic school, because they can teach some Vedantic mantras, like Aham Brahmaasmi, So-Ham, Shivo-Ham, and all that. Or, they go to Buddhist meditation, or, sometimes they take a mantra. They go to religious people, take a mantra, and trying to meditate.

It may be that the format of typical yoga studio does not allow it. You have 1.5 hour class, and it is invariably a drop-in. It is very difficult to teach Pranayama or Meditation to someone who just shows up.

It is true, but at the same time the studio can offer programs on Pranayama, or Meditation. If you come to study yoga for three years, if you say, I am going to teach Pranayama, a few people may be interested. Have one class every week, whereas you can have classes all through the week for asanas.  Have one class for Pranayama, then slowly introduce the Meditation. Then it will grow. Once two or three people will study Pranayama, and they will practice... It goes the same way with asanas. If people won't teach, it won't spread. Unfortunately this will not be done, because most teachers have not studied Pranayama, so they can't teach. And they won't let anybody else come and teach Pranayama. You will ask them, how to learn Pranayama, and they will say, oh, it is dangerous. Because they can't teach. I am telling you, the reason why Pranayama is not taught, is not nearly because it is considered to be dangerous, but because they not taught about it. It is not so difficult if you apply your mind to it. All yoga teachers can learn safe simple Pranayama and teach. First you learn it for your personal practice, because you need Pranayama to teach it. And then when you go to yoga school to learn some yoga asanas, there should be a provision for it, there should be some classes available. Unfortunately it is completely shut out here.

Is it different in India?

In India, again, asana people practice only asanas. There is no seriousness. And then yoga is not practiced with so much of enthusiasm as it is done here. 
Krishnamacharya has taught Pranayama, that is all I know. How can his students, and thousands of thousands of people who follow them say they are following Krishnamacharya traditions? But they don't do Pranayama. They say, “don't do Pranayama, it is dangerous.” It is not fair to Krishnamacharya ,his teaching.

Can you describe the Vinyasa Krama, the method you are teaching? It's uniqueness?

Vinyasa Krama is a method, by which you do asanas, with a number of movements leading to asanas, movements in the asanas, counterposes to the asanas. And then all the asanas are done with a proper breathing. There is an appropriate breathing for each of these movements. And then the mind is focused on the breath. These are the main differences between Vinyasa Krama and other methods. The term Vinyasa means Art. Vinyasa Krama is practicing yoga as an Art. That's why it got so many movements. All of the various movements body can do, falling within common definition of asana. One more advantage of Vinyasa Krama is that you are able to access different parts of the body, which you won't do, if you doing fixed number of movements, fixed number of asanas. There are so many different movements, you are likely to reach and exercise all parts of the body. Prana goes to those areas, Rakta [blood] goes to those areas.

How does Vinyasa Krama relate to Chikitsa Krama [therapeutic approach to practice]?

Vinyasa Krama, if you learn and practice it, will give you a lot more, the bigger base for you to apply in Chikitsa Krama. Because in Vinyasa Krama we have, say about 700 vinyasas or so. If you want to teach somebody for a particular condition, you can study the patient, and then try to pick and choose. Those vinyasas are going to be helpful. But if you learned only a few asanas, then you don't have that scope. Again, if you have Vinyasa Krama, then you can teach for different people: young people, old people, middle-aged people. There is no need to have a same structure that you teach to youngsters, and then ask old people to perform it. Of course in a group class, like the teacher training, some people may find it difficult to do a difficult posture. But at least they will know, that when they would teach youngsters, they will have enough material to teach them. At the same time, when if they need to teach older people, they have enough material to teach accordingly.

How does Vinyasa Krama relates to long hold asanas?

Long hold asanas are there, because they require time to give proper benefits. You want to go into shoulderstand, headstand, you have to stay there for a long period of time, because if you stay for only a minute, the body won't relax. It takes time for a body to relax; it takes time for internal muscles to relax and then move, so you have to provide time for that. That's why we give more time for headstand, shoulderstand, and also for Paschimottanasana.

In his early works, Krishnamacharya recommends 10-15 asanas [held for a long time] for a regular practice. You mentioned he asked four asanas for constant long hold practice: Maha Mudra, Paschimottanasana, Sarvangasana, and Sirsasana. 

Yes, that is what I remember, because, for instance, he also talks, for example, about Mayurasana in the Yoga Makaranda. But I remember these four. He would insist, almost every day he would ask us to do these four asanas.

Do you think this reduction in number of poses was due to maximizing effectiveness, or a concession to students?

No, no. You are required to do vinyasas. There are number of movements you will do. Everyday practice consists of dynamic movements, and also static postures. Among the static postures, he would say these four are important. My practice should have a number of movements and also should have these postures. I can't just go on for an hour and just keep on moving. Nor remain in one posture for a long period of time. I have to have a mixture of these two. 
The reason why I have to do movements, I have to access different parts of the body. The human body is so unique. Each part has its own set of movements. So what yogis are done, they came up with all the movements the body can do, so we can access all parts of the body. I have to find out the way so I can exercise the whole body. And that's what they have done.
 Why do you want to stay in those static postures for a long period of time? Because these postures take time to give you benefits. I will keep it in mind and adjust the practice in such a way. 
In addition, Pranayama was another must.

He practiced Maha Mudra as one of the main poses. Did he practiced it by itself, or with conjunction with Maha Bandha, and Maha Vedha, as text recommends?

Basically he would teach only Maha Mudra, followed by Badha Konasana. He was teaching Maha Mudra to almost everybody. Usually about 5 minutes on each side. Normally he would say number of breaths, "do twelve breaths." If a breath is short it will take a short time, if the breath is long, it will take a longer period of time. Twelve breaths for five minutes is quite acceptable.

How spesific was Krishnamacharya in Vinyasa sequences? Did he require to stick to a particular sequence, or did he encourage variations?

Yes, he would teach you the way I go about teaching this class. Once you learned these vinyasas, then in your own practice you will pick and choose on a daily basis. That is your responsibility. But, on the other hand, if you come to me for a treatment, then I will pick and choose the vinyasas and give it to you. But if you are doing it for yourself, and you had learned these vinyasas, then you have to design your program on a daily basis. You don't need a teacher to come and tell you. I've done this, tomorrow I think I should do something for my neck and shoulders, or sometimes I feel heavy in my legs, so I probably spend more time doing vinyasas in my shoulderstand, or headstand. I vary my procedures from day to day.

Did he taught Surya Namaskar, was it a part of a daily practice? You mentioned earlier it was a part of weekly routine.

No, no. That was a chanting, not the physical aspect. Just a chanting. We used to do only chanting part. We never used to do the physical part. He taught it, but then he never insisted on a physical part of the Surya Namaskar. Not as it is being done in the West.

So physical Surya Namaskar sequence was not practiced at all?

No, no. It was just taught out, that's about all.

Even the physical Surya Namaskar sequence you taught us is quite different from what I practiced before in Ashtanga-Vinyasa-style practice – it is slow, done with long kumbhakas while mantra is chanted, and includes prostration. In effect, it is a Samantraka Pranayama.

Yes, because these mantras are there, Surya Namaskara mantras. He was insisting on mantra portion more than the physical portion.

So he did not taught sequences like Surya Namaskara, or Ding Namaskara.

Ding Namaskara he taught. That's why I teach it. Because, we do Ding Namaskara on a daily basis, in our morning procedure, I told you. You do it every day. It is done anyway. The mantras are there already. The only thing, instead of doing it in haphazard way, he brought out a system. He just organized it.

Things like Chandra Namaskara?

I've never heard of Chandra Namaskara. Surya Namaskara he merely taught, but he did not insist. He did not make it a part of regular practice. There is a big difference with doing108 Surya Namaskara. But then Hatha Yoga Pradipika commentary clearly says: “don't overexert your body with heavy weight lifting, or doing multiple Surya Namaskaras”. It clearly says that. Read the commentary to Hatha Yoga Pradipika. He uses the term Kaya Klesha. What  makes Kaya Klesha? Pain. Kaya means body. What are the examples of that? Bahu bhara vahanam carrying very heavy weights. Then the second will be Surya Namaskara. Bahu Surya Namaskara. He didn't say, “don't do Surya Namaskara” -  but don't do too many Surya Namaskara, which will exert the system.

How specific he was about alignment, in any vinyasas or asanas?

He would make minor adjustments. Few minor adjustments I've made in the class, similarly to that he will do. [very minor, gentle physical touch, rare; occasional verbal suggestions.] Supposing your shoulderstand is very uncomfortable, so he would come and help you out. But it won't be rough. Not a very meticulous kind of adjustment to the posture.

Some things, especially after Ashtanga Vinyasa-like practice, look odd in Vinyasa Krama. For instance, legs together in Adho Mukha Svanasana; flexing a knee more than 90 degrees in Virabhadrasana sequence, Uthita Prasvakonasana; Jalandhara Bandha in Urdva Mukha Shvanasana; different sthiti in Trikonasana.



When you jump through your hands and you cross your legs, or bring legs one after the other, there will be asymmetry. You will have to shift to one hand and then to the other hand. If you want to maintain symmetry you got to keep your legs together. It is better to keep the legs together and do all these movements, rather than allowing them to flay  without any control.

Hips seems to open better if legs are apart and internally rotated.

No, but then hips also need to be closed. That is another position for the hips. Why they should always be open? Normally when you walk you keep your hips open. When do you keep the legs together? Tadasana requires you to keep your feet together. You better off to keep your feet together and do the entire sequence.

For instance, the Iyengar school insists that knee does not over-project forward.

Oh yes. If you properly keep your feet position, a good base, not overextended, and not a narrow base, you got a stable position so you can do these movements properly. If you are overextended, it is not going to be helpful. That is not a critical aspect. Maybe for some people, sometime... The critical aspect is that I am able to stretch. I am not saying that everybody should project the knee out. If that is going to be helpful for me to lower my body and get to a Virabhadrasana properly, I may as well do it. I won't make it an issue at all. I won't make a forward knee position an issue in Virabhadrasana, Uthita Parsvakonasana. I think it is more stable if your knee goes forward. I've never been told that this should be a factor to be considered at all.

As long as the knee does not projects to the side?

No, no, that has to be straight! You should not move the knee inward or outward, it should be straight. The movement is lateral.

Was Krishnamacharya teaching Jalandhara Bandha in Urdva Mukha Svanasana, Adho Mukha Svanasana?

Yes, you can see it in his book also. In fact, I would say that default position of the head is head down – any posture. Unless you are required to turn your head, or take head back – otherwise you keep the head down. That keeps your neck relaxed, your back is straighter. And it is going to aid your balance, if you keep the head down. Stretching of the spine is easier, if you keep your head down. A lot of importance is given, advantages are there if you keep the head down. If you keep the chin down, the you can stretch the spine better. I got to lock the chin, it is a very beautiful procedure, for you to pull up the spine. Jalandhara Bandha pulls the whole chest up, along with that the spine pulled up. If you keep head straight, you need somebody to come and pull up your waist, or pull up your ribcage.

In your opinion, why Ashtanga Vinyasa Yoga follows strict sequences, no variations allowed? Pattabhi Jois was stating that he was teaching strictly according with Krishnamacharya tradition. 

Right. I can only speculate. One is that Krishnamacharya taught only those vinyasas at that particular time. They belong to much earlier group, 1940s maybe. And another thing, it is all depends on how long they studied. I studied with Krishnamacharya for a long, long period of time. I specifically asked him for more vinyasas, when I started teaching. I realized that that I was not able to teach much more, so I went and asked him, are there more vinyasas? I said, I am not able to teach my students, is there something more? Yes, then he started, “did you teach this vinyasa, this other vinyasa”. Like that, he kept on teaching more and more... I used to practice, and then go and teach.

How many new vinyasas would he teach?

No, it is all went on for a long period of time. One class I would learn these vinyasas, I will go and teach. Maybe the next class, or two or three classes he will teach another set of vinyasas. Like that it went on and on for a long period of time. This opportunity some of the earlier teachers did not have.

Do you have any observations on how Krishnamacharya was able to provide an individual instructions for a diverse group, such as in your family, and otherwise.

Because of background, because of enormous knowledge he had. He knew how to apply it to individuals. He would study the person, and then design what is required for him or her. In fact, he used to say that everyone should have a capacity to draw from this and then adopt the procedure on a daily basis. You can't mindlessly practice yoga. You have to know, “why am I doing this particular procedure?”, “what does it do for me?”, “if I change it, what will happen?” You can change any of these vinyasas, provided you know why you are changing it. That kind of attention and that kind of application is necessary for a practitioner. You can't mindlessly practice the same thing over and over again. In any walk of life, you can't blindly do the same thing over and over again, you must know why you are doing it. Likewise, there should be some understanding, why am I doing this? Is it only to see how it feels, does it affect my body, does it give me any benefit? If I know this, then my practice becomes more and more intelligent, if I can use the term. That is why you need adaptation on the daily basis. I feel more tamasic, let me do more Pranayama today. I feel more energetic, I will do more vinyasas today. This kind of thought should be in my daily practice.

Does practice needs a plan?

You need a plan, yes. You think about it, plan it, then execute it. Daily practice need not be the same, because you change. Some days you are lazy, some days energetic, some people very pensive, immersed in thoughts. 
This is my advice: if you really want to make personal progress, and also be able to share with other people – don't stop with asanas.  I am not saying – don't do asanas. Don't stop with asanas. I feel very sorry for people who practice Yoga for ten years, and then after ten years they know only asanas, nothing else.

How hard the practice should be? Where should be the balance between making an effort and centering on your inner peace? How did Krishnamacharya managed this? Did he sometimes make you work harder?

When I was young, naturally he would ask me to do more and more vinyasas. As you get older, he said, try to cut down on your vinyasa practice. Try to do more of the stable postures, and then also start doing a lot of Pranayama. Then, chanting, meditation, all of them become part of your practice. Asanas are still there, but they are not the major part of the exercise. When you were young, that was the major part. During the middle part of the life, when I was working and running around, and all these things, he started slowly introducing all of these things – study of the texts, chanting, more and more pranayama, and the stable postures... They take over.

Was this a meaning of the title of your book, “Yoga for Three Stages of Life”?

Yes, that's right. In fact, that is what he mentioned in Yoga Rahasya also. You can't teach the same practice to everybody.

Can you tell a bit more about your books?

The first writings I did for a journal, called Indian Review journal. I think it was way back in 1978 or so. At that time I was a trustee of Krishnamacharya Yoga Mandiram (KYM). When the Mandiram started, I was one of the trustees. Desikachar, myself, and one of his class fellows, we were all the trustees. So at that time, what we did, Desikachar said, we should publish to make Mandiram known, and this particular magazine was interested. He asked me to write those articles, so I started writing. In about six months time I got out of Mandiram. But the publishers said, why don't you keep on writing? I went on writing, it went on for about 28 months or so. First few issues I used to type the article, give it to Desikachar, and he would, whenever  find time, read it to his father, explain it to him. And then he would make suggestions. Not corrections, suggestions. He used to be very happy about what was going on. 
Then after a few years, one of the Desikachar students, Paul Harvey from the UK who studied Yoga Sutras with me at that time, asked me to write a book, an introductory book on Yoga Sutras.
So I wrote a book called “Basic Tenets of Patanjala Yoga”. It was not a great success, not many people read that. When the book was published in 1982, I was not going to classes for three-four months, I had something going on. But when Krishnamacharya came to know about it, he came all the way to my house. One Sunday, he and Desikachar came to my house, I was surprised. He said, “I understand you have written a book, and I want to bless you. It is a very good thing, you must write more books.” He was very positive, very supportive. He used to encourage you very well. So he wanted Vinyasa Krama, he wanted these teachings be known.

At that time, Pattabhi Jois and Iyengar were teaching, but not directly in contact with him; Desikachar started to go to different parts of the world. He was very supportive.
And then another thing  started doing, I first recorded the Yoga Sutras, then wanted to have a recording company do it. Ultimately I was able to find a Recording company, they recorded it and released it. Then subsequently they  asked me to come up with a number of other subjects. So over the period of 15 years, most of the chanting I have learned from Krishnamacharya I was able to record about 30 in all, about 30 hrs of Sanskrit chants, and this company released it. This was another important aspect of Krishnamacharya's teaching.

These were two early publications. Then in 1999-2000 I wrote “Yoga for the Three Stages of Life”, and in 2005 I wrote “The Complete Book of Vinyasa Yoga”, a Vinyasa Krama book, and in 2006 a book with David Hurwitz, “Yoga Beneath the Surface”. These are the publications. And subsequently, I started to send Vinyasa Krama newsletters, so I can share whatever I consider is important. It was good to keep on writing, one way or the other.

What do you think is your best work so far?

Of course “Yoga for the Three Stages of Life”, I really, really enjoyed writing it. 
But then Vinyasa Krama book is also good. Reason why I wrote this particular book, is that I found that even though I go and teach workshops, not many people heard about it. I thought I will not teach, so I wanted to put everything I knew in form of the book, and publish it, so it is out of my mind. And then LMU fortunately started this program [LMU 200 hr Teacher Training with Srivatsa Ramaswami in LA, California, USA]. Few people now had studied this. And then book with David was good – I could see what kind of questions arise in people, that was good.

It is a wonderful format, Q&A.

Yes. We started without intent to write a book. He asked me, can I ask a few questions? I agreed, he sent me an email, I replied, he kept them with himself. Then after some time, after I wrote a Vinyasa Krama book, I asked him; David put the whole thing in a form of the book, and we submitted it to a publisher. Initially they hesitated, but ultimately, published it.

Any other books, besides essential scriptures, that should be studied?

As yoga teachers you must be familiar with various texts. Bhagavad Gita, Hatha Yoga Pradipika, Yoga Yajnavalkya – these three texts... Yoga Upanishads are there, but they are not very accessible, some of them are repetitive. You can still have a look at them. This is all with respect to Hatha Yoga. There is also other text – it is not a text, it is part of the Purana – it is called Sutra Samhita. It is not very important, just an additional material.

Then you can probably think about Samkhya Karika. It is work of 75 shlokas or so, like Yoga Sutras it is also very concise, and a beautifully written text. Lot of things that are taken for granted in Yoga Sutras can be found there. For instance, the three Gunas, the evolution from the Mulah Prakriti explained very well, Transmigration; number of other concepts that are taken for granted by yogis can be found there. English translations are available; English commentaries are also available. Samkhya is one of the six traditional Indian Philosophies. Samkhya, Yoga, and Vedanta form a compact group. They  all talk about Nivriti Shastras – how to stop the Transmigration.

Go through the Yoga Sutras, get a good outline of that, then try to support it by Bhagavad Gita from one side, and Samkhya Karika on the other side. Bhagavad Gita will be very helpful, because it is very “user-friendly”, not like the Yoga Sutras. Yoga Sutras are very dry – Bhagavad Gita tries to explain. In fact, you don't need any commentary for it, because same ideas explained over and over again. Arjuna was a warrior, not an intellectual.

Then once you are familiar with these texts, then you can read some of the Upanishads, Upanishad Vidyas. 
Vedas per se might not be of much importance to us. It contains lot of rituals, things like this. More important thing for people who study Yoga is to study Upanishads. The Upanishads portions is the Thought, philosophical ideas are contained there, and there are many.

Can you give some advice on approaching Upanishads study?

There is one called Chandogya Upanishad, another one called Brhadaranyaka Upanishad. Katha Upanishad is another Upanishad that is very important. Another important Upanishad is Prashna Upanishad. It is a series of questions and answers. 

Smaller ones are Taittiriya Upanishad -  Panchakosha Vidya discusses 5 koshas (sheaths): Annamaya, Pranamaya, Manomaya, Anandamaya, Vijnanamaya, Anandamaya. They are dealt with in Taittriya Upanishad. Again, it is the same subject, but approached in a different way: body made of 5 koshas, like in Yoga Sutras we have 24 Tattvas (principles). Then there is another Upanishad, called Mandukya Upanishad; it talks of the meaning of Pranava Mantra, Om. Om divided to 3 phases, states (Avasthas), A-U-M. Akara related to a waking state (Jagrat), Ukara – dream state (Svapna), and Makara is a deep sleep state (Sushupti). Omkara, AUM is the state that is beyond all three, called Turiya-avastha, or Turiya-samadhi. These ideas are taken up in the  Mandukya Upanishad, and commentaries been written. This is another important Upanishad Krishnamacharya taught. 

In Chandogya Upanishad there is a Vidya called Sat Vidya. Sat means “that which is true, unchanging, permanent, or that which exists”. That refers to anything that exist forever - Brahman or the Ultimate Reality, according to them. The way they go about explaining it, it is all anecdotes – it is a nice story. It is a dialog between father and son. The son goes to the teacher and excels, after studying for a number of years. Then he comes home proud of this knowledge, thinking his father doesn't know anything. His father gets upset of his attitude, and teaches him a lesson, teaches him. It is a beautiful story. In that they say main Mahavakya (great pronouncement), called “tat tvam asi”. Tat is the Ultimate Reality, Tvam “you are one of the same”. There is another Vidya called Bhuma Vidya. There are number of them. Same idea, but they are trying to put it in so many different ways. I asked my teacher, “There is only one Brahman, why are there so many different Vidyas?” He said, it all depends on attitude of different people. Different people – different questions arise. They tried so many ways to put across the idea... If you like, go and buy a book on Upanishads, and then look for these Vidyas. Otherwise what happens, you give it a general reading, there are a lot of things that may not be of much interest to us. 

There is also another Upanishad I told you about, Brhadaranyaka Upanishad. It has another Vidya, Madhu Vidya. Madhu means the sweetest part of the flower, nectar. In that, they try to tell you what is the sweetest thing – again they go to the Brahman. It is where Sage Yajnavalkya tells his wife he was going to partition  his property and become a recluse. I've told you this story. So there are stories, sometimes direct discussion between a teacher and the student, that way they made it very interesting.
Take some of the Upanishads, try to find out which interpretation you like, whether it is Vashishtadvaita, or Advaita, or Dvaita. Advaita seems to be most popular, more and more books has been written on that.
So like that, you take one of these, and then when time permits, try to go understand. You can interest yourself by studying Upanishads, doing one Upanishad after the other. Because you may not find teachers straight away, it may be a good idea to read them, try to find a book that explains them in easily understandable terms. Just don't go to the scholarly/academic works, they are going to make it difficult.

In 2010 or so, there were 5000 yoga teachers registered with Yoga Alliance in the USA, countless others are not registered.  Do you find modern teacher preparation satisfactory?

At my stage of life, what I want to do is to be able to teach what I know. If the few people  can learn... You see, it is very difficult, people come with different expectations. Different teachers teach different approaches, so many different practices are there. What I can do is to teach what I had studied with my teacher. Whatever I practiced, whatever I thought about that. That is all I can do. Initially, when I came here, I thought, now you teach what you want, others may teach what they want. It is ultimately up to the people to find out what is good for them and practice.

Do you feel that someone with a serious practice of several years has a duty to teach?

My feeling is, anybody who practicing Yoga for five years should start thinking about it. Where am I going, what I am trying to do? Some introspection is necessary. You can't just keep doing the same thing over and over again. That is not an intelligent approach to Yoga. You try to find out, what else is there in Yoga. 
Suppose somebody says, don't do Pranayama - why you should not do Pranayama? Or if somebody says, don't do shoulderstand – what are the problems? Why shouldn't I do shoulderstand? Otherwise it is all the same routine. As they get older, it will not going to be helpful, I am sure. Practices that are good when you are young will not be helpful when you get older. You need a different set of practices.

How did your teaching career proceed?

I was teaching in India, in the Dance School. It was mostly dealing with youngsters. There was no scope for teaching other things. It was asanas, asanas, over and over again. It went on for about 20 years. I did not have much opportunity to teach Philosophy. When I started teaching here, I asked University (LMU) if I can also teach it. This program (TT) has Yoga Sutras. I've taught Samkhya Karika a couple of time here. One or two Upanishads. Mandukya Upanishad... Like that, I was able to teach, what was not possible  back then. Because it was a school, a junior college. Basically, children. I've taught some one-on-one, but not much. That is what Desikachar told me, “you seem to work with groups”, whereas he was concentrating on one-to-one basis, like his father was doing. But then Krishnamacharya was teaching groups when he was in Mysore. It  so happened, because I went on to school to teach.

You are teaching for more than thirty years now. How did your teaching evolve?

When I first started teaching, I was concentrating on teaching asanas. I hesitated teaching Pranayama, hesitated teaching Mantras. Hesitated talking about philosophies. Initially, first few years were just asanas. I hesitated to talk about all that. Slowly I started to teach that, now I am comfortable. It lets you teach as wide a spectrum of yoga practices as possible. I find more people liking aspects of yoga that are not fancy – people are able to settle down for the Pranayama, for the Yoga Sutra class. All these things are happening. These things interested me when I studied with Krishnamacharya. I always felt there should be few people with a similar temperament that I have. By and large, people who come to my program seem to be interested. Nobody said “what is this fellow talking about?” That is good. I am sure, that just because this appeals to me, there should be a few people around who may have a similar temperament, to whom this may appeal. So what I should do is keep on teaching, as many people as possible. If they like that approach - good, well and good.

Like attracts like, student find his/her own teacher.

Yes, if I feel that it has something to offer to me, then I will like it.

Can you please share your opinion about sources of modern Hatha Yoga? All Indian schools widely known in the West, trace their origins from Sri T. Krishnamacharya, Swami Shivananda, Dhirendra Brahmachari. We know only names of their Gurus. Further lineage is invariably unknown. On the face value, lineage of modern yoga can be traced no further then 19th century. Natha order Natha Sampradaya that authored medieval Hatha Yoga scriptures are not practicing Hatha Yoga for several centuries now, and does not teaching it in their ashrams. There is also a modern research, which suggests that Asana practice adopted a lot from modern western bodily exercises.

My Guru used to say that lots of the written works of that period are lost. They used to be  written on palm leaves, many are Agraharam (habitats with scholars), Agraharam means that almost in every village used to be a yogi who would have written about his own experiences. In fact, in early part of my studies with him, one day he said, you people should go out into the villages, and then find out people who practice yoga. They all may have different personal experiences, or how they develop asanas, and all that. But then, unfortunately, all of them are lost. I am not saying this because of the materials are not available, but because books were not written, until about a hundred years back. Where are the books? Even in the western world, where are the books? Books are written only recently. In fact, if you look at Indian background, Puranas written a long time back, those texts are available, if you really look for old sources on yoga, they are available only in India. And then if you look at some very very old texts, like Puranas, Smritis, and Vedas, Asanas are mentioned. If you look at Ramayana, Rama was supposedly sitting in Virasana, the first shloka of Valmiki Ramayana says. It means Virasana was known at that time. But lots of details were lost. Just because we don't have it, it does not mean they were not available. Most of them were Karna Parampara. Take the Vedas, you learn from the teacher, there is no written records on that. Just because there is no written records you cannot say it does not exists. These are very big mistakes these modern scholars are making. They say the way Krishnamacharya teach is only a hundred years old. I don't know. Krishnamacharya used to say he taught according to traditions. I tend to believe him more. And then look at some very old books, very very old books. Yoga Sutras. Brahma Sutras says that one should sit in the yogic posture before asana for a meditation. The Padmasana is mentioned by Puranas. I don't believe just because no records are available it was not there. I don't have my financial records 20 years back. If somebody would ask me in the court, what happened? I do not have them. That does not mean it didn't happen.

It is common knowledge that Patanjali in Yoga Sutras defines asana as comfortable still pose for pranayama and meditation. Usually sitting postures.

Right, sitting postures.

Asanas as body exercises seems to originate from Natha Yoga. Do you think in old times these were entirely separate lineages of yoga? In your opinion, does modern Hatha Yoga merges these two traditions satisfactory? 

Hatha Yoga and Raja Yoga? Even though Hatha Yoga says it leads to Raja Yoga, there are some people who specialize in Hatha Yoga. They develop more and more asanas. Several sages are supposed to have developed different asanas. The focus was on physical and physiological development, as far as Hatha Yogis were concerned. Raja Yogi was bent on more on ability to concentrate, with a spiritual development. There was a division on specialization, if you want to call it. But they were complementing each other. Raja Yogis say that unless your body physical health is maintained, physiologically you won't be able to control the mind.  So they said, you practice asanas, and Pranayama, I don't want to mention it, because texts are available. There were teachers available that would teach you Asana and Hatha Yoga. I will concentrate on different aspects. That is why in Yoga Sutras, he did not talk much about asanas. But he gave a lot of importance to Yama Niyama. But Hatha Yoga Pradipika does not say anything substantial about Yama Niyama. They complement each other. There is no point in everyone writing about Asanas. Patanjali writing about asanas, Swatmarama writing about asanas, Puranas writing about asanas... There is a saying Anuktam anyato grahyam, if you don't find some information in the text, you go to a complementary text, and then you will be able to find that information. You have to study them in the group.

Do you feel these traditions merged in modern yoga satisfactory?

It is a specialization, I would say. Some people are specialized, and they are very good in that, so they  developed that particular branch. At the same time they recognized that this is not the end of the story.

Can you share your thoughts on the future of Yoga – in the West and in India? Any observations on changes in spirituality and ideas of dharma in the modern world?

No. See, I will tell you this: Yoga is an old discipline. So what I would say is, if you want to teach Yoga, you must understand, what is there, what practiced there, what is the philosophy behind that, and then teach. If you would say, it is not necessary, I want to create my own yoga – call it Contemporary Yoga, and practice. It is up to you. 

Do you feel like in the West people are reinventing the Yoga?

Yes, many people are now inventing Yoga, because they don't have access to tradition, like Krishnamacharya had. What happens – yoga is popular, so I run my own yoga, or stick to the same routine. I am not saying that everybody is doing it... At least in olden days, I used to know many people who come to India to study. Nowadays it is all gone. They say that “who knows Yoga in India? Now it has become established here.” My approach  would be: alright, I had studied with Krishnamacharya, and the only reason I had stayed with him for a long period of time, was because he was interpreting the shastras with his experience to me. If he would have said, it is a yoga he is invented, I would not have gone to him. I would not have gone to him. Because I had wanted to know what was Yoga, Vedanta have to offer. I wanted to know that. And he faithfully interpreted those shastras to tell you what they are all about, which he did admirably. Whatever I understood from him, now I want to explain to people the way I understood. It is not as good as he taught, but that is the best I can do. I will do whatever I can do to explain the way I understood. And I should be happy about it.

What is your advice for those times when one feels uncertain, even discouraged about yoga practice, practice progression? Everyone has those moments at some point.

Right. I get that feeling quite often even now (laughs). 
It should not be frequent, it could happen once in a while. What I can tell you from my own experience, 90 people out of 100, when they start on Yoga, after some time they don't find any improvement whatsoever. “What am I doing? Why am I doing this?” That is why I would say, the reason why we are getting this feeling is, we are not getting everything that practice supposed to give. Yogis promise so much, but they are very sincere. They have no ax to grind, they tell you what they had experienced. The only problem, I am not able to experience it, that is the only thing – at least when I was young. The reason why it does not work for me is I don't know what they are talking about. Maybe I am not doing it properly, not understood it properly. I have to persist. That faith I must have in this. I had that faith in my Teacher. I have the faith in subject also. These two things you must have. That's what they call Shraddha (faith with love and reverence). So first starting point - you must have Faith.

And then another thing, what happens in our life – sometimes there are other problems. They come into our life...
Here Yoga Philosophy comes more importantly. You try to understand Yoga Philosophy, what does it say about Three Gunas... One of the reasons sometimes we get more depressed, or more and more angry – that can be due to preponderance of other two Gunas: Rajas and Tamas. Philosophy is the only way they can help us. We must try to find out situations that causing these problems. Sometimes you must find a permanent solution for a chronic problem. All of us – we don't solve the problem, we expect it will go away.  So we have to devise a solution, and then deal with it. 

Then there is certain problems which you cannot completely eliminate. Then you must at least learn to make use of Yoga so you can overcome those difficulties. Sometimes it can be Pranayama practice, sometimes it can be Asana practice. But to greatest extent – the Philosophy.
Personally, I will tell you: Yoga Philosophy, the Upanishads, they were very helpful. These thoughts contained there... You are able to see that those people in olden days – they were able to see those problems; it is nothing new to me. It has happened to many people earlier, only details may be different. All of us have our own set of problems. If we can make use of Yoga to deal with these problems better, it will be good. There is no other way. If we don't deal with the problems at this level, then we have to depend on external help. We must slowly try to see that these problems do not affect us. They may not go away completely, but at least they won't affect us so much. I am not saying it is going completely solve the problem, but to some extent Yoga Philosophy may be very very helpful. Like you, I too have or had my own problems, but it is much easier to deal with them, if you understand philosophy. Maybe Asana and Pranayama can help on physiological level. On psychological level you have to sit down and analyze. Frankly speaking, many problems we come across in life are of our own creation. When you solve the problems, you also have to give up certain things. You have to sit down and analyze, what do you want to give up, what do I want to get rid of. Analyze and choose a course. Sometimes, though, we take ourselves too seriously, and get affected by outside factors too much.

Practice sustained by Yoga Philosophy.

For the mind to become quiet, it should have an anchor. The mind should know it can be peaceful without any external things, things you depend upon, health, relationship. So long as everything OK, all is fine, but if something goes wrong, mind is shattered. I should not allow myself to get shattered. Once I allow  it to get shattered, it is a big problem. It is very difficult to rebuild it. That is why these things will be helpful: Practice to some extent, Philosophy to some extent. Between them, mind is reinforced so I can deal with problems better. Mere Practice won't do.

Can any Philosophy support practice? Do we have a choice?

All practices must be supported by a strong philosophy. You must know why you are doing it. Just because “I practice Yoga, it will do me good” – it is good. But to appreciate the whole thing – you must have a strong philosophy. That is why sooner or later –   whether you like Upanishads, Buddhism, or Vedanta, or any other philosophy, I don't know about Western Philosophy, I think there should be something very strong, that is possible – some kind of a philosophy should be there. Personal philosophy you will have to develop. All these things will help. What you value most in life. We must have some kind of guiding philosophy in our life. Once you will be able to develop certain peace of mind in yourself, once you start valuing it more than other things – lots of problems will get solved.  But Yoga Philosophy will help you to get this particular state of mind, which is not dependent on the external circumstances. I may be peaceful with a lot of money, with no money, with problems, or without problems – and this is to be maintained. But you have to believe in this philosophy, and I am not saying blindly follow philosophy. I want to give mind some peace – that is all I am trying to do. This we lack – I can give a lot of happiness, pleasure to the mind, I can do that. But I am not able to get right kind of peace. What is why I say, have your practice, do your Pranayama, do your Meditation, and also support yourself with a good, solid Philosophy. I don't know if it is Yoga, Samkhya, or something else. But you must have a guiding philosophy in life.

Any books you are currently reading?

No, nothing in particular. Now I tend to read Advita books. There are some very good books written by Shankaracharya's students. I tend to sit and read them. Because you need to go over them. When you teach Yoga, you do not teach Vedanta, but you read them, go over them. There are very good works. There is one written by Adi Shankaracharya called Dakshinamurthy Ashtakam [Shiva Devotional Stotram (hymn) ], there is a commentary, beautiful commentary written by one of his students. There is another text, called Panchadasi, 15 chapters written by one of the Shankaracharya students. They explain it in terms accessible by ordinary people, not just scholars. These are very interesting books that are available. I tend to read these books in my mother tongue, their translations and interpretations are more faithful. And they  use terms close to original. Where are in English translations,  it is very difficult to understand those English terms. When I find Tamil translation, that's my mother tongue, I tend to read that. So whenever I am not doing anything, I read a few shlokas every day, think about it. It keeps you going.

Do you have any advice for teachers who are only starting? Or do you wish, you had done something differently in your own teaching career?

I will say that Yoga is a very very rich subject, it is very rewarding. It helps you physically, psychologically, disciplines your mind. Only thing is, try to understand all these things, reflect on all the practices. Even if you do your asana practice, reflect upon that: how do you feel after  this particular asana, this particular vinyasa, kriya? How do you feel after Pranayama? And look for long-term effects. Over the period of time – maybe practice for a month or two, and see how you feel. I am sure that the whole system was designed in such a way that it was going to benefit the individual. It meant to benefit the individual. They have done a lot of research, a lot of practice on this. It is a result of accumulation of lots of individual practices, and practices of gurus, like my Guru, Krishnamacharya. Teachers must teach with certain amount of conviction. You practice, see how you feel, and start teaching – that should be helpful.
Try to maintain practice, try to enlarge your base, so you make it really useful for yourself first. Before you start teaching others, find usefulness to yourself. And then, share it with others.

Thank you very, very much for your time.

Thank you. I hope it will be useful. 


Yoga Teacher Training with Srivatsa Ramaswami, Loyola Mormont University (LMU), Los Angeles, California.  Class of 2012, July-August.

Deep backbending , it's encouragement and promotion by KPJAYI

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from Krishnamacharya's Yoga Makaranda (Mysore 1934)

I'm bumping into this video all over the place this week...




I'm bumping into this video all over the place this week.

What somebody does or doesn't do in their practice is nothing to do with me and heaven knows I've explored some craziness myself in the past, including grabbing my humble ankles.

But for the life of me I can't understand why Sharath OFFICIALLY encourages and promotes such deep backBENDS, he frowns at handstands (fair enough) yet takes hands to calves and even thighs, it strikes me as... ill advised in the extreme and I'm more than half expecting a group action lawsuit some years down the line. Turning a blind eye to practitioner's joyous explorations in the privacy of their own homes, however perhaps foolhardy, is one thing, promoting, something else altogether.
I suspect that if he didn't 'encourage' such deep backbends in the Shala ( let alone having the no 2nd if you can't came back up rule) then less practitioners would bother to try it or anything else best left to professional contortionists.

I understand this alternative view may not be a popular one and as soon as I hit post I'm going to hide under the table.

I should also, of course, delete all my old videos working on this as well as those working on other advanced series postures I littered youtube with in the past, except that I'm nobody and Sharath has that Paramaguru hat and is taken a hell of a lot more seriously than I am.

Note: I personally don't even bother with Kapotasana any more but stop at Ustrasana which seems excessive enough, I can't remember the last time I bothered to drop back and come back up. What was that Krishnamacharya said and that Pattabhi repeated, Primary asana for everybody ( Mari D by the way used to be in the middle group of asana) Intermediate for teachers and advanced asana merely for demonstration.

Note 2: I've just 'liked' a video of a friend WORKING on this very thing on Insta. I can appreciate the work and commitment that goes into this approach to practice ( and I smiled delightedly to see another friend in this video) without approving of it's promotion.

Note 3 See the photo in comments of one of the BOYS of the Mysore palace that Krishnamacharya included in Yoga Makaranda. I'm just as critical of K. on this as Sharath and his grandfather.
Beautifully shot video though from Alessandro Sigismondi - See his comment in the comment section for more context. I take his point that this is an intermediate class but my understanding is that in the regular Mysore class proficient practitioner's among those who are less so are being encouraged to 'catch' that perhaps encouraging this aspect of practice in Ashtanga. Although I'm writing about 'catching here' given the video I actually feel the same way about dropping back and coming up.

Out of interest, does anyone know if Saraswati encourages this since taking over the Mysore Shala, I don't remember Manju 'stressing' this aspect of practice in the times I've practiced with him.
UPDATE

And thank you to Alessandro for this comment that puts the video above in some context.

Alessandro Sigismondi Well, I write this just because you tagged me even if I don't want to fuel any sort of controversy. I really appreciate your posts and your writings but in this case I think we have to make a distinction. As a photographer I like to show both aspects of human bodies. On one side inclusivity (portraying "normal" bodies doing "normal" things, on the other side "exceptions" or what the human body can be capable of doing. I find both approaches inspiring. The first one promotes body acceptance and body positivity, the second "entertains" showing that the body and the mind really can have no limits. I think it's the same when teaching yoga. A good yoga teacher has to be supportive to beginners or people with not such a great genetics, but can also encourage to play a bit people who are very gifted and worked since decades on their practice. This extract of a longer video has been taken during a led intermediate class and all the practitioners shown have 10 or even 20 years of daily practice and they are all working on the advance series (3th 4th or even 5th!). Those are the kind of people that Sharath encourages to catch their tights. When Sharath was coming to adjust me he was always saying: "catching!" And then adding with a smile "next life"😏

In another comment from somebody else on my fb post, David Robson  is quoted in a video

"David Robson states in this video (around 2:00), "there's a lot of emphasis on that in Mysore right now." When asked why, he laughingly cites Sharath, "no point, just fun." He then explains it away as a test of equanimity".


Some links

The ‘Camel Train’: Safely Doing Simple to Complex Backward-bending Postures and Movements

How to Relieve Back-pain and Bend Backwards Without Hurting your Lower Back

Krishnamacharya on Pranayama and Bandhas from the Wild Yogi interview with Srivats Ramaswami.

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In Ramaswami's newsletter this month ( see THIS blog post), he included his long interview with Wild Yogi, below is the section on how Krishnamacharya taught Ramaswami Pranayama and Bandhas over the thirty years Ramaswami spent with his teacher


The full interview along with many other excellent interviews can be found at the Wild yogi website

Questions: Yuri Sharonin, Ilya Zhuravlev

Krishnamacharya - Pranayama

Let's talk about Pranayama. In his writings he says numerous times, that Pranayama is the key to the whole practice; it is the most important anga. Vinyasa Krama you teach is centered around the breathing.

Right.

And yet, Pranayama, by and large, taught on the fringes, and sometimes has an air of being remote like samadhi. Often presented as dangerous. How Krishnamacharya taught it, and how soon?

I don't remember when he started to teach me Pranayama. I know it was very early, because he had started to use breathing on day one. That itself is half Pranayama: long inhalation, long exhalation. You start from day one. And then Pranayama practice is regular. I think I mentioned, Pranayama practice is an integral part of daily routine in olden days. You are required to do ten times Pranayama with Gayatri Mantra, and all that. Pranayama is considered essential part of your daily life. You are required to do, say, ten in the morning, ten in the afternoon, ten in the evening, and there two or three in addition in every sitting. Virtually you do forty pranayamas every day. Everybody - you don't have to be a yogi to practice Pranayama. Everybody is required to practice Pranayama forty times every day. So, what's the big deal?

Samantraka Pranayama (pranayama with Mantra)?

Samantraka Pranayama. But still a pranayama. In fact it's a more difficult pranayama. If everybody, even non-yogi do forty times pranayama, why yogi should shy away from that? And I don't think Krishnamacharya told anybody not to teach Pranayama. He might have not told somebody to teach specifically pranayama, I don't know what happened. But he didn't prevent anybody... He taught Pranayama from very beginning. In fact, almost anybody who has studied with him learned Pranayama from him. He would himself teach Pranayama. Normally your asana practice ends with pranayama session. I have never come out from his class without practicing Pranayama. I think I've mentioned it several times. You see, Pranayama is the one that makes Yoga unique. In all other systems there is no control over the breathing. In all physical exercises, there is no control over the breathing. Here you try bring your breathing under voluntary control. If there is something very big, very unique about Yoga - it is the breathing. Any people who want to meditate, to achieve samadhi, achieve kaivalya, some of those things that are mentioned - if you shy away from Pranayama, how can you progress? You have to use this vehicle, you got to use Pranayama. Krishnamacharya was insistent that without Pranayama, there is no Yoga. 

In fact, word Hatha, as in Hatha Yoga, means Pranayama. You look in the Hatha Yoga Pradipika, the commentator says Ha is Prana, Tha is Apana, Yoga is a Union, Hatha Yoga is a union of Prana and Apana, which is Pranayama. So Hatha Yoga Is Pranayama. How can you say, "I practice Hatha Yoga without Pranayama?"
I don't know why people are unnecessarily discouraged from Pranayama. Everything is dangerous. If you do Pranayama in very unorganized way, then perhaps... But then enough instructions are given in the books. And they say you have to be careful, you have to learn from a teacher. Yes, you have to learn from a teacher. See that it is within your limits. In fact in Hatha Yoga Pradipika, the first instruction is "Inhale as much as you can." Yetashakti "Exhale as much as you can." Slowly build your capacity. You have to work along these lines. People who discourage Pranayama are doing a disservice to Yoga. That may not be their intent, but they are creating unnecessary fear in people, and they are doing a disservice to Yoga.

One reason why people are reluctant to teach Pranayama because they are afraid of teaching it. They don't teach Pranayama because they don't want to get into any problem. They don't want to teach Sirsasana, or Sarvangasana because they don't want to get any problem. These postures, these procedures are a bit tricky. If you understand, if you are able to practice them – well and good; but sometimes you make a mistake, you feel very uncomfortable...


The pranayama mantra sheet Ramaswami gave us on our 2010 TT at LMU
See my pranayama page for more
http://grimmly2007.blogspot.jp/p/pranayama.html

If Hatha Yoga is Pranayama, then Pranayama is Kumbhaka?

Kumbhaka is holding ones breath. It has to be proceeded by inhale, or exhale. Pranayama is control of the breathing. Kumbhaka is the most essential aspect of that. You have to use your inhalation or exhalation before you are able to hold your breath.



How would Krishnamacharya teach it?


Krishnamacharya teaching pranayama
After you practiced your asana, he would ask you to sit in padmasana, vajrasana, etc. do your Kapalabhati, 108 times, or whatever. And then he would ask you to do - one day Ujjai, another day Sitali, another day Nadi Shoddana, like that he would slowly build up the practice, and then later on you have to practice Pranayama on your own. You don't have to teach forever. Once he knew that you practice your Pranayama properly, he would say at the end of the class, "practice Pranayama for 15 minutes."

Which Pranayamas were taught, and which ones were mostly frequently used?

Mostly, in Vinyasa Krama practice, he would use Ujjai breathing, because we use Ujjai in our practice, so it becomes easier. Ujjai and Nadi Shoddana are the two most important pranayamas. And then if you combine those two, you get Anuloma Ujjai, Viloma Ujjai, Pratiloma Ujjai. Occasionally he would ask me to do Sitaly pranayama. When weather is very hot, he would say "you look tired, why don't you do a Sitali pranayama." The main emphasis was on Ujjai and Nadi Shoddana. Normally for Mantra Pranayama, they use Nadi Shoddana pranayama. Inhale through one nostril, chant the Pranayama Mantra, exhale through the other nostril. Nadi Shoddana pranayama is mentioned in the texts also.


Standing pranayama?

What about Bhastrika, Brahmari?

Brhastrika, Brahmari are special pranayamas. 
They are not as common as Nadi Shoddana and Ujjai pranayamas. Because most of benefits expected from Pranayama you can get from these two procedures. Next question is how long you can inhale, what ratios you can maintain [puraka - antar kumbhaka - rechaka - bahya kumbhaka]; there are different parameters that come into play.

He did not use much of Bhastrika?

No. He would ask you to do Kapalabhati. Because Kapalabhati is a cleansing kriya. Bhastrika is a specific pranayama, for certain conditions.   

What scriptures did he use as authority on Pranayama?

Hatha Yoga Pradipika talks about it. And then there are number of Smritis (texts) which refer to Pranayama, how to use the Mantras. Pranayama has two things: one is technique of doing pranayama; the other is how to use the mantra in this pranayama. There are several Upanishads, several Smritis which talk about Pranayama. So, lot of material available on Pranayama.


Ramaswami chanting with Krishnamacharya

Pranayama, according to Krishnamacharya, not effective without Bandhas. Just as Bandhas not viable without Kumbhakas.

Yes, without Bahya Kumbhaka, especially.


How did he teach the Bandhas? And how soon?




Once your breathing is comfortable, you have long inhalation and exhalation, and you can hold the breath for a short period of time, Bandhas can be done. I think he taught Trataka Mudra as the best procedure positioned to teach Mulah Bandha, and Uddiyana Bandha. Once you are able to do Bandhas in that position, then the next thing for you would be to try it in Adho Mukha Svanasana, then some of the seated postures, especially Padmasana and Vajrasana. These are the postures he would ask you to practice the Bandhas.

I think considerable confusion exists about Bandhas, and perhaps it may be useful for many people if we will discuss it. Let's go through three major bandhas. In case of Mula Bandha, queues can be very simple - yet books written about it.

He gave simple instructions, he did not elaborate on this. He would say draw your rectum and tighten lower abdomen. That is all instructions he would give. He would observe how your Bandha is, and say, it is fine. That's about all.

Uddiyana Bandha, anatomically, is a passive stretch of a diaphragm, done by exhaling, closing one's voice box and lifting the chest. But that description does not make it possible to do Uddiyana Bandha on inhale. Yet Hatha Yoga Pradipika talks about it. How is it done? Some lineages talk about Uddiyana Bandha vs. Uddiyana Kriya.

I don't know about Uddiyana Kriya, so I can't talk about it. Hatha Yoga Pradipika talks about Uddiyana Bandha, I think, even at the end of your inhalation, Antar Kumbhaka. I asked my teacher, he said, "this is not for Grihasthyas" [non-Brahmachari]. The idea appears to be getting the union of Prana and Apana, by pushing the Prana in the Antar Kumbhaka, pushing up Apana. It is a difficult procedure. Probably you can learn from a teacher. He himself practiced this, it is not impossible. But, the most benefit you get from certain things - for instance if you want to work with your heart, it is better to do it on exhalation. Depending upon the requirements, your condition. If you want Prana Apana Vayu to enter Sushumna and all that, maybe you would like to do your bandhas on inhalation. On the other hand, if you want them to be helpful to massage your internal organs, probably you want to do your Uddiyana on exhalation.

Do I understand it correctly, Uddiyana on exhale is not only passive lifting a diaphragm, but also active pressing of abdomen against the spine?

Yes, pinning of abdomen against the spine.

So Uddiyana on inhale, it is only pressing abdomen against the spine, because you cannot lift the diaphragm?

But there would be pressure there, you see. What I am trying to say, we do the Jalandhara Bandha, and then you got the air inside your chest. When you try to pull Uddiyana Bandha, it may be not as deep, but at the same time we produce enormous amount of pressure inside your chest. That way they say the Apana is moved up, and you get the union between these two, that's the idea. You can't lift the diaphragm as much as you can during Bahya Kumbhaka, it may be a negligible movement, but at the same time you will be able to feel the pressure. I don't know why it is mentioned there, I've not been taught that, but he said, it is not for us. Because he was not talking in terms of the Kundalini Yoga, Prana, Apana through Sushumna and all that. He was using Uddiyana Bandha, Mula Bandha, for the six koshas of the body. If you look at it from this point of view, it appears to be very logical. It all depends on who is asking you to do what. 

I guess it is confusing to me because on exhale the diaphragm is relaxed, and this normally continues in Bahya Kumbhaka, where as during inhale, it is contracted, and after inhale completed, in Antar Kumbhaka, it can be either left contracted, or be relaxed.

Yes, but increasing chest pressure is what they are wanting to do - they wanted to get Prana and Apana closer.

Jalandhara Bandha. How did he teach it?

In Jalandhara Bandha, he showed me, saying, "get the chin to the breast bone, and then pull it up." Try to bring chin down, he would say four inches below the neck pit, some of the texts talk about it. Then lock the chin, and then straighten your back. What happen is the whole chest moves up along with it. And that is the correct Jalandhara Bandha.

And this bandha is let go once you start inhaling or exhaling?

Yes. The main thing you want to do it when spine is straight, while you hold your breath, that is during kumbhaka. You inhale, bring your chin down, pull it up and lift your chest. During this kumbhaka period, Antar Kumbhaka, you maintain Jalandhara Bandha. In Bahya Kumbhaka also, you bring it down down and pull it up. In Bahya Kumbhaka you maintain Jalandhara Bandha, Mula Bandha, and Uddiyana Bandha. The bandhas are very important during kumbhaka period. Naturally during inhale or exhale you will relax your bandha, but still you have to control the breath. You still control the breath by maintaining Jalandhara Bandha. You maintain the control with Jalandhara Bandha in Ujjai; you maintain the control with your fingers in Nadi Shoddana pranayama.

Jalandhara Bandha aids Ujjai.

Definitely! Jalandhara Bandha aids Ujjai. It also has a number of other benefits. It helps you to keep your back straighter. Once you pull up the spine, your Mula Bandha and Uddiyana Bandha also become more effective. Because the pelvic muscles are pulled up, there is more space between the pelvis and ribcage, so you are able to do the bandhas much better. They are all related


My favourite photo of Ramaswami: From our 2010 TT at LMU. Photo by Barry Wadsworth

Twenty-One rhetorical, 'Is it still Ashtanga?' questions.

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Just stumbled upon this 2012 video of Simon Borg-Olivier in Moscow. A nice straight forward presentation of the Yogasynergy spinal movements that I'm enjoying practicing so much.
At 2:35 Simon then effortlessly lifts into handstand, folds into lotus and lowers into headstand for a demonstration of some nifty 'hands free' inverted transitions into asana/vinyasa, interspersed with some one handed mayurasana variations ( a key asana for Krishnamacharya).



I naively thought I'd come up with something of my own with my recent Sirsasna to bharadvajrasana and back video but here's Simon, at 5:11, transitioning into bharadvajrasana from handstand.
The key idea throughout is to effortlessly enter an asana, padmasana for example, as "...as if folding the arms, no pulling a limb into a posture.

Though a demonstration this video shows perhaps the direction of my own practice of late (albeit less challenging), skipping standing and seated altogether and moving straight from Spinal movements to Inversion transitions in and out of asana where I might explore pranayama options leading up to siddhasana and a Sit. A final letting go of, if not Ashtanga, then perhaps the 'classic' Ashtanga Vinyasa structure that I'd seemed to cling on to so stubbornly, even throughout my focus on Vinyasa Krama where I would still seek to fit Ramaswami's teaching into the Ashtanga Vinyasa Structure.
And yet I still think of it as 'Ashtanga vinyasa', as a continuation, a natural progression, perhaps because 'Ashtanga' has come to mean to me the commitment to a sincere, focussed, daily practice rather than the form that practice takes.


UPDATE

Nice note from Simon on a share of this post

"In this blog Anthony also refers to an old video of me that I have not seen before of me demonstrating simple to advanced posture and movement at a workshop in Moscow some years ago. He comments on how the simple movements I start with have prepared me to do the more advanced postures at the end of the video. If you watch the video you will see that for the first few minutes it looks as though all I'm doing is moving my arms. But in fact what I'm doing is moving actively from my core (the kanda) using the same muscles that I need to do 'salute to the sun' and other introductory standing and floor posters. It is this combination of moving actively from the core that allows me then to go into the advanced postures without seemingly having warmed up to them".





Note: Simon is currently putting the finishing touches on an online Ashtanga course.


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My blog (grimmly2007.blogspot.com) seems to have been a stream of questions over the last ten years...

1. Is it still Ashtanga if we learn from DVDs and books?

2. Is it Still Ashtanga if we only practice at home?

3. Is it Ashtanga if we eschew adjustments and assists?

4. Is it Ashtanga if we Practice full vinyasa rather than half?

5. Is it still Ashtanga if we skip vinyasa altogether and move asana to asana?

6. Is it Ashtanga if we practice more slowly?

7. Is it still Ashtanga if we break the 'rules', move on before a particular asana is perfect?

8. is it still Ashtanga if we move on to 2nd series before we can come up?

9. Is it still Ashtanga if we give up the chase after more asana, the next series?

10. Is it still ashtanga if we drop asana before our body demands it, going back to half primary or less?

11. Is it Ashtanga if we practice more quickly, one breath an asana?

12. Is it still Ashtanga if we include kumbhaka as krishnamacharya stressed but Pattabhi Jois dismissed?

13. Is it still Ashtanga if we have no interest in going to Mysore?

14. Is it still Ashtanga if we hare indifferent to KPJAYI?

15. Is it still Ashtanga if we have no interest in practicing with Sharath, or for that matter, Saraswati, or Manju, or any other teacher of the lineage?

16. Is it still ashtanga if we have no interest in lineage?

17. Is it still Ashtanga if we practice with music? HELL NO : )

18. Is it still Ashtanga if we close our eyes and forget about the nine drishti?

19. Is it It still Ashtanga if we 'breath to the abdomen' rather than the chest?

20. Is it still ashtanga if we keep the belly soft rather than drawn in?

21. Is it still Ashtanga if we let go of the count?

The last the most shocking for me to consider letting go of and yet why not....?

.... and more

Is it still Ashtanga if you no longer practice Sun salutations?

Is it still Ashtanga if you include qigong like movements (Chinese yoga?)?

Is it still Ashtanga if you don't practice inversions?

Is is still Ashtanga if if you don't float?

Is it still Ashtanga if you do?

Is it still Ashtanga if you punctuate your practice with handstands?

Is it still Ashtanga if you chant in latin rather than sanskrit.

Is it still Ashtanga if you follow the moral codes of your own culture rather than Patanjali's?

Is it still Ashtanga if you have no interest in visiting India?

Is it still ashtanga if you have no interest in Krishnamacharya?

Is it still Ashtanga if you don't practice on a Manduka?

Is it still Ashtanga if you practice with a pole rather than a mat?

Is it still Ashtanga if you practice only once a week?

Is it still Ashtanga if you have no interest in any of the above questions but just practice something, daily, with commitment and sincerity?

Feel free to add your own in comments.

I could of course change the title of the blog (again), call it something else....

In fact a friend asked me recently why Pattabhi Jois didn't just call what he taught 'yoga' rather than 'Ashtanga'.

But then what else is Ashtanga but Yoga, Patanjali's yoga. We get so wrapped up with the form, the rules....., we lose sight perhaps of the point of practice, or at least of trying to grasp the point of the practice. Is it Ashtanga vinyasa, Ashtanga....., or just yoga or even perhaps merely one small step towards yoga.


Appendix


UPDATE

Just as I hit post on the fb version of this post Manju's new book arrived, like a sign of sorts, although of what I'm unsure. Review to come.


Current practice: Dropping Standing, Seated and moving straight to inversions. Asana with pranayama, entry and exit from headstand

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Dropping Standing, seated Primary postures and moving straight to inversions of late, felt like quite a radical departure, I kinda like it.

The argument is that the effects of standing postures are covered in the spinal sequence.
Seated postures I tend to enter from sirsasana and include pranayama options.



Current practice

I seem to be dropping standing and seated postures altogether, the effects of standing come into the spinal movements, seated postures with pranayama exercises ending up entered and exited, hands free, from Sirsasana.

Spinal movements

Suryanamaskara
(Can't quite bring myself to drop these altogether)

Sarvangasana prep
Sarvangasana - static 5 mins,
Sarvangasana vinyasas
Urdhva Dhanurasana
paschimottanasana

Sirsasana - static 5-10 mins
Sirsasana entry to seated asana inc. pranayama exercises.
- gomukhasana - 30 inhalation
- bharadvajrasana - 30 second exhalation
- baddha konasana - 30 second kumbhaka after exhalation
- Baddha padmasana 
- Padmasana Nadi shodhana - 20 second kumbhaka after inhalation

Maha Mudra

Sit - Siddhasana


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I've been asked where one can find more on this approach.

See this post for an intro into Simon's approach, with videos, links etc

Simon Borg-Olivier made me fall in love with my SPINE all over again


For those not sure about the arm waving, and it took me a while to come around, I recommend Simon's 84 key asana course, see this post where I include a concordance with Ashtanga.

I hear Simon has an online Ashtanga course in the editing stage, should be excellent.



I'm just about to start Simon's 13 week online Yoga Therapy course, more on that to come.



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The videos below give an idea of my current approach to practice.

Spinal movements in different foot positions including a slower version......,

The first five minutes of the video below shows Simon demonstrating some of the spinal movements.


lengthening the inhalation and exhalation, so, one inhalation for both sides of the first exercise/vinyasa, one exhalation for both sides of the second twisting 'exercise/vinyasa


I might include one or more active movement variations of standing asana







After the spinal movements I might do a couple of sury's but have started skipping standing and seated postures altogether and am going straight into some shoulderstand preparation postures, these from Simon which strike me as important, a revelation in fact.


Followed by some shoulderstand prep from Vinyasa Krama that Krishnamacharya/Ramaswami recommended.


After a five minute static shoulderstand, lengthening the inhalation and exhalation to twenty seconds for each I'm tending to include the vinyasas below from Krishnamachary's old 1938 Mysore film footage, as well as perhaps a few other of his vinyasas that may come to mind.


I finish shoulderstands with the standard vinyasas from Ashtanga Finishing, leading into padma mayurasana.

Urdhva danhurasana

Sirsasana, a five minute static headstand, lengthening the inhalation and exhalation to twenty seconds for each.... followed by the asana below entered from sirsasana and including different pranayama exercises. The videos below don't include the pranayama.



Gomukhasana - 3 breaths each side - lengthening the inhalation to thirty seconds



Bharadvajrasana - Lengthening the exhalation to thirty seconds



Baddha Konasana A - Kumbhaka: Holding the breath out for thirty seconds



Padmasana: Nadi shodhana 12 rounds - 1:4:2:1 A twenty second Kumbhaka after the inhalation



Back up to sirsasana to stretch out the legs before lowering and entering siddhasana hands free for a twenty or forty minute Sit.




Appendix


REVIEW: Simon Borg-Olivier and Bianca Machliss' Yoga Synergy 12 week online Yoga Therapy Course

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REVIEW: Simon Borg-Olivier and Bianca Machliss' Yoga Synergy 12 week online Yoga Therapy Course'Therapeutic applications of movement and breathing: yoga therapy'. 



https://yogasynergy.com/online-courses/yoga-therapy-therapeutic-applications-posture-movement-breathing/

Note: for those Ashtangi's coming to the post for the review of Manju's book, you might be interested to hear that Simon has online Ashtanga course coming soon.

This is more of an introduction than a review as I've only just begun Simon and Binaca's new Yoga Therapy course, more reviews to come as I progress through the course.

If the excellent, and highly recommended, 120 hour YogaSynergy Fundamentals course is more like an online university short course, with it's wealth of materials, Anatomy and Physiology text book, Powerpoint slide books, video lectures and practice videos for each module as well as a chat rooms and access to faculty, the new YogaSynergy Online Yoga Therapy course feels more like an extended workshop.




I loved the Yoga Fundamentals course, I keep going back to the material, the videos as well as hunting through the powerpoints and course notes but the course does take a degree of commitment that many might not be able to offer or maintain. The Yoga Therapy course is perhaps more accessible while perhaps covering much of the same material, in an applied environment.

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About the course
Over 12 weeks of Video Lectures, you will learn to make the yoga you teach safer and more effective.

Many people practice exercises way beyond their understanding and physical capability, which is why it is so easy to get injured.

If you’re a yoga teacher and would like to deal with your students’ ailments and conditions safely and effectively, first you have to understand the anatomy and physiology of your own body.


Once you have understood how to manage your own ailments and injuries, it’s then much easier to start giving advice to other people.

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The course includes course notes, a resources page, a forum and all the Powerpoint slides that Simon Borg-Olivier refers to throughout the lectures but mostly the course consists of videos, lots of videos.



Each week seems to be made up of between five and ten videos of between ten minutes to half an hour in length, some may even be longer.

So far I'm still on the first week but the format is excellent.

The first twelve of fifty general principles


We have Simon Borg-Olivier, and in later weeks I imagine, also Bianca Machliss, working with an audience, introducing an area of therapy in manageable chunks and then applying those techniques to member of the audience, theory and practice.

from the powerpoint file

Simon stresses we are our own first and most important perhaps client, that we can and no doubt should explore these techniques on our own bodies.



I like that Simon doesn't jump straight into too much anatomy in the first week, as much as we need for the therapy suggestions he is offering. Week three though, seems to go into more detail.



I was constantly getting up to try stuff out, standing in frount of the mirror to see how balanced my body was (it wasn't, isn't), walking back and forth in frount of a mirror or window to check my gait.




Most of all I trust Simon, I've met him, seen how he checks an article that I pass to him, checking first the bibliography and the research quoted. I know his background, how he was first introduced to pranayama by his father, a freediver, as a child. How after many years of yoga practice with the likes of BKS Iyengar, Shandor Remete, Pattabhi Jois and others he, along with Bianca, went back to University to study for a Bachelor of Applied Science in Physiotherapy. Not satisfied with the tradition passed along to them they went back to school so as to be able to check the ground of the teaching they received.





I wish I had the commitment to go back and do a degree in Anatomy and physiology, perhaps then I would consider actually teaching. Simon and Bianca's course is a start at least.



With many yoga teachers, however experienced they may be working with bodies, I wonder at times if they have ever opened an anatomy book in their lives or whether they are just passing along the 'wisdom' of others, subject to 'Chinese whispers', as are many of the old texts quoted. Simon has a Bachelor of Science in human biology, a research based Master of Science in molecular biology (Bianca has a Bachelor of Science (Microbiology & Psychology) as well as his and Binaca's Bachelor of Applied Science in Physiotherapy. Simon knows how the body works on a molecular level, which interests me immensely when we talk of pranayama, as well as it's anatomy and physiology alongside several decades of practice and teaching.

Below and outline of the course - look out for future blog posts reviewing future weeks as I move on to them.














Yoga Therapy: Review Manju Jois' new book, Yoga Chikitsa and Simon Borg- Olivier's/Bianca Machliss' Yogasynergy 12 wk Online Yoga Therapy course

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Part 1. Review: Yoga Chikitsa : Healing Techniques and assistance -Manju Jois
80 pages


from the publisher
The word yoga has three meanings; opportunity, prosperity and unification. Yoga is also the sacred knowledge of how to heal imbalances and eventually become one with ourselves.
When Manju taught yoga with his father Sri K. Pattabhi Jois in Mysore, India in the 1960’s, almost all of the students had some form of disease or illness. Often health care could not help the patient and they were asked to go to yoga as a last resort. They then used the yoga therapy and knowledge of how to heal imbalances through yoga to cure and relieve physical and mental ailments.
This knowledge has never before been taught to western students, so it is with great joy we now open a window into one of the most fundamental, but the least explored parts of Ashtanga yoga.


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The Book carries Manju Pattabhi Jois' name above the title of the book but I was unclear perhaps how much of the book was actually written by Manju himself. Inside, it says "Text by Manju Jois, Anna Bjärkvik and Camilla Silva", with graphic design by Johan Lundback. the Translation by Claudia Hamilton. Anna Bjärkvik is credited as the publisher. It seems to be more inspired by Manju's recent yoga therapy themed workshops and it is presented as a "complement to Manju Jois' courses and workshops.

Anna Bjärkvik has mentioned that "...the book was made entirely under Manju's supervision and that it was his idea to create this book. He arranged the photo shoot and the content of the book. (In page 22 you can see that he is the one arranging the photo shoot) It is his words as exact as possible in the instructions and benefit of each asana and the tales are recorded when Manju told them for us and then written down. So everything except the introduction is Manju's words or an attempt to write down his exact teachings without adding any of our (Me, Camilla & Johans) personal opinions on the practice of yoga. We are very honoured to be part of this project to help share Manju's deep wisdom that comes from a place of experience and heart". 

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There's still no LOOK INSIDE feature on Amazon for Manju's Jois' new book so I was delighted to receive  a review copy of Yoga Chikitsa : Health and healing Techniques, last week.  

On reflection the book is probably a little wasted on me, it's not really for the regular or home practitioner perhaps but for a teacher, possibly one who has attended one of Manju's new Yoga Chikitsa workshops. I've attended Manju's TT twice (highly recommended) but not the new therapy workshop.

Table of contents




This is not a regular presentation of the Ashtanga Primary series but rather a collection of asana taken from Primary, Intermediate or Advanced, that Manju has supposedly chosen for their suggested healing benefits.




We might question some of the posture choices for a book of this kind as well as the benefits claimed. While hanumanasana might be fine on one of Manju's Yoga Chikitska workshops where he is in attendance, given the minimal instruction in the book, it could conceivably lead to injury, likewise Eka raja kapotasana, Vatayanasana and gomukhasana.

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Structure

The first line of each asana presented is on Therapeutic benefits, these tend to be the same or similar in each group of asana presented.

The purpose of the selection of standing postures (five postures with their variations) tends to be to "...balance the imbalances in the hips  or stretch out the spine".

The 'Therapeutic purpose' of the selection for stiff shoulders (four postures), "Revolving tension around the shoulders and shoulderblades, releasing the emotional blockages  that could settle there".

Those for knee problems (five postures), to "....ease pressure on the knee joint, to reduce discomfort and revitalise the knee".


The back problems selection (three postures), all "To improve and revitalise the spine" and "...to relieve trouble with scolirosis",





The hip problem selection (two postures) "Correcting imbalances in the hips and counteract arthritis".

A group of postures for respiratory problems or a stiff chest (five postures) then to be "To open the chest and airways" and "...also rejuvinates the spine".

We have asana for stomach problems  (two postures) to "Energise the internal organs and ease stomach problems".

And a final two postures in the  Increased Strength group to "Increase the firmness and strength of the body".

*

Each asana has a couple of lines under Technique, minimal instruction on how to enter the posture. Those for knee problems suggest putting a rolled up towel behind the knee, those in the Stiff Shoulders selection offer a suggestion of where an assisting teacher might rub the students back or shoulders.

The Technique section is sometimes the same as the Assistance section, the rolled up towel suggestion, a back or shoulder rub but more often than not a suggestion on how to support the student as they enter the posture, or not spring out of a posture when preparing to exit.

*

Photos throughout the book tend to be of one student assisting another, I counted only four photos of Manju, which was disappointing, in one of which he's assisting.

Note: To see Manju assisting each of the primary and intermediate asana see these excellent videos.



Manju always encourages chanting on his workshops. The chants include the Sanskrit, roman transliteration ( I would have liked this to have been larger or even in bold to stand out more) and a translation. It's unclear if the translation is by Manju himself, indeed, how involved Manju was in the actual writing of the text.


Finally there are also a four charming short stories with a 'moral' in italics at the end.





As mentioned, this book may be more suited to those teaching who can try out the assists and shoulder massages on their students, regular and home practitioners may prefer Manju's earlier Book on the Primary and intermediate series.

see my review of Manju's earlier book here
http://grimmly2007.blogspot.jp/2013/02/manju-jois-bundle-dvd-training-manual.html


It's nice to get an insight into the new style of workshop that Manju has started offering, how he is quite prepared to introduce some Intermediate and Advanced asana to students practicing the Primary series. 

*

The price of the 80 page, text light, book is a concern perhaps, $30 on Amazon.com. 

The price may be partly due to the fact the book is self published and in colour. I'm able to reduce my own book by 50% to bring it virtually down to cost on Lulu but Amazon don't allow me to change the price


To put the price in context, Patabbhi Jois' father's own book Yoga Mala is $12.23 ( down from $18).

Gregor Maehle's Ashtanga: Practice and Philosophy, 320 detailed pages of instruction is  $23:84 ($15.96 on kindle), Kino MacGregor's likewise detailed 240page instruction manual, $16.26

John Scots Ashtanga Yoga  is $11.89 (down from $21).

David Swenson's essential Ashtanga manual, Hard covered, ring bound, 260 pages covering all of Primary and Intermediate with several variations for every posture and short form practice sheets only $21.00

Even Richard Freeman and Mary Taylor's new Art of the Vinyasa is selling for less. $15.46 for it7s 336 pages ( down from $24.95).

Manju's nephew Sharath's book is more expensive however, at $34 for it's text lite 91 pages.

Manju's earlier book covering Primary and Intermediate is however a little more expensive $34.00 from Ashtanga.com

See my review page for reviews of all of the above

REVIEWS

That said the book is perhaps worth the price for this photo alone.



See my review of Manju's earlier book, DVD and CD here


And perhaps my recent post...



* * *


Paert 2. REVIEW: Simon Borg-Olivier and Bianca Machliss' Yoga Synergy 12 week online Yoga Therapy Course 'Therapeutic applications of movement and breathing: yoga therapy'. 



https://yogasynergy.com/online-courses/yoga-therapy-therapeutic-applications-posture-movement-breathing/

Note: for those Ashtangi's coming to the post for the review of Manju's book, you might be interested to hear that Simon has online Ashtanga course coming soon.

This is more of an introduction than a review as I've only just begun Simon and Binaca's new Yoga Therapy course, more reviews to come as I progress through the course.

If the excellent, and highly recommended, 120 hour YogaSynergy Fundamentals course is more like an online university short course, with it's wealth of materials, Anatomy and Physiology text book, Powerpoint slide books, video lectures and practice videos for each module as well as a chat rooms and access to faculty, the new YogaSynergy Online Yoga Therapy course feels more like an extended workshop.




I loved the Yoga Fundamentals course, I keep going back to the material, the videos as well as hunting through the powerpoints and course notes but the course does take a degree of commitment that many might not be able to offer or maintain. The Yoga Therapy course is perhaps more accessible while perhaps covering much of the same material, in an applied environment.

---------------------------------------------------------------------------------------------------------------
About the course
Over 12 weeks of Video Lectures, you will learn to make the yoga you teach safer and more effective.

Many people practice exercises way beyond their understanding and physical capability, which is why it is so easy to get injured.

If you’re a yoga teacher and would like to deal with your students’ ailments and conditions safely and effectively, first you have to understand the anatomy and physiology of your own body.


Once you have understood how to manage your own ailments and injuries, it’s then much easier to start giving advice to other people.

--------------------------------------------------------------------------------------------------------------

The course includes course notes, a resources page, a forum and all the Powerpoint slides that Simon Borg-Olivier refers to throughout the lectures but mostly the course consists of videos, lots of videos.



Each week seems to be made up of between five and ten videos of between ten minutes to half an hour in length, some may even be longer.

So far I'm still on the first week but the format is excellent.

The first twelve of fifty general principles


We have Simon Borg-Olivier, and in later weeks I imagine, also Bianca Machliss, working with an audience, introducing an area of therapy in manageable chunks and then applying those techniques to member of the audience, theory and practice.

from the powerpoint file

Simon stresses we are our own first and most important perhaps client, that we can and no doubt should explore these techniques on our own bodies.



I like that Simon doesn't jump straight into too much anatomy in the first week, as much as we need for the therapy suggestions he is offering. Week three though, seems to go into more detail.



I was constantly getting up to try stuff out, standing in frount of the mirror to see how balanced my body was (it wasn't, isn't), walking back and forth in frount of a mirror or window to check my gait.




Most of all I trust Simon, I've met him, seen how he checks an article that I pass to him, checking first the bibliography and the research quoted. I know his background, how he was first introduced to pranayama by his father, a freediver, as a child. How after many years of yoga practice with the likes of BKS Iyengar, Shandor Remete, Pattabhi Jois and others he, along with Bianca, went back to University to study for a Bachelor of Applied Science in Physiotherapy. Not satisfied with the tradition passed along to them they went back to school so as to be able to check the ground of the teaching they received.





I wish I had the commitment to go back and do a degree in Anatomy and physiology, perhaps then I would consider actually teaching. Simon and Bianca's course is a start at least.



With many yoga teachers, however experienced they may be working with bodies, I wonder at times if they have ever opened an anatomy book in their lives or whether they are just passing along the 'wisdom' of others, subject to 'Chinese whispers', as are many of the old texts quoted. Simon has a Bachelor of Science in human biology, a research based Master of Science in molecular biology (Bianca has a Bachelor of Science (Microbiology & Psychology) as well as his and Binaca's Bachelor of Applied Science in Physiotherapy. Simon knows how the body works on a molecular level, which interests me immensely when we talk of pranayama, as well as it's anatomy and physiology alongside several decades of practice and teaching.

Below and outline of the course - look out for future blog posts reviewing future weeks as I move on to them.














Krishnamacharya and Drishti

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In Krishnamacharya's teaching drishti is of course mentioned in relation to the asana and indeed the breath, Krishnamacharya tends to focus on two gazing points, between the eyebrows (broomadhya drishti) and the tip of the nose (nasagra dristri).

Likewise Pattabhi Jois in Yoga mala

"For this, meditation is very important, as are the drishti, or gazing places, which include: nasagra drishti [the gaze on the tip of the nose] for samasthiti; broomadhya drishti [the gaze between the eyebrows] for the1st vinyasa; nasagra dristri for the 2nd vinyasa; the gaze between the eyebrows for the 3rd vinyasa—in other words, for the odd-numbered vinyasas, the gaze should be focused between the eyebrows and, for the even-numbered ones, the gaze should be on the tip of the nose." p87

Later Pattabhi Jois included other external drishti points/gazing places, what is it nine now?

Manju often suggests closing the eyes.

The eyes do not need to be open for broomadhya drishti and nasagra dristri, the eyes can be close but still directed at the same point. There are other drishti that krishnamacharya would employ as outlined by his som

Krishnamacharya would employ other 'drishti' internal points of focus as outlined in his son T. K. Sribhashyam's book, Emergence of Yoga,
See this earlier post.
http://grimmly2007.blogspot.jp/2014/08/asana-drishti-and-dhyana-dharana.html?m=1


Krishnamacharya and drishti ( the gaze)


Figure 4.53: Baddha Padmasana - Gaze on midbrow



Figure 4.52: Baddha Padmasana - Gaze on tip of nose

All quotes below from Krishnamacharya's Yoga Makaranda (Mysore1934)
Note: many of the same asana and instructions were also used in Yogasanagalu (Mysore 1941)

When I explain the rules of yogasana, if the position of the head has not been specified, then keep the head in jalandara bandha. Similarly, if it does not specify where to place the gaze, then the gaze should be directed towards the midbrow.
p25-26

3.8 Section on the investigation of the twenty Mudras
After the nadis are cleaned by practising the shatkriyas, it is essential that every- body, respecting their body’s constitution, practise at least some of the twenty mudras for the following reasons: in order to keep the ten types of vayu moving in their appropriate respective nadis and performing their assigned activities with- out obstruction (as described in the earlier section); in order to prevent diseases from forming in the body; for the susumna nadi to be taken to and maintained in the brahmarandhram; and for the always wavering gaze to stop moving and become focussed in one place. It is for this reason that the mudras are described here.
p45

Maha Mudra: With the left foot pressed tightly against the rectum, extend the right leg out in front. Make sure that the heel is touching the floor and the toes are pointing upwards. Hold the big toe of the right foot with the fingers of the right hand. Keep the chin firmly pressed against the chest and keep the gaze fixed on the midbrow. Similarly, following the instructions mentioned above, repeat the mudra with the right foot pressed firmly against the rectum and the left leg extended forward.
p45

Khecari Mudra: After first learning the yoga marmas with the help of a satguru who is still practising this, cut 1/12 of one angula measure (width of one hair) of the thin seed of skin at the bottom of the tongue with a sharp knife. Apply a well-powdered paste of sainthava lavanam salt (rock salt) on the area of the cut. Rub cow’s butter on both sides of the tongue, and holding the tip of the tongue with a small iron tong, pull the tongue out carefully, little by little. Repeat this (the pulling) every day. Once a week, as mentioned above, cut the seed of flesh at the base of the tongue very carefully. Practise this for three years. The tongue will lengthen and will easily be able to touch the middle of the eyebrows. After it lengthens this much, fold it inside the mouth, keep it in the cavity which is alongside the base of the inner tongue and fix the gaze on the mid-brow.
p47

15. Sambhavi Mudra: Due to the strength of the traataka abhyasa men- tioned in the shatkriyas, after the eyes have teared profusely, fix the gaze on the mid-brow.
p49

Announcement
If one practises these twenty mudras according to one’s strength and capabil- ity, then diseases associated with svasam (respiration), kasam (coughing), spleen, meham (bladder) — such 84,000 diseases can be prevented. One develops extraor- dinary physical strength and will not fall victim to an untimely death. Moreover, the prana vayu will join the susumna nadi and one develops one-pointedness of the gaze and of the mind. Therefore, these mudras have to be achieved before practising pranayama.
p51

On Asana

1 Uttanasana
Following the rules for tadasana (yogasana samasthiti krama) (Figure 4.1, 4.2), stand erect. Afterwards, while exhaling the breath out slowly, bend the upper part of the body (that is, the part above the hip) little by little and place the palms down by the legs. The knees must not be even slightly bent. Raise the head upwards and fix the gaze on the tip of the nose.
p51

8 (Dandasana from instruction for) Pascimattanasana or Pascimottanasana (Figure 4.19 — 4.28)
This asana has many kramas. Of these the first form has 16 vinyasas. Just doing the asana sthiti by sitting in the same spot without doing these vinyasas will not yield the complete benefits mentioned in the yoga sastras. This rule applies to all asanas.
The first three vinyasas are exactly as for uttanasana. The 4th vinyasa is caturanga dandasana, the 5th vinyasa is urdhvamukhasvanasana, the 6th vinyasa is adhomukhasvanasana. Practise these following the earlier instructions. In the 6th vinyasa, doing puraka kumbhaka, jump and arrive at the 7th vinyasa. That is, from adhomukhasvanasana sthiti, jump forward and move both legs between the arms without allowing the legs to touch the floor. Extend the legs out forward and sit down. Practise sitting like this with the rear part of the body either between the two hands or 4 angulas in front of the hands. It is better to learn the abhyasa krama from a guru. In this sthiti, push the chest forward, do puraka kumbhaka and gaze steadily at the tip of the nose.
p69


17 Utthitahasta Padangushtasana (Figure 4.49, 4.50, 4.51)
First, push the chest forward and stand erect with equal balance. While standing this way, make sure that the head, neck, back, hips, arms and legs are aligned properly and gaze at the tip of the nose.
p99

18 Baddhapadmasana (Figure 4.52, 4.53, 4.54, 4.55)
Place the right foot on top of the left thigh and the left foot on top of the right thigh. Take the hands behind the back and tightly clasp the big toe of the right foot with the first three fingers of the right hand and tightly clasp the big toe of the left foot with the first three fingers of the left hand.
Press the chin firmly against the chest. Keep the gaze fixed on the midbrow. Sit down, keeping the rest of the body straight. This has the name baddhapad- masana. This asana must be repeated on the other side (that is, first place the left foot on top of the right thigh and then the right foot on top of the left thigh) in order to exercise both sides of the body.
This has 16 vinyasas. The 8th and 9th vinyasas are the asana sthiti. The other vinyasas are like pascimottanasana. Study the pictures (Figures 4.52, 4.53) and learn how to keep the gaze.
p103

26 Niralamba Sarvangasana (Figure 4.70)
This has 14 vinyasas. The 8th vinyasa is the asana sthiti. The form depicted in the picture is the 8th vinyasa. This is niralamba sarvangasana paristhiti. In order to get to this sthiti, slowly raise the arms and legs either together or one-by- one in the 7th vinyasa . Do only recaka at this time. Never do puraka kumbhaka.
At this time the chin should be pressed against the chest. The gaze should be fixed on the midbrow.
p115

27 Ekapada Sirsasana (Figure 4.71, 4.72)
This has two forms: dakshina ekapada sirsasana and vama ekapada sirsasana. Both these forms together have 18 vinyasas. The first picture depicts dakshina ekapada sirsasana and the second picture vama ekapada sirsasana. The 7th and 12th vinyasas are the asana sthitis of these di erent forms. For this asana, you need to do sama svasauchvasam (same ratio breathing). In the 7th vinyasa, the left leg, and in the 12th vinyasa the right leg, should be extended and kept straight from the thigh to the heel. No part should be bent.
Keep the hands as shown in the picture. In this sthiti one needs to do equal ra- tio breathing. When the hands are joined together in ekapada sirsasana paristhiti, one must do puraka kumbhaka. One must never do recaka.
While doing the 7th and the 12th vinyasas, the head must be raised and the gaze must be fixed at the midbrow.
p120

32 Bhairavasana (Figure 4.78)
This has 20 vinyasas. The 8th and the 14th vinyasas are the right and left side asana sthitis.
From the 1st until the 7th vinyasa, follow the method for ekapada sirsasana. In the 8th vinyasa, instead of keeping the hands at the muladhara cakra (as in ekapada sirsasana), hug both arms together tightly as seen in the picture and lie down looking upwards. While remaining here, do puraka kumbhaka, raise the neck upwards and gaze at the midbrow.
129

Chakorasana…. The 8th and 14th vinyasas are this asana’s sthitis. The 7th and the 13th vinyasas are like the 7th and the 13th vinyasas of ekapada sirsasana. In the 8th and the 14th vinyasas, press the palms of the hand firmly into the ground, do puraka kumbhaka, raise the body 6 angulas o  the ground and hold it there. Carefully study the picture where this is demonstrated. Keep the gaze fixed on the midbrow. The other vinyasas are like those of bhairavasana.
p132

34 Skandasana (Figure 4.80, 4.81)
This has 20 vinyasas. The 8th and the 14th vinaysas show the asana sthiti. The other vinaysas are exactly as for cakorasana. In pascimottanasana, we hold the big toes with the fingers of the hands as we place the face down on the knees. In this asana, instead of doing that, extend the arms out further forward, clasp the hands together in the manner of prayer, slowly bend the body forward and place the face down in front of the kneecap. You must do recaka in this sthiti. The gaze must be fixed on the midbrow.
p132

35 Durvasasana (Figure 4.82)
This has 20 vinyasas. The 8th vinyasa is right-side durvasasana and the 14th vinyasa is left-side durvasasana. In the 7th and the 13th vinyasas stay in ekapada sirsasana sthiti. From there, in the 8th and the 14th vinyasas, get up and stand. Study the picture carefully. While remaining in this asana sthiti, the leg that is being supported on the ground must not be even slightly bent and must be held straight. Keep the gaze fixed at the middle of the nose. You must do sampurna puraka kumbhaka. The head must be properly raised throughout.
All the other vinyasas are like skandasana.
p132

37 Trivikramasana (Figure 4.85)
This has 7 vinyasas. From the 1st to the 5th vinyasas and then the 7th vinyasa, practise following those for utthita hasta padangushtasana. Practise the 2nd and 7th vinyasas as shown in the picture (study it carefully) and remain in these positions. The 2nd vinyasa is the right-side trivikramasana sthiti. The 6th vinyasa as shown is the left-side trivikramasana sthiti. The picture shown here only demonstrates the left-side trivikramasana. It is important that equal recaka and puraka kumbhaka must be carefully observed while practising this asana. Keep the gaze fixed on the midbrow. Both legs must be held straight and must not lean or bend to any side.
p136

38 Gandabherundasana (Figure 4.86, 4.87)
This has 10 vinyasas. The 6th and 7th vinyasas show the asana sthiti. The first picture shows the 6th vinyasa and the second picture shows the 7th. In the 4th vinyasa, come to caturanga dandasana sthiti and in the 5th vinyasa proceed to viparita salabasana sthiti. In the 6th vinyasa, spread the arms out wide, keeping them straight like a stick (like a wire) as shown in the picture. Take the soles of both feet and place them next to the ears such that the heels touch the arms and keep them there.
Next, do the 7th vinyasa as shown in the second picture. This is called supta ganda bherundasana. In this asana sthiti and in the preliminary positions, do equal recaka puraka kumbhaka. Keep the gaze fixed on the midbrow. This must not be forgotten.


p142

Ashtanga and weight loss, it's not the practice but the discipline. Also Simon Borg-Oliver on Yoga and Diet

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I almost regret making up this poster with the before and after photos.
This post isn't about appearance but health (the photo on the left happens to be M's favourite), about more discipline in our eating, what do I care whatIi look like, I live in the countryside and practice alone rather than in a shala.


When I first started practicing yoga I was 94 kilo, I'd been living in Japan for six years, drinking too much beer and living on convenience food, the weight came on gradually and because I had some fancy suits at the time I never really noticed I'd put on as much weight as I had, thought I was looking pretty sharp actually and hadn't really considered how unhealthy my lifestyle had become. I started practicing yoga with a book from a library, it just happened to be Ashtanga and for that first year I panted and sweated through practice each morning on a bath towel in my underwear. I would sweat around two kilo's a practice, there was the suggestion at the time that the Ashtanga practice room needed to be hot (it doesn't). Because I was bending and twisting so much each morning I really didn't want to eat that heavy a meal in the evening. I dropped down to 78 kilo in those first two years and put it down to my dynamic, sweaty, Ashtanga practice although I had also switched to a vegetarian diet a couple of years into my practice..

It was partly the practice of course that accounts for that dramatic weight loss but no doubt just as much to do with eating less. Practicing twice a day I just got into the habit of eating less between practices, smaller portions, plus Ashtanga is great for building discipline and saying no to a beer or a tub of ice cream.

Still, in my mind, at the time, it was that dynamic, sweaty Ashtanga practice that I credited with losing
weight.

I should add that I didn't start yoga, Ashtanga, to lose weight, I'd been burgled, had seven vintage saxophones stollen, I was annoyed about it and wanted to do something about the anger. I decided to get back into Sitting and the yoga was because I'd read that it could make the sitting more comfortable.

Jump forward a few years.

Two and a half years ago I got ready to move back to Japan. Ashtangi's we love our routines, we love stability, our mat in the same place, practicing at the same time each morning, are we all a little OCD? The disruption caused by that move to Japan threw my discipline out somewhat, those yama/niyama's slipped and the outward manifestation of that was a gradual increase in weight. Also, I had been practicing more slowly, less dynamically and because I associated sweating through practice with the kidney stones I'd had in the past I avoided sweating during practice as much as possible.

When I noticed my weight was up to 84 kilo at the end of last year I realised I needed to do something about it.

My practiced had slowed down in the last few years. Following Krishnamacharya's early Mysore instruction, as found in Yoga Makaranda (Mysore 1934) and Yogasanagalu (Mysore 1941), I was breathing "...slow like the pouring of oil", staying in postures for longer, ten breaths, ten minutes even. To accommodate this slower practice I let go of more and more asana. By the end of last year I was mostly only practicing the first half of Primary and even then with many of the asana dropped, this approach, a 'mudra like' approach to practice is outlined on my Proficient Primary page.



Because I associated the dramatic weight lost of the past to my hot, sweaty, dynamic Ashtanaga practice, the temptation was to switch from my slower more modest practice back to a fast paced full series practice once more, I mean it had worked in the past.

The temptation was great.

Thankfully I was stubborn enough and determined NOT to change my practice, not to speed it up, not to practice more asana, not to practice in a warmer/hotter room but decided instead to 'merely' change my eating habits.

It sounds obvious doesn't it. Of course it's not the practice, it was never the practice, all the practice did really was to provide the discipline to eat more circumspectly. And yet I suspect I'm not alone, I'm sure there are many who associate their physical condition with the practice itself, with how they practice rather than the relationship between how they eat and the practice they have.

I stopped drinking alcohol. From drinking only a little watered down wine in the past I'd started drinking wine that wasn't watered down, from one to two glasses with meals, three glasses even, beer through the summer, a whiskey in the evening, or two, through the long holiday season of Christmas and new year.

I cut out bread, we had discovered we had a great bakers here in our village by the lake.

Quit drinking milk

No more pasta but instead 100% Soba

I cut out rice altogether at first and then allowed a little brown rice once or twice a week.

I stopped eating chocolate, biscuits/cookies, cake any kind of snack other than nuts.

I stopped eating most sugary fruit too.

These days I mostly I tend to eat salad, vegetables, Soba ( including crepes made from Soba flour), strawberries, Sashimi..... nuts.

I went from 84 kilo in November to 73 kilo this morning my practice just slow as slow, just as modest. It was nice however to see the wrist binds come comfortably back if and when I included Marichiiyasana D, Pasasana.

Note: BMI for my height within the recommended range of 18.5 to 24.9

Simon Borg-Olivier talks a lot about diet. He talks and writes about the connection between how we breathe and what we eat. Simply put, If we breathe less we tend to be happy with salad, breathe more and we crave something heavier and perhaps more of it. I'll include his fb post on diet yesterday in the appendix.


See perhaps this earlier post on breathing less

I make M. lemon drizzle cake, I buy her chocolate occasionally but have no interest in them myself, I'm quite content with a handful of nuts as a snack, you get used to it very quickly. Simon stresses that he eats what ever he wants, as much as he wants but that all he fancies is, fruit and vegetable, I feel pretty much the same.

It's not our practice, Ashtanga was never about losing weight.

We CAN practice our Ashtanga as if we are in a Cross-fit gym, or a Bikram studio or we can practice calmly, steadily, in a moderately, comfortably, warm room, our breathing slow and steady, our asana modest.

What Ashtanga, what any regular practice gives us, or can give us, is discipline, or a least it can act as a support for our practice of the yama/niyamas (of our or any other culture) that we choose to follow.

If we choose to switch from a faster paced practice to a slower more modest practice we 'merely' have to adjust our fuel and how much we consume  accordingly. I say merely but it can be tough, the practice though can support us in this through the discipline it gives us, the yama/niyama, the asana, they support each other, go hand in hand.



from Krishnamacharya's Yoga Makaranda (Mysore 1934)

"3.3 Dietary Restrictions for the Yogabhyasi
Food must be eaten in measured quantities. It must be very pure. The food should not be overly hot, it should not have cooled down too much (very cold food should be avoided). Savouring the taste, fill the stomach with such food until it is half full. After this, leave a quarter of the stomach for water and leave the rest empty to allow for movement of air. For example, one who normally has the capacity to eat 1/4 measure of food, should eat 1/8 measure of food and leave the rest of the stomach as mentioned above.

For whom there is neither excess nor less
of sleep, food and activity
For him alone it is possible

to attain the state of yoga"
p34




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Appendix 1

One of my favourite memories Of Simon from when we hung out together at the Rainbow festival a few years back was his huge bowl of salad.

Simon is back at the rainbow festival this year in fact.



Simon Borg-Olivier with Anita Reilly.
19 hrs
My Diet: I eat what ever I like whenever I like, However much I want. But because of how i regulate my posture, movement and breathing my main food and all i really like is fruit, salad and vegetables.
In my 3 hour Sydney Nutrition Seminar on Saturday 27th May 2017 I will explain in simple terms:
*** How what you eat directly affects the way you breathe
*** That learning how to comfortably breathe less than normal (pranayama) eventually allows you to comfortably eat less than normal
*** That the only diet that has been scientifically proven to increase lifespan is the ‘calorie reduction’ or ‘eat less’ diet
*** That eating less can mean eating less volume of food or less concentration of food
*** Eating less is only viable if it is completely without negative physical or emotional side effects, and how to achieve this with simple yogic techniques
*** How balancing your diet with your breathing can improve circulation, increase mobility, increase energy, help calm your nerves, reduce asthma, reduce arthritis, improve your concentration and help you think more clearly
*** The dangers of eating many common foods and the benefits of eating many relatively unknown foods along with some forgotten methods of food preparation
*** That by making your diet more alkaline (e.g. by eating more fruit and vegetables) you can improve your breathing (i.e. comfortably learn how breathe less, like an experienced athlete) and exercise, relax and meditate more easily
I am about to give my annual seminar in Sydney - "Eat Less To Live Longer: Yogic Diet & Nutrition" - Saturday 27 May, 2017.
++++++++++++

*** Here are some of my nutrition tips:
*** First drink enough healthy liquids to satiate your appetite before resorting to solid food to satiate your appetite.
*** Wait till you are hungry before you eat your breakfast, even if your breakfast is at 6 pm at night.
*** Make your diet includes enough fibre to ensure at least one good daily bowel movement.
*** Include ‘superfoods’ in your diet such as organic wheatgrass, algae, goji berries, and acai berries
*** Include some seaweed in your diet for its high iodine levels that can counter radiation.
*** Breathe mostly into your abdomen and move your spine in everyday life and when you exercise, in order to enhance the digestion and absorption of food.
*** Eat less calories in order to live longer.
*** Breathe less in order to be happy to eat less.
*** Keep foods simple and limit yourself to only one or two steps to make a meal.
*** Make a fresh raw sauce of blended avocado, tomato, herbs and rock salt to pour over steamed vegetables.
*** Soak then sprout nuts, seeds, pulses and grains in order to enhance their digestibility and actually increase the nutrients available from them.
*** Include some healthy fermented foods in your such as sauerkraut, kim chi, kefir and tempeh.
*** Avoid all processed foods or at least avoid foods you know are not good for you.
*** Eat some fresh ripe (and ideal local and organic) fruit every day as it is filled with health giving vitamins, minerals and enzymes, as well as good fibre for your bowels to keep moving.
*** Bring salad out of the fridge some time before eating it and in winter even let your salad sit in warm to hot water for a few minutes in order to bring the food to your body temperature so that it can be more easily digested and does not make you cold.
*** Drink a fresh vegetable juice every day as it is loaded with health giving nutrients and it is very hydrating.
*** Make your own fresh nut milk (almonds are great) to use for coffee, tea or cereal by soaking nuts overnight in water then, rinse them, add some fresh water, blend with a hand blender and strain out the milk.
*** Use stevia as a sweeter over any processed sweeteners such as sugar, and never use aspartame.
*** Make green smoothies with fresh assorted green leafy vegetables to easily energise you and make you feel younger.
+++++++++++
What you will learn in my seminar:
This 3 hour seminar literally turns upside down many common myths and misconceptions about nutrition, diet and exercise.
I will explain the yogic art of how to be content to eat less than normal, and how to reduce your craving for all the heavy and 'naughty' foods, while enhancing health and longevity.
I highly recommend this seminar for all yoga teachers and practitioners, and anyone interested in living a longer and healthier life.
+++++++++++++
You can book for the seminar here. https://goo.gl/F6Oxgj
Or, you can buy our online video for this lecture here.
https://goo.gl/M2GcFG
This special seminar is actually a public part of my ten day course on the applied anatomy and physiology of yoga that you can read about more at www.yogasynergy.com
+++++++++
Thanks to Anita Reilly for this photo of me making salad in my house.




Appendix 2


The post below is an old post in response to a New York Times article about the possible dangers of yoga or rather postural practice ( not a bad topic but clumsily promoted). The post mentions that my body was pretty wreaked before I started yoga and that I lost 20 kg, got fit and generally much healthier. I had put a lot of that weight lost down to the practice and recently, on moving back to japan when i put


http://grimmly2007.blogspot.jp/p/h-hey-nyt-my-body-was-wrecked-before.html


Hey NYT, My Body Was Wrecked Before Yoga! ~ Anthony Grim Hall


Via  
on Feb 5, 2012
Hey NYT, my body was pretty much wrecked BEFORE I took up yoga—life can do that!
On the first day of my first real job, all keen to arrive early, I twisted my knee getting dressed. By the time I arrived at work, my knee was the size of a football and needed to be drained. Two years later, in Aikido class, I did the same thing. It seems I had weak knees and was now susceptible to little non-cancerous tumors growing on them that needed cutting out every once in a while. It may have been hereditary—I remember my grandfather, a keen cricketer in his youth, clinically obese and hardly able to walk for the last thirty years of his life on account of his knees.

In my twenties, I dropped out, and with a one way ticket across the English Channel and a Pound in my pocket, I set off for France. My friend and I hitched and walked half way round the world, picking up laboring jobs wherever we could—I built walls and roofs, houses, laid roads, and dug ditches. While working as a pizza chef carrying ten trays of dough, my back went, and what with the knees going too with more regularity, after five years, that was the end of my traveling and laboring.
I worked myself through University as a cook, developing a taste for neat whiskey that I’d only played at while traveling, and making a mess of my liver in the process. After throwing away a promising academic career—I think I had anger issues—I left for Japan to become an English teacher.
There cannot be that many who end up unhealthier by the time they leave than when they arrived in Japan—I managed to pull that off. I worked as a teacher trainer trying to knock the dogma out of the ex-school teachers who got off the plane only to replace it with my company’s own. I worked too many hours teaching and designing courses, suffered from stress and fatigue, and got fat on fast food and beer.
So my knees were shot, as was my back, and probably my liver. I was overweight and suffered from stress. I felt bloated after every meal, developed kidney stones and had to have my gall bladder removed—my body was wrecked, just living your life can do that!
The curious thing was that I had not really noticed that I had got so out of shape, so unhealthy; and find it quite shocking looking back at the old photos now…how could I not know? There were signs—the kidney stones, the gall bladder operation—when they took my gall bladder out, they were supposedly shocked by the amount of cholesterol (this was in Japan).
I was wearing smart designer suits back then, I thought I looked pretty sharp.
That is the scary thing. I am guessing the majority of overweight and unhealthy middle-aged men think they are pretty much OK—could do with losing a few pounds perhaps, but on the whole they think they are fine and do not realize how much they have let their health slip, or how much work it will take to turn it around, or that it will get a little harder each year—they need to start now, today, not wait for the next New Year’s Resolution.
I got into yoga almost by accident, but it became a passion.
I came back to the UK to become a woodwind instrument repairer, having taken to playing the saxophone in Japan.
 My flat was burgled in February 2007, and seven vintage saxophones stolen—including one I had made a special trip to New York to buy. I was angry about the whole affair, and was annoyed with myself for being so angry about it. I decided to get back into meditation—I had practiced a little Zen years ago. I came across the ZenCast podcasts with Gil Fronsdal,  and began to practice Vipassana meditation. Reading around the practice I found that a lot of meditators were also doing yoga; so I picked up a book from the library, which turned out to be Total Astanga: The Step-by-Step Guide to Power Yoga at Home for Everybody, by Tara Fraser. It had looked the most well laid out and the least embarrassing to take up to the Library counter. Outside London, middle-aged guys did not tend to take up Yoga—they would go to a gym and lift weights perhaps but not Yoga.
I practiced with that book for about a month, practicing in the mornings before work on a bath towel in my underwear while my pet chinchilla looked on. If I remember correctly, I got as far as the Standing sequence, which would take me about half an hour to forty minutes, stopping every now and again to turn the page or check the book. I used blocks, or rather books as blocks, for Utthita Trikonasana as I couldn’t reach my hands to the ground. I was 44, weighed 94 kilograms and had not done any exercise for about four years. I had a bit of a belly and was feeling generally unhealthy.
I remember really enjoying getting up in the mornings to practice alone in the dark. I loved Suryanamaskara A , Suryanamaskara B exhausted me. I was frustrated that I could not straighten my legs in forward bends, had to hold on to the wall in Utthita hastasana, etc. Virabhadrasana A and B were agony, as was Utkatasana, I couldn’t imagine being able to do Ardha baddha padmottanasana. I would ache all over for most of the day but it was a good ache and practice became the highlight of my day. Sometimes it felt like the day was over as soon as I finished my practice and I could not wait for the following morning to come around.
As is the case so often with yoga, I changed other areas  of my life to fit in with the practice, ate less so I would not feel heavy and bloated the following morning. I pretty much cut out drinking—I might have a little wine topped up with sparkling water, the occasional martini or a little pot of sake on the weekends. I wanted to be able to wake up early and feel fresh. After a year, I even became vegetarian. I was not particularly trying to be fit or healthy, I just wanted to practice yoga more comfortably. There is no six-pack in the second picture, no bulging biceps either, but I think I look healthier.
I feel more fit, and despite all the advanced pretzel postures I explore these days, I have had no problems with my knees. I am no longer feeling bloated after every meal and recently, while writing my yoga book on the mac, formatting hundreds of photos and links, I noticed I had not screamed or sworn at the computer for not doing what I had asked it to, not once. That was something I used to do a lot back when I was designing training courses. I am calmer. I am in good health.
Hey NYT, my body was wrecked BEFORE I started yoga, now ….not so much!
I see guys on the street my age, perhaps younger than me—I am not talking about the clinically obese, but regular guys who I used to probably believe as being no less healthy than the next guy. I am sure they think they should cut back on the drinking a little, eat a little better, or walk the dog more often; but that is probably not going to do it.
There needs to be a government campaign—one of those awareness-raising ads—that says, “Hang on a minute, you do not just need to lose the odd couple of pounds, you need to rethink how you are living your life”, and it is important because people are dying from this.
For me it was yoga, for them it might be something else—but it needs to be something and it needs to be encouraged and supported.
That is the article I’d like to have seen from the New York Times magazine.
Anthony Grim Hall started practicing Ashtanga in March 2007. He had been burgled, felt angry about it and angry that he was feeling angry. He picked up a couple of meditation books from the library and later some on yoga to deal with the anger. He was overweight (94 kilograms), unfit and certainly not flexible. In the first four years, he only went to two Ashtanga Mysore self practice classes. He learnt from books and videos, and from comments on his blog. He is now 78 kilograms, and feels more fit, stronger and pretty flexible. In 2008, he started a blog—Ashtanga Vinyasa Yoga at Home—beginning this blog dealt with his obsession with achieving the “Jump back” (and later drop backs, kapotasana, karandavasana, advanced series, etc). In June 2009, he came across Srivatsa Ramaswami (one of Krishnamacharya’s longest-serving students) and his ‘The Complete book of Vinyasa Yoga’—he spent the next year working out how best to combine it with his Ashtanga practice. He attended Ramaswami’s 200 hour Vinyasa Krama teacher training course in July/August 2010 and practiced an Ashtanga influenced Vinyasa Krama. He has just published a Vinyasa Yoga at Home Practice Book through Kindle that lays out Ramaswami’s sequences and subroutines along with practice notes including hint, tips and suggestions for each subroutine.
This article was prepared by Assistant Yoga Editor, Soumyajeet Chattaraj.

Krishnamacharya's one minute Uttihita Padangustasa

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I'm currently exploring a longer Recaka kumbhaka (holding the breath out after the exhalation) in Krishnamacharya's one minute Uttihita Padangustasa, the description in Yoga Makaranda (Mysore 1934) is fascinating.




We have Krishnamacharya mention alignment,

"...While standing this way, make sure that the head, neck, back, hips, arms and legs are aligned properly..."


the gaze,


"...and gaze at the tip of the nose".

clear instruction for the breath,

"..Inhalation and exhalation of the breath must be slow and of equal duration". (for the first photo)

and kumbhaka (retaining the breath in or out) instruction, here the kumbhaka is after the exhalation in the second photograph.

"...Recaka kumbhaka must be done in this sthiti. That is, expel the breath completely from the body, maintain this position and then without allowing any breath into the body, bend the upper body. Now carefully pull in the stomach as much as one’s strength allows and hold it in. Stay in this sthiti for at least one minute..."

Krishnamacharya also mentions his interest in blood circulation,

"...Because of this asana, our body’s important areas — the arms, legs, knees, hips, bones of the back, the buttocks, stomach, neck — these will be cleaned. Not only this, it will facilitate proper clean blood circulation in the nerves."

an interesting reference to Nadi as nerve bundles,

"Those who practise this can, even on the first day, recognize the changes in the location and movements of the nadi (that is, what are the regions where our nerve bundles are not in the correct state or proper position)."

he even mentions props...

"Those who cannot do the asana properly on the first day may stand using the support of the wall, place the raised leg on top of a table and then follow the instructions described above. But if done this way, the benefits are much fewer. After practising this way following the krama for 5 or 6 days, learn to do this asana without any aids."

and includes a practice 'tip',

"...Initially, when you first practise this without any support, you might fall down. In that case, after slowly exhaling the breath out, firmly hold the breath. This will prevent a fall. "


Note too that while  Krishnamacharya takes the big toe in the first sthiti he holds either side of the foot in the second sthiti, (less strain on the hamstring and sciatic nerve than pulling back on the toe).


***

This posture can be challenging, slow breathing to the abdomen, firmed by the posture' can help as well as perhaps employing some of the other relaxation techniques Simon Borg-Olivier mentions in his new Introduction to breath control (pranayama) course (see THIS post) I.E. The Twelve Bridges Between the Conscious and the Unconscious Mind to Assist in Relaxation and Breath- control. Staying relaxed in the posture helpsin making the kumbhaka following the exhalation more comfortable.


Below, from Krishnamacharya's Yoga Makaranda (available on my free downloads page).


Utthitahasta Padangushtasana





First, push the chest forward and stand erect with equal balance. While standing this way, make sure that the head, neck, back, hips, arms and legs are aligned properly and gaze at the tip of the nose. The feet must be kept together. Now, raise one leg up slowly and maintain this position with the extended leg kept straight out in front at the height of the navel. The knee should not bend and the leg must be kept straight for the entire time that it is being raised. After the leg has been raised about 3/4 of the way without any assistance, take the first three fingers of the corresponding hand (the same as whichever leg was raised) and tightly clasp the big toe of the raised foot. Remain in this position for some time. Keep the other hand on the hip. Inhalation and exhalation of the breath must be slow and of equal duration. One says the sthiti is correct if there is the same measure of distance between the standing leg and the raised leg. In this there are many other forms.

After staying in this sthiti for some time, take either the face or the nose towards the knee of the raised leg and place it there. Recaka kumbhaka must be done in this sthiti. That is, expel the breath completely from the body, maintain this position and then without allowing any breath into the body, bend the upper body. Now carefully pull in the stomach as much as one’s strength allows and hold it in. Stay in this sthiti for at least one minute. At this time, the knee must be kept straight without bending. Remember this when you practise. In the beginning, it might not be possible to do this properly. But if one keeps practising following the given rules for 10 to 15 days, it will become possible to do it properly.
Because of this asana, our body’s important areas — the arms, legs, knees, hips, bones of the back, the buttocks, stomach, neck — these will be cleaned. Not only this, it will facilitate proper clean blood circulation in the nerves.

Those who practise this can, even on the first day, recognize the changes in the location and movements of the nadi (that is, what are the regions where our nerve bundles are not in the correct state or proper position).

Those who cannot do the asana properly on the first day may stand using the support of the wall, place the raised leg on top of a table and then follow the instructions described above. But if done this way, the benefits are much fewer. After practising this way following the krama for 5 or 6 days, learn to do this asana without any aids. Initially, when you first practise this without any support, you might fall down. In that case, after slowly exhaling the breath out, firmly hold the breath. This will prevent a fall. 

Photo essay: Ashtanga? Vinyasa Krama? Krishnamacharya's early Mysore blah blah blah? or Practice, just practice

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I was asked if I'm still practicing Ashtanga.
I have no idea anymore what I practice, is it Ashtanga, early Krishnamacharya, late Krishnamacharya.... or just practice.

*

I tend to start my practice with a little tadasana hand and arm movements as taught by Ramaswami followed by some of Simon Borg-Oliver's nerve stretching movements.

Sun salutations, A and B and a little extra time spent in each stage, five slow breaths.

Standing is pretty standard up to Ardha badha Padmottanasana (although I occasionally cut different variations on different days to allow for more time in for longer stays elsewhere), then on to seated and the photos below.

Note: Between sides and asana variations I tend to just stretch my legs out in dandasana for a few breaths  and save full vinyasa between asana



Dandasana, some time spent here exploring natural breathing and relaxation techniques

Long stay in Paschimattanasana, Krishnamacharya's yoga Makaranda instruction.

Tirang Mukha pada paschimattanasana and krouchasana

Maha Mudra followed by Janu Sirsasana
Parsva janu Sirsasana


Currently enjoying exploring Simon Borg-Olivier's Baharadvajrasana variation, long stays with long slow inhalations and exhalations

See this post on Krishnamacharya's instruction for a long stay of up to 48 breaths

BHARADVAJASANA 
from Krishnamacharya's Yoga Makaranda Part II

Technique:
1. Sit on a piece of soft folded cloth, with one leg stretched straight in front, and the other leg folded back at the knee, so that the foot is close and by the side of the buttocks, the sole of the foot upturned, toes stretched and the back of the foot touching the cloth. The knees should be as close as possible. The foot of the leg, stretched in front, should be upright, to the ground and not inclined sideways. The body should be erect and the spinal column stretched-chin lock.

2. Bend the stretched leg (say the right) at the knees and bring the right heel very near the umbilicus. The right knee should touch the ground. Both the knees should be as near to each other as possible.

from two years ago with the knees closer together as per 
Krishnamacharya's instruction. 
In the Bharadvajrasana below I explore  a broader base, 
looking to be more relaxed allowing the breath to slow.

3. The right hand is taken round the back to catch hold of the toes of the right leg. The palm to touch the back of the foot.

4. The palm of the left hand is placed on the cloth below the right thigh. The hand should be stretched and not bent at the elbow. The left wrist should touch the outside of the thigh.

5. Twist trunk to face front. Turn the head, so that the chin is over the left shoulder.

6. Take deep inhalations and exhalations with holding in of breath and holding out of
breath. Both types of kumbhakam are necessary. The total rounds of deep breaths may be slowly increased as practice advances, from 12 to 48.

7. Repeat with the other leg.

Note: This is contra indicated to those who have had abdominal operation.





As well as a wider, more stable seat in regular Bharadvajrasana, again to explore longer slower inhalations and exhalations.




I'd cut out Marichiyasana variations when I trimmed my practice to allow for long stays. When I put on some weight after moving back to japan I noticed that I had lost marichiyasana D altogether, curious to see that having lost the gained weight Marichi D was still there waiting for me, I'm enjoying it again.


Likewise leg behind head postures, thought I had lost them altogether but they too seem to be available again although not as deep as they once were (https://www.youtube.com/watch?v=GElM4OrUgnI&spfreload=10). I've started to include them again of late to explore breathing options.


Supta kurmasana was another posture I lost/let go and has only come back after getting back to my regular practice weight. These days I follow Manju's suggestion and have the feet above the head rather than behind the neck.




After some prep and a five minute sarvangasana without variations I like to explore some of the variations krishnamacharya shared with us on the 1938 film footage that Ramaswami also teaches.





Following a five minute sirsasana with slow inhalation emphasis, some more of Krishnamacharya's 1938 film footage variations.

See posts:






Long stay in baddha konasana and variations, exploring Simon Borg-Olivier's different breathing emphasis exercises










Nadi Shodhana with mantra




Why do we always seem to look to the most extreme version of an asana?

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Why do we always seem to look to the most extreme version of an asana, an ever more complicated, more intricate version? 

I've asked this question before here


Convince me Krishnamacharya are there any serious benefits to Leg behind head postures (Advanced asana)

I like Simon Borg-Olivier's preparation/'beginners' version of Bharadvajrasana from his new 84 key asana course (See THIS post concerning the course). 


This 'preparatory' version ( bottom left) has a wider, more stable base than the regular half lotus version (bottom centre), or the tighter, knees almost together, Krishnamacharya Yoga Makaranda version (bottom left). The 'beginner' version is more comfortable, more stable, should one wish to explore lengthening and retaining the breath in or out as Pattabhi Jois' teacher Krishnamacharya instructed.

"Take deep inhalations and exhalations with holding in of breath and holding out of
breath. Both types of kumbhakam are necessary. The total rounds of deep breaths may be slowly increased as practice advances, from 12 to 48". see Appendix below

Are we compromising the possibilities of the breath merely for aesthetics?

Pattabhi Jois either wasn't taught or rejected the breathing possibilities his teacher Krishnamacharya presented in his Yoga Makaranda (Mysore 1934), written at the time the young Pattabhi Jois was his student. With lengthening the breath abandoned, retentions ignored it doesn't perhaps matter which version of an asana one practices, we may as well practice durvasana....



as kapilasana and/or buddhasana....



 or any of the other leg behind head variations as good olde eka pada sirsasana



But then why bother with the leg behind head postures at all, why not stick with Janu Sirsasana 


and rather than seek ever more challenging versions of the same asana, perhaps explore a variation of the asana that works on the body in a completely different way, basically a different asana altogether as Krishnamacharya taught to Ramaswami.

parsva janu sirsasana

....or better still perhaps just stick with Maha Mudra and explore the full possibilities of the breath. 

The main elements of janu sirsasana and the more advanced leg behind head variations are perhaps all there there, isn't it sufficient?

See my proficient primary post perhaps, practicing asana as mudra


Are we chasing ever more advanced asana and series when we could perhaps instead, simplify our asana and explore the breath. 


But then why not explore pranayama in siddhasana and be done with it, forget about exploring the possibilities of the breath in asana altogether.


or on a chair..... or even just standing up

Krishnamacharya - Nadi Shodhana


Perhaps that was Pattabhi Jois' argument if he had one, keep asana and pranayama separate, for beginners at least. We know Pattabhi Jois he talked of a so called rishi series, with long stays and that, according to Manju, his father practiced long stays with slow breathing himself.


*

Is there really any more benefit in the most extreme version of a posture than in its simplest, less sexy, expression? 

Admittedly the tighter Bharadvajrasana is a joy to practice, it's quite intense, 




but to explore the breath give me this, simpler, more stable version




 ....especially as Krishnamacharya talks about staying in the posture for up to 48 long slow breaths. 


"The total rounds of deep breaths may be slowly increased as practice advances, from 12 to 48"
see Appendix below


*

Is there a point where a posture is at it's most beneficial, a too easy version having no benefit at all, a more challenging version having no more benefit than the more standard version. 

Krishnamacharya wrote that we don't need to learn all of the asana, although a few teachers should, so as to preserve them. He did talk however about exploring a wide range of asana and their variations to enable us to access all areas of our body as he continued to do into his eighties ( see this post, Krishnamacharya practicing at 84).




Do we practice so called 'advanced' asana merely for the sake of it, for the challenge, for Instagram, for promotion, is it all ego and aesthetics. 

There are many reasons why we practice as we do at different times of course, for fun, for the challenge, just as we might try and swim butterfly or dive from a higher board or climb ever more challenging climbing walls but also perhaps because it seems to have become the norm. Just as models get skinnier on the cover of magazines, asana get more intricate on our Instagram and fb feeds. Those who should perhaps know better, promoting themselves and their workshops through ever more fancy asana, shot in beautiful locations ( and employing circus trainers for heaven's sake to outdo each other)


Eka pada sirsasana in Santorini


The more flexible of us try those asana ourselves and share our experiments with our friends or at least those we can do, those fancy arm balances from third while our kapotasana from intermediate might be uninstagramable, a bit of fun and why not but what is the knock on effect. 

Others of course practice these asana, these series because it is thought to be the tradition forgetting conveniently that Pattabhi Jois himself stressed that advanced series asana were for demonstration only (demonstrations to promote yoga rather than our own businesses).

Such an industry has built up around how to practice those asana we perhaps have no need to practice as well as around the most basic asana. All we should perhaps be concerned with is whether we are practicing a posture safely and not concern ourselves too much about imperfect alignment or how deeply we can enter a posture or that if only we could practice this asana to the industry standard we could get the next. Alternatively we could close our eyes and ears, turn inward and just practice the asana, inhabit the asana, and let it take care of itself.

I'm just as guilty myself of course, sharing those fancy leg behind head variations here on the blog, arguing that we could practice advanced asana at home without buying into trips to Mysore or a shala membership, that such asana could be practiced in middle age, not just in our twenties. 

I have this idea of somebody out there (who won't of course be reading this), or another me perhaps (parallel universe theory) who picked up an Ashtanga Primary series book from the library ten years ago and never googled Ashtanga yoga or got on board social media but just learned the series or enough of it and merely practiced alone for these last ten years. Wouldn't the discipline have come just the same, wouldn't the breath have slowed, the pause between the stages of inhalation and exhalation been noted and lengthened, such breathing explored away from the series as well as just sitting. Yoga is our birth right, we find it everywhere in one form of another, not the asana perhaps (although often) but the quietening, the simplifying of our lives, the turn inwards and contemplation of self or what is beyond or behind the self.

The joy of home practice of course is that there is no one else around (except perhaps that with social media there is always someone around), nobody to tell you what you can or can't or should or shouldn't practice, nobody to lead you to feel you ought, by now, to be practicing more advanced asana or going ever deeper into a posture or that we need to practice a whole series rather than half.. or even less. At home we can practice a handful of asana and stay in them for as long as we wish, explore the breath as we wish, or practice as many as we like, as quickly as we like. Once we have built discipline we can trust to our own discernment as to what we experience as most beneficial to us that morning. 

Manju Jois stresses that yoga is freedom and that nobody should be telling us what we should and shouldn't be practicing, certainly on account of questionable ideas of tradition and lineage. The guru, they say, is within.

That said, practice safely, those are the workshops and intensives we should make an effort to attend.

*





Appendix


See this post on Krishnamacharya's instruction for a long stay of up to 48 breaths

BHARADVAJASANA 
from Krishnamacharya's Yoga Makaranda Part II

Technique:
1. Sit on a piece of soft folded cloth, with one leg stretched straight in front, and the other leg folded back at the knee, so that the foot is close and by the side of the buttocks, the sole of the foot upturned, toes stretched and the back of the foot touching the cloth. The knees should be as close as possible. The foot of the leg, stretched in front, should be upright, to the ground and not inclined sideways. The body should be erect and the spinal column stretched-chin lock.

2. Bend the stretched leg (say the right) at the knees and bring the right heel very near the umbilicus. The right knee should touch the ground. Both the knees should be as near to each other as possible.


3. The right hand is taken round the back to catch hold of the toes of the right leg. The palm to touch the back of the foot.

4. The palm of the left hand is placed on the cloth below the right thigh. The hand should be stretched and not bent at the elbow. The left wrist should touch the outside of the thigh.

5. Twist trunk to face front. Turn the head, so that the chin is over the left shoulder.

6. Take deep inhalations and exhalations with holding in of breath and holding out of
breath. Both types of kumbhakam are necessary. The total rounds of deep breaths may be slowly increased as practice advances, from 12 to 48.

7. Repeat with the other leg.

Note: This is contra indicated to those who have had abdominal operation.

-----------------------------------------------------------------------------------------------------------


My dear friend HuiDar (HD) a graduate of the excellent ( and thorough) 2 year Triyoga Teacher training course is now offering classes in Banstead, London and Carshalton, London. 

I remember years ago having to text HD at 5am every morning to make sure she was up for practice, also her complaining that I didn't offer a single Loo break in my four hour workshop and am reminded that half my blog posts over the last few years began with a question from her.

She is one of the most sincere people I know and have no doubt that she will make an excellent teacher I wish her all the best

June 2017 Newsletter from Srivatsa Ramaswami--Posts on Bhagavad Gita, Yoga and one pointedness (Ekagra), Paschimatanasana, Good Karma

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June 2017 Newsletter from Srivatsa Ramaswami--Posts

The Bhagavatgita is a Yoga Shastra or a Yogic text. Sri Krishnamacharya gave considerable importance to teaching the Gita as much as he gave to the Yoga Sutras. In the course of my long study with him he taught the Gita complete in considerable depth. I am teaching the Gita verse by verse at Loyola Marymount University for ten days for 50 hrs. During the same period I will be teaching a 20 hr Vinyasakrama Asana program at LMU. For the links to these programs please visit the Events page of my website. As I had mentioned earlier I am unlikely to repeat these programs in the West.
www.vinyasakrama.com/Events

Posts

Here are some of my facebook posts in recent days. Hope you like them.


On 'OM'

 When I keep my mouth wide open, keep my tongue straight and utter a sound, the throaty or guttural sound, it will be 'a' as in 'up'. Continuing the sound when I start closing my mouth seamlessly the sound become 'u' as in 'woman.
Then as I continue with making the sound and close my mouth with the lips touching each other it becomes 'm' as in 'hum'. When I do this three sounds in one go quickly, in three matras, then it is the sound of the “om” syllable, the pranava mantra. Vowels 'a' and 'u' combine and become a diphthong “o' like in 'over'. 
Om is chanted by completely opening the mouth and closing the mouth fully and making an uninterrupted sound, starting from the throat and ending with the lips.
The sanskrit alphabets start with the vowel 'a' and end with the consonant 'm' the first and last letter in 'om' and of course leaving aside the semi vowels like 'ya' and sibilants like 'sa'. All the letters can be grouped into guttural, lingual, palatal, dental and of lips or labial. These vowels and consonants combine to form syllables. The syllables are arranged into words which form all the mantras in the scriptures like the vedas. So the syllable “om” contains symbolically all the letters of Sanskrit, thus the words and so the mantras and the vedas. Vedas are supposed to have the aim of revealing the ultimate reality Brahman. So the vedas are sometimes referred to as sabda brahman of brahman of sound (words/mantras). We may say that 'OM' represents the Brahman. And further according to the Vedas the Brahman contains the entire universe.
So we have the sacred or the 'mystic' mantra 'om' or pranava representing Brahman the ultimate and only reality which the upanishad seekers, the rishis, attained by chanting and understanding the import of the pranava mantra.

Here is a quote from Taittiriya Upanishad

ओमिति ब्रह्म
ओमितीदं सर्वम्

omiti brahma
omitīdaṁ sarvam

Om is Brahman. Om is all these (the universe)
Viveka



Separating the never changing consciousness (Self) from the ever changing mind-body- life force (prana) complex is a great gift from the yoga sastras (texts) like the Bhagavat Gita, Yoga Sutra


Yogangas and the gunas

Heavy tamas depresses the mind
Unhinged Rajas disturbs the mind
Uplifting Satva delights the mind
Yogasanas, pranayama and dhyana
All working in tandem
Help satva come to the fore



Yoga and onepointedness (Ekagra)

A meditating yogi has to keep the mind in a state of ekagrata ( one pointed) . It would require that the yogi reduces distractions considerably. The distractions of the external world are attempted to be eliminated by deliberate observance of the yamaniyamas. The distractions of the body are reduced by judicious selection and practice of asanas with vinyasas. Then the distractions of one's own mind are dealt with by eliminating the mind cobwebs by Pranayaama. Then one is ready for meditation.



Paschimatanasana

Paschimatanasana is a very important posture with hatayogis. Sri Krishnamacharya would commend including this asana during daily practice, staying for a long time 5 to 10 mts with long ujjayi exhalation followed by bahya kumbhaka (breath holding after exhalation) for a sweet 5 secs or so while holding the bandhas. What is the meaning of pachimatanasana? paschima means later, hind, posterior or west. tana is to stretch. So paschimatana is translated as western stretch in the west translating paschima as west. But paschima is also posterior or back, so paschimatanasana would be posterior stretch pose. It could be seen that this posture facilitates the stretching of the heels, achilles tendon, calf muscles,thighs hamstrings, gluteal muscles back--- a complete posterior stretch. This and purvatanasana are practised in tandem. purva is front, anterior or east. Purvatanasana is usually done as a pratikriya or counterpose to long paschimatanasana, may be three to six movements. Paschimatanasana is a complete posterior stretch pose with a good pelvic tilt. It is an important pose in Krishnmacharya's Vinyasakrama yoga practice.

(For the complete vinyasakrama trteatment of this asana please refer to chapter 3 of my book, 'Complete Book of Vinyasa Yoga'


Good Karma

The sweet fragrance of a tree full of flowers in full bloom reaches far and wide. Likewise the pleasant aroma  of lofty karmas travel far and wide in the universe. 

A lovely mantra from Maha narayana upanishad

Sweet Truth

Many times we are reluctant to pursue truth as it could be bitter. But the truth about the nature of the self in every one of us, according to Vedanta is sweet, immensely sweet.

Sun mantra

May Surya (sun), the powerful anger that enslaves everyone (mamanyu) and the gods that have sway over anger protect me from committing sins arising out of anger---- A dawn prayer to Sun as part of the morning ritual Sandhyavandana. 

This is a vedic mantra.

सूर्यश्च मामन्युश्च मन्युपतयश्च मन्युकृतेभ्यो पापेभ्यो रक्षन्ताम्।

sūryaśca māmanyuśca manyupatayaśca manyukṛtebhyo pāpebhyo rakṣantām|


http://groups.google.com/group/vinyasa-krama

Current practice: Dropping (much of) Standing, Seated and moving straight to inversions. Asana with pranayama, entry and exit from headstand

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"For people over fifty, it is enough to practice some of the easier and more useful asanas, as well as some of the pranayamas." Pattabhi Jois -Yoga Mala

But why wait till fifty?


Current practice

I seem to be dropping most of Ashtanga Primary Standing and Seated postures altogether and moving straight from an opening Spinal sequence to inversions. The few classic seated postures with pranayama exercises I do include, I enter and exit, hands free, from Sirsasana.

Spinal movements

Suryanamaskara
(Can't quite bring myself to drop these altogether)

Dandasana
Paschimattanasana /Purvatanasana
Maha Mudra/Janu Shirshasana D

Sarvangasana prep
Urdhva Dhanurasana

Sarvangasana - static 5 mins,
Sarvangasana vinyasas

Sirsasana - static 5-10 mins
Sirsasana entry to seated asana inc. pranayama exercises.
- gomukhasana - 30 inhalation
- bharadvajrasana - 30 second exhalation
- baddha konasana - 30 second kumbhaka after exhalation
- Baddha padmasana 
- Padmasana Nadi shodhana - 20 second kumbhaka after inhalation

Sit - Siddhasana


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I've been asked where one can find more on this approach.

See this post for an intro into Simon's approach, with videos, links etc

Simon Borg-Olivier made me fall in love with my SPINE all over again


For those not sure about the arm waving, and it took me a while to come around, I recommend Simon's 84 key asana course, see this post where I include a concordance with Ashtanga.


I hear Simon has an online Ashtanga course in the editing stage, should be excellent.

I'm just about to start Simon's 13 week online Yoga Therapy course, more on that to come.



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The videos below give an idea of my current approach to practice.

Spinal movements in different foot positions including a slower version......,

The first five minutes of the video below shows Simon demonstrating some of the spinal movements.


Below- lengthening the inhalation and exhalation, so, one inhalation for both sides of the first exercise/vinyasa, one exhalation for both sides of the second twisting 'exercise/vinyasa


I might include one or more active movement variations of standing asana



After the spinal movements I might do a couple of sury's but have started skipping standing and seated postures altogether and am going straight into some shoulderstand preparation postures, these too perhaps from Simon which strike me as important, a revelation in fact. I'm exploring introducing the principles Simon outlined below into my inversion vinyasas - posts to come on this. See Appendix for more from Simon.


Followed by some shoulderstand prep from Vinyasa Krama that Krishnamacharya/Ramaswami recommended.


After a five minute static shoulderstand, lengthening the inhalation and exhalation to twenty seconds for each, I'm tending to include the vinyasas below from Krishnamachary's old 1938 Mysore film footage, as well as perhaps a few other of his vinyasas that may come to mind.


I finish shoulderstands with the standard vinyasas from Ashtanga Finishing, leading into padma mayurasana, followed by...

Urdhva danhurasana

Sirsasana, a five minute static headstand, lengthening the inhalation and exhalation to twenty seconds for each.... followed by the asana below entered from sirsasana and including different pranayama exercises.

The videos below don't include the pranayama.


Gomukhasana - 3 breaths each side - lengthening the inhalation to thirty seconds


Bharadvajrasana - Lengthening the exhalation to thirty seconds


Baddha Konasana A - Kumbhaka: Holding the breath out for thirty seconds


Padmasana: Nadi shodhana 12 rounds - 1:4:2:1 A twenty second Kumbhaka after the inhalation


Back up to sirsasana to stretch out the legs before lowering and entering siddhasana hands free for a twenty or forty minute Sit.



Appendix


Manju Jois - New Workshop video Q and A PLUS - what was Pattabhi Jois' contribution to Ashtanga?

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Always nice to come across a video of Manju that I haven't seem before (this one from last year, posted By Natasha ) especially after recently reading Manju's new book.

Still no LOOK INSIDE on Amazon for Manju's new book so see perhaps my review

Yoga Therapy: Review Manju Jois' new book, Yoga Chikitsa



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The first fifteen minutes, Manju's led chanting of shanti mantras followed by Q and A.




Here's a quick rundown of the questions and Manju's answers, the questions and answers are paraphrased NOT quoted.

At 14.40 Manju was asked...

Q: How long to stay in one posture?

Manju: Ten breaths

Note: This ties in with Manju's first book where most of the postures have ten breaths indicated up until the longer stays through 'Finishing'.


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Q: How can we tell when, where to stop someone?

Manju: (Practitioners) Should always be working on something. If they are struggling with a posture then perhaps a posture from elsewhere in the series, even second series might help.

18:50
Q: What to do about injuries?

Manju: There are no injuries in yoga, just injuries from bad teachers. Everybody should know their limitations

Q: Do we have to complete one series before moving on to the next or can we combine series depending on students needs, ie therapy

A: Yes, you can mix...... eg. some people can do backbends without doing anything else

Note: This seems to be a focus of Manju's recent 'Yoga Therapy' themed workshop and new book, written in conjunction with a couple of his students - Manju has always seemed to suggest that his father, Pattabhi Jois, never intended us to get hung up at one posture in the series for too long, at Marichiyasana D say, but rather to continue on through the series (and indeed into the next). That doesn't mean we should stop working on Marichiyasana D however, it'll come....eventually. Manju suggests substituting an alternative twist, bhardvajrasana perhaps or ardha matsyendrasana both from the Intermediate series.


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23:30

Q: What do you think about meditation, sitting

An interesting section where Manju is asked about meditation, it's hard to hear his answers clearly and I hesitate to paraphrase but he seems to be suggesting that there are many approaches to meditation, that the practice of the asana can be a meditation just as sitting can. he seems to be suggesting that practicing daily affects, changes our mind over time....., just as sitting does.



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25:07

Q: Breathing, different lengths, breath holding?

Manju: You're not supposed to hold the breath, it's pranayama, not in asana.

Q: Some people are teaching this.

A: Some teachers make up things. It's what I learned, it makes logical sense, from Krishnamacharya, to Pattabhi Jois, don't change anything

Note: I take issue with Manju's answer here. While it's true that Manju's father Pattabhi Jois stressed, on a several occasions, that there should be NO breath holding (and of course he may have been indicating the tendency to accidentally hold our breath when struggling with a posture rather than an intentional kumbhaka while settled in an asana), it's equally true that Pattabhi Jois' teacher, Krishnamacharya indicated that it was an option to be encouraged (see Appendix 1 below). In Krishnamacharya's book Yoga Makaranda, written in Mysore in 1934 when Pattabhi Jois was his student, Krishnamacharya indicated Kumbhaka, holding the breath in or out, for almost every posture he described and gave clear instruction for.
A teacher who suggests, recommends or introduces kumbhaka in asana as an option in their teaching isn't 'inventing something' but rather, RECLAIMING possibly the most significant element of Krishnamacharya's approach to asana. Continuing on beyond the Intermediate asana without exploring kumbhaka certainly doesn't strike me as 'Advanced practice' whatever the later series may be called. Six series without kumbhaka is still, to my mind, a beginners practice


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Q: I know it's supposed to be 99% practice, 1% theory. What's your suggestion for that 1%?

Manju: No clear answer here

34:20

Q: Did the series come from Krishnamacharya, your father ( Pattabhi Jois), before?

Manju: Actually It was my father did the research, he put all the postures together, it wasn't in order.
The asana were there but the sequences were not there.


NOTE 1: Manju also seems to say here that his father didn't want to say it was fixed series but that you could do anything within that (sequence?) later they (students) became strict about the sequence.... and stopped smiling, became very serious. Practice is supposed to release the stress but ended up creating a lot of stress

NOTE 2. Manju and I have argued about this in the past. I even took out my ipad and showed him Krishnamacharya's 1941 table of asana from Yogasanagalu and how the order in which the postures are listed is almost exactly the same for the Primary group as in Pattabhi Jois' Primary series. Likewise that the Ashtanga Intermediate series closely resembled the asana, and in most cases the order, of the asana listed in krishnamacharya's middle group. Krishnamacharya's table even included the same vinyasa count for each asana. Manju wasn't having it and pointed out a couple of cases where there were differences in order. We agreed to disagree on this, Manju still cooked me dinner : )
I had thought that Pattabhi Jois introduced the surynamaskara practice, that this was something krishnamacharya left out but I've since learned from one of krishnamacharya's students interviewd for the new Mysore yoga Traditions movie, that Krishnamacharya included the sun salutations, indeed, everything else after that seemed to be optional. Krishnamacharya's groups of asana were flexible rather than the strict sequences presented by Pattabhi Jois.


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42.50
Q: What about feeling?

I was unclear as to Manju's answer here.




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I was recently asked by an Authorised Ashtanga teacher what I thought Pattabhi Jois' contribution to the (Ashtanga) practice was. 


We can see, in Krishnamacharya' Yoga Makaranda (Mysore 1934), the same instruction for the practice of asana that Pattabhi Jois passed along to us. We can see the same vinyasa, the same focus on the breath, bandhas and drishti that Pattabhi jois carried over to his own book Yoga Mala. later pattabhi jois switched to half vinyasa rather than full and introduced nine drishti rather than the two he presented in Yoga Mala and that Krishnamacharya outlined in Yoga Makaranda ( although krishnamacharya seemed to suggest in that text that there were other drishti).

We can see in the Krishnamacharya's table of asana from Yogasanagalu (Mysore 1941), three groups of asana, Primary, Middle and Proficient. Manju says that his father originally taught three series, Primary Middle and Advanced, the Advanced series later split into Advanced A and Advanced B as we can see in the 1973 Ashtanga syllabus given to Nancy Gilgoff and David Williams. Pattabhi Jois' Primary sequence closely follows Krishnamacharya Primary group. Most of the asana in the Ashtanga Intermediate series are the same as in Krishnamacharya's Middle groups but with some reordering. Pattabhi Jois' Advanced A and B are much more fully developed as sequences than the list of proficient asana Krishnamacharya provides in his third group although we can see the same asana Pattabhi Jois includes in the 1938 Mysore demonstration By Krishnamacharya and his student BKS Iyengar.

We find the same focus on breath, bandhas and Drishti in Krishnamacharya's teaching that we see in Pattabhi jois.

Krishnamacharya began practice with suryanamaskaras.

Pattabhi Jois' contribution then seems not so much to have been content as organisation.

Asked to Present a four year syllabus for the Sanskrit college Pattabhi Jois taught, after some minor tweaking of order, Krishnamachary's Primary and Middle groups as sequences rather than flexible and introduced two more sequences Advanced A and B based on Krishnamachary's approach advanced asana.

Pattabhi Jois passed along Krishnamacharya focus on vinyasa, breath, bandha and Drishti.


In the 80s Pattabhi Jois introduced half vinyasa rather than krishnamacharya's full Vinyasa.

Pattabhi Jois later taught nine drishti points rather than two

Pattabhi Jois left out Krishnamacharya kumbhaka instruction (found for almost every one of the asana Krishnamacharya gave instruction for in Yoga Makaranda), to my mind, omitting the soul of Krishnamacharya's teaching.

This simplification of Krishnamacharya teaching along with his good humour, work ethic and generosity in sharing the practice are to my mind Pattabhi jois' contribution.



He seems to have been forced into this for his four year Sanskrit college course.


I had thought that he had Introducing the Surynamaskara A and B, although having taken them from elsewhere. I'd believed Krishnamacharya  to have been dismissive of the contemporary surynamaskara fitness trend, however following a recent inerview with one of his early Mysore students Krishnamacharya does seem to have taught suryanamaskara, in fact it was said to be the only constant, everything else being more flexible.


Jois seems to have turned the two main drishti into what is it now nine but Krishnamacharya seems to have indicated that there were other drishti points.?

I guess he focussed in on Drishti, bandha, breath aspect, the tristana everyone makes such a big deal of perhaps at the expense at times of other aspects of practice but these of course were also all elements that Krishnamacharya also stressed.



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My Manju Jois Resource



below

Appendix 1 - Krishnamacharya's employment of Kumbhaka, omitted by Pattabhi Jois
Appendix 2 - Side by side - 1973 Ashtanga Syllabus and Original 'Yogasanagalu Asana table 1941




Appendix 1

Krishnamacharya and Kumbhaka





















photos from
Available here for free http://grimmly2007.blogspot.co.uk/2014/03/just-published-new-book.html

printed book available from Lulu.com
http://www.lulu.com/shop/anthony-grim-hall/krishnamacharyas-original-ashtanga-yoga/paperback/product-21545878.html
Based on the public domain translation from the Tamil.


"While practicing yoga with reverence, one can offer their essence to God during exhalation and during inhalation, imagine/suppose that God is entering your heart.  During kumbhaka, we can practice dharana and dhyana.  Such practices will improve mental concentration and strengthen silence/stillness.  Eliminates agitation and restlessness".  Krishnamacharya: Yogasanagalu (1941)

"While practicing yoga....


Here Krishnamacharya appears to be referring to yoga asana and that would tie in with his unique approach to asana as found in his book Yoga Makaranda (1934) written a couple of years earlier than Yogasanagalu (1941). In Yoga Makaranda he describes kumbhaka while in asana and not just padmasana but almost all asana that he describes.

"When practising asana, the breath that is inhaled into the body and the breath that is exhaled out must be kept equal. Moreover, practise the asana with their vinyasas by breathing only through the nose". p27

"Brahmana kriya means to take in the outside air through the nose, pull it inside, and hold it in firmly. This is called puraka kumbhaka.
Langhana kriya means to exhale the air that is inside the body out through he nose and to hold the breath firmly without allowing any air from outside into the body. This is called recaka kumbhaka".
p27-28

"In each section for each particular asana, we have included a description and an enumeration of its vinyasas. The vinyasas in which the head is raised are to be done with puraka kumbhaka and the ones in which the head is lowered must be done with recaka kumbhaka. Uthpluthi (raising the body from the floor with only the support of both hands on the floor is called uthpluthi) should be done on recaka kumbhaka for a fat person and on puraka kumbhaka for a thin person...." p28

2 Parsvottanasana
"...Standing in tadasana krama, draw in clean air through the nose and practise kumbhaka...." p59

11 Janusirsasana
"...This form follows the hatha yoga principles. Another form follows the raja yoga method. The practitioner should learn the difference. First, take either leg and extend it straight out in front. Keep the heel pressed firmly on the floor with the toes pointing upward. That is, the leg should not lean to either side. The base (back) of the knee should be pressed against the ground. Fold the other leg and place the heel against the genitals, with the area above the knee (the thigh) placed straight against the hip. That is, arrange the straight leg which has been extended in front and the folded leg so that together they form an “L”. Up to this point, there is no difference between the practice of the hatha yogi and the raja yogi.
For the hatha yoga practitioner, the heel of the bent leg should be pressed firmly between the rectum and the scrotum. Tightly clasp the extended foot with both hands, raise the head and do puraka kumbhaka. Remain in this position for some time and then, doing recaka, lower the head and place the face onto the knee of the outstretched leg. While doing this, do not pull the breath in. It may be exhaled. After this, raise the head and do puraka. Repeat this on the other side following the rules mentioned above.
The raja yogi should place the back of the sole of the folded leg between the scrotum and the genitals. Now practise following the other rules described above for the hatha yogis. There are 22 vinyasas for janusirsasana. Please note carefully that all parts of the outstretched leg and the folded leg should touch the floor. While holding the feet with the hands, pull and clasp the feet tightly. Keep the head or face or nose on top of the kneecap and remain in this sthiti from 5 minutes up to half an hour. If it is not possible to stay in recaka for that long, raise the head in between, dopuraka kumbhaka and then, doing recaka, place the head back down on the knee. While keeping the head lowered onto the knee, puraka kumbhaka should not be done..." p79-80



See this post for more examples from yoga makaranda 



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Appendix 2

Side by side

1973 Ashtanga Syllabus and Original 'Yogasanagalu Asana table 1941













Appendix 2 - Notes

"In fact, David and I had no idea that there were two separate series until the end of that first four-month trip, when we were leaving, at which point Guruji gave us a sheet of paper with a list of the postures, which were listed as Primary, Intermediate, Advanced A, and Advanced B. At this point he told us to practice one series a day, and only once a day".
 from Ashtanga Yoga as it was (The long and the short of it )  Nancy Gilgoff

many thanks to Anon for passing it along and especially to Nancy for giving permission to post it this morning and share with the community at large.

Available as pfd download from googledocs
https://docs.google.com/open?id=0B7JXC_g3qGlWRzZWOUltVnh3RFU



See my earlier blog post on Nancy's article
http://grimmly2007.blogspot.co.uk/2012/01/dear-nancy-yoga-as-it-was-nancy-gilgoff.html

also here
http://grimmly2007.blogspot.co.uk/2012/01/dear-nancy-breath-in-73.html

and here
http://grimmly2007.blogspot.co.uk/2012/01/dear-nancy-head-updown-jalandhara.html






Spinal and Active movements.: After ten years, a moving away from Ashtanga Vinyasa somewhat?

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Siva (Nataraja)
Makes me think of Simon Borg-Olivier's active movement.

Period:Chola period (880–1279)Date:ca. 11th centuryCulture:Indian (Tamil Nadu)Medium:Copper alloyDimensions:H. 26 7/8 in. (68.3 cm); Diam. 22 1/4 in. (56.5 cm)


Exploring 'active movement'. Inspired by Simon Borg-Olivier's spinal and active movement.

"By initiating all your practice (both in exercise and yoga) with active movements you elicit the reciprocal relaxation spinal reflex that allows you to develop strength without becoming tense, develop flexibility without feeling like you’re stretching, increase blood flow without needing to make your heart beat faster and staying relaxed and stress free while still doing something."
Simon Borg-Olivier

I'm having the best time trying to get my head around Simon Borg-Olivier's 'active movement' approach to practice (still very much work in progress as I begin to become more acquainted - after ten years of practice- with my spine), a kind of... weaving your way, from the spine, into and out of (or through) a posture rather than pulling, levering..., relying on gravity or an assist.

I've been a fan of Simon's for years of course but have tended to sift through his work to see what I can mine and bring back to my Ashtanga and Vinyasa Krama practice, I tended to fast forward through the arm waving and spinal 'undulation', finally the penny seems to have dropped and I7m 'all in'.

I really still don't know what the hell I'm talking about or doing, think of this as somewhat akin to those first ( and let's face it, up to the most recent) Ashtanga blog posts ten years ago (or later, Vinyasa Krama posts) as I sought to try and make sense of (the) practice.


Sifting back thorough Simon and Bianca's Yoga Fundamentals course notes from Yogasynergy.com as well as those for their Anatomy and Physiology course, their book..., videos scattered all over YouTube, to try and get a better grasp of what's going on (or could be) and how one might take advantage of the possibilities.

Thinking vertebrae by vertebrae, reciprocal relaxation back and forth, relaxed breathing 'through' the movements...., oh brave new world.

Is this still Ashtanga vinyasa (the order of postures is or can still be similar at least and Simon does have an Online Ashtanga course in the works, Vinyasa Krama (feels closer), Siva's 'original dance' or something else altogether. I cease to care about labels my spine (...body) feels fantastic, I feel calm, somewhat serene throughout and am taking new joy in my practice.....,

I'm smiling on the inside.

Simon seems to suggest that this is more of an approach we can take to the practice we have rather than a different practice altogether, see this post

How to Practice Any Yoga Style and What Makes a Good Teacher

Perhaps it reminds me somewhat of the old solo Aikido kata I used to practice decades ago or Iaido more recently but it feels a little like going home.

See perhaps this post from Simon

Moving Actively into Postures Can give Strength and Flexibility Without Tension or Stretching


and my previous post...

Simon Borg-Olivier made me fall in love with my spine all over again.





Here's Simon...


from the video notes

"Coming into the twist turn actively from the navel and sure you can breathe into your abdomen".
"If you need to use your hands to get to get into lotus posture then you are (probably) better off doing cross-legged posture". Active movements such as these are at the base of natural traditional yoga but are often ignored in modern yoga.
Many people force themselves into positions using forces external to their body such as gravity, momentum or one limb pulling on another. If you over-stretch in this way and don't tighten your muscles you risk damaging your joints. And if you over-tense your muscles in order to protect your joints you can block the flow of energy and information in your body. If you over-tense and harden the abdomen in a way that prevents natural diaphragmatic breathing then you can also enter a state of 'flight or fight' and no matter how much you 'open your heart centre' the body will be giving you nerve signals that are often interpreted as fear, anger and aggression.
And that doesn't sound too much like yoga to me!

The video above video comes from the online course 'Teacher Training Essentials: Yoga Fundamentals' by physiotherapists and co-directors of Yoga Synergy Simon Borg-Olivier and Bianca Machliss.

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What is an original movement? Here Simon Borg-Olivier replies to this simple question. 
More about Simon: http://simonborgolivier.com/ and https://yogasynergy.com/



Clearly I need to go to one of Simon's long courses, his month long TT perhaps in Goa, this video is from my dear friend Chris (http://www.yogaconcris.com/) based in Madrid who recently got back from Simon's TT course, an active movement approach?

But see what I mean about rediscovering the sheer joy of practice, whatever form your practice may take.





Appendix


Iaido





Aikido


Current practice, Is it still Ashtanga or is Ashtanga Vinyasa more a state of mind.

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Perhaps it's more that consistent, focussed, daily practice has come to characterise Ashtanga Vinyasa. Perhaps whatever I were to practice, if I just went for a swim in the lake each morning, lengthened the stages of the breath while walking along the beach and Sat on the shore it would STILL feel like Ashtanga, to me.



I was asked about my practice these days, what shape it takes.

Not as strange perhaps as it may seem....



Standing
My standing involves a lot of Simon's spinal movements, his approach to twists and standing on one leg, more 'movements' perhaps than postures/asana. I only tend to include a couple of a Sun salutations but the framework isn't so far from Ashtanga or Vinyasa Krama.


1st half of Ashtanga Second series up until ustrasana


1st half of Ashtanga Primary series but badhavajrasana rather than the Marichi's

Sarvangasana inc. Krishnamacharya's Mysore 1938 variations

Sirsasana inc. variations

baddha konasana
gomukhasana
baddha padmasana

Siddhasana (pranayama)

Sit


*****

Is this still Ashtanga Vinyasa?

I think the Ashtanga Vinyasa we tend to associate with Sharath and the Jois family tends to be quite a narrow, fixed form of practice but of course Sharath will adapt it when necessary as no doubt does Saraswati, Manju certainly does, his own practice he says tends to be half primary, half Second and a few postures from Advanced, not so unlike the above perhaps.

It's tempting to give way and say Ashtanga Vinyasa is the fixed form we tend to think but I hesitate to do so. Pattabhi Jois always said that he was only presenting his teacher, Krishnamacharya's teaching. But we know that Krishnamacharya's teaching certainly wasn't fixed.

We can see the tables of asana that Jois employed for his fixed series but there was clearly a more flexible approach to practice in krishnamacharya's early Mysore teaching when Jois was his student as their was in Krishnamacharya's later years.

A flexibility in the choice of the asana, in the vinyasa (in this sentence referring to the movement to and from standing), whether to include full vinyasa between postures, half vinyasa or no vinyasa at all.

A flexibility in how long we might stay in an asana or mudra.

A flexibility in the approach to the breath, whether to keep it equal, lengthen either or both the inhalation and/or exhalation, begin a movement on the inhale or the exhale, include or omit kumbhaka ( holding the breath in or out after the inhalation or exhalation).

I feel my own practice reclaims some of that flexibility, probably why I'm hesitant to call it something else, even Vinyasa Krama. Krishnamacharya's teaching was always it seems flexible...,creative, it's so easy to forget that we can practice our Ashtanga that way if it's still approached with sincerity and commitment.

Perhaps it's just that consistent, focussed daily practice that has come to characterise Ashtanga Vinyasa for me the most. Perhaps whatever I were to practice, if I just went for a swim in the lake each morning, lengthened the stages of the breath while walking along the beach and Sat on the shore it would STILL feel like Ashtanga.



Current practice in more detail

Standing

I'm taking a Simon Borg-Olivier approach to standing, I've fallen in love with his spinal movements. Uncompressed, the spine doesn't have that much mobility, these movements seem sufficient to give the spine a good 'work out' in all directions

I've taken to exploring breathing possibilities, several movements within one inhale, bit radical for an Ashtangi brought up with the count and one movement for each stage of the breath 


One minute breath (give or take).

Something I mentioned on a recent post

Generally Simon Borg-Olivier recommends, when beginning physical yoga as well as perhaps a new sequence or approach, to employ natural breathing 'to the abdomen' a babies or sleeping breath. I've been employing relaxed abdominal breathing for a couple of years now but shifting from the Ashtanga one movement one inhalation or exhalation to letting the breath take care of itself has been challenging. But once you begin to get the hang of it other possibilities arise. In the video, I'm exploring breathing through the movements, so a long slow 30 second inhalation through the first stretches, of one arm and then the other above the head, one inhalation for both sides and then again a long slow, relaxed 30 second exhalation through the twists to the left and right. This is an aspect of practice I'm quite excited about exploring right now.
Note: The video above is natural speed, it hasn't been slowed down. The one below of the spinal sequence is x3



There are some different foot positions where we can do the same movements. I do different positions on different days, slowing the breathing in this way would mean all the foot positions would take too long. I particularly like the on one leg versions though and tend to include those before moving into these one leg versions of 'triangle' postures.

I'm interested in Simon's 'Standing' alternative to trikonasana etc. Explanation below.

On one leg/trikonasana?



Followed by twists, Simon Style





Prasarita's come into Simon's standing spinal sequence following the elephant stance posture

After a couple of Sun salutations, A and B (I'm exploring a supine version see Appendix).....




From Ashtanga Intermediate series 


I've start to move from standing into the back stretches from the first half of Ashtanga second series, pretty standard stuff, (but starting with bhujangasana bringing the legs to the bottom, Vinyasa Krama style), salambhasana, makrasana, urdhava danhurasana.

I spend a little time in vajrasana exploring the spinal movements as well as a short Virasana sequence including kumbhaka while supine, this from my Vinyasa Yoga practice book


Finishing the backstretch group with ustrasana.

I might add in Lagu Vajrasana, of late kapotasana seems...... excessive.


from Primary Series

Then it's back to Standard(ish) Primary, paschimottanasana, purvotasana. I drop ardha badha paschimottanasana. My tiryam mukha flows into krouchasana followed bhujangasana which I prefer over the maraichi's

Maha mudra followed by  Simon's twisted side bend version of janu sirsasna, they used to call it janu Sirsasana D back n the day i hear.

Navasana.

Inversions

A couple of desk postures (dwi pitam) then urdhva danurasana.

I counterpose by bringing the knees to the chest, then taking the legs over into halasana.


From halasana up into a Sarvangasana sequence





Perhaps the Ashtanga sarvangasana variations back to floor via the mayarasana's then rolling over (chkarasana) into Sirsasana and a five minute stay, slow breathing ( 30 second inhalation/30 second exhalation) then some variations...

I'm having fun going up and down into postures, from sirsasana to gomukhasana back up to sirsasna then down to baddha konasana followed by active movements into baddha padmasana.







Generally I'd only do one or two of the above movements and stay for longer, ten, twenty five breaths. Below is the same video at regular speed.


I'm also exploring Simon's nerve tensioning arm movements in the posture as well as the spinal movement, working to relax the spine as I move in and out of the posture.

Flow without Fluidity

Even though there is movement to and from the postures in Ashtanga and Vinyasa krama, such practice still feels somewhat....static, flow perhaps but without... fluidity, it's perhaps this fluidity that I'm enamoured with in Simon and Bianca's approach and suspect may be of benefit.




In going the other way, back up to headstand from padmasana (lotus) I'm using some of Simon Borg-Olivier's tips for effortless handstand here. Aiming to push the hips forward, lifting the upper back and moving the sitting bones forward to firm the abdomen and make up for the lack of navasana, the key though seems to be breathing into the abdomen as I bring my lots up my arms and then all the way up to Sirsasana. 

See Simon's how to lift up to handstand , part fifteen in his superb spinal sequence series of videos on YouTube https://www.youtube.com/watch?v=3h-vASq0H-U Update: 


I'll go back up to sirsasana in padmasana, a few gentle movements then lower back down to the mat, unfold without hands then fold (again without hands) into siddhasana for pranayama followed by a Sit.

*

I might do all of the above or merely a few of Simon's spinal movements, a Sury, trikonasana, a couple of seatead asana, a forward fold, backbend and twist, a mudra, a shoulderstand vinyasa, a longish stay in sirsasana and lower in and out of padmasana. followed by a little pranayama and a sit.


A flexible practice!






Appendix

I'm also exploring these twists as well as Surya namaskara while supine see appendix


As well as suryanamaskar

प्रत्यय pratyaya (State of Mind) - October 2017 Newsletter from Srivatsa Ramaswami—

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In September 2017 I taught an extended weekend program on Samkhya Karika at Chicago Yoga Center.


I will be teaching a text योग याज्ञवल्क्य
yoga yājñavalkya next September at Chicago Yoga Center.

I am planning to go to India towards the end of this year and stay there for a few months. I am scheduled to teach Samkhya Karika for 5 days at Yoga Vahini in Chennai between Jan 3 to Jan 7 in 2018 and then 100 hr Advanced Teacher Training program in Vinyasakrama yoga (60 hrs Vinyasakrama asanas 20 hr pranayama and yoga for Internal Organs and 20 hrs yoga sutras) from Feb 15th for 15 days again at Yoga Vahini Chennai. I will also be teaching Bhagavatgita for 10 days (50hrs) at Om Yoga at Vasanth Vihar in New Delhi from March 6, 2018. The links for details and registration are available in my website

www.vinyasakrama.com/Events

I am also likely to do a weekend program in Germany, May 2018 to be confirmed.

*****

Summer 2015 I taught a 25 hr Bhagavat gita program in Los Angeles during which I covered about 10 of the 18 chapters. It was organized by my yoga friends Sara Mata and Arun Deva. The whole program was video-graphed by my friends Lisa Leeman, Kija Manhare and Neerad Reddy. Now my friend and yoga teacher Jacquelin Sonderling has painstakingly edited and produced two videos of the II chapter running for about three hours total. I was able to add it to my You Tube Playlist and here are the links


.


प्रत्यय pratyaya (state of mind)

The term pratyaya is found in Patanjali's yoga sutra in sutras I-10,I-18,I-19, II-20,III-2, III-12,III-17, III-19 and III-35,IV-27 . Pratyaya or pratyayam is prati + ayam or ayam prati pratyayam. While prati itself has different shades of meaning it is here 'to' or 'towards' and ayam is 'this'. Since this word is used in the context of the mind or citta many scholars refer to pratyaya as a state of citta or mental state at a given moment. Some scholars relate pratyaya to cittavritti itself. In YS II-20 referred to above, while describing purusha or drashta the consciousness/Self, Patanjali explains it as prataya anupasyah or one who completely sees the pratyaya. We know purusha or cit follows the cittavritti. According to Patanjali the innumerable cittavrittis are grouped into five. However a detailed interpretation of pratyaya can be found in Samkhya especially samkhyakarika. Samkhya is a sibling (philosophy) of yoga and both are said to derive their inspiration from the vedas. Samkhya is a thorough and unique evidence based philosophical system and yoga develops on the samkhya framework.

Let us see what the Samkhyas have to say about pratyaya. We must recognize that the classification of pratyayas by Samkhyas is to help recognizing those favorable pratyayas that help to understand the whole samkhya tatvas (25 panca vimsati) especially the important purusha or jnaH, which is the means of overcoming the three types of grief (duhkha) referred to by both yogis and samkhyas. The pratyayas according to Samkhyas as enunciated by Iswarakrishna in his Samkhya Karika are 50 in number ( as against the five groups of cittavritis of Patanjali) which itself is grouped into 4 categories. Again out of the 4 categories only one is favorable to the spiritual aspirant like samkhyas and yogis. What are the 4 categories?

First of all is the group known as viparyaya pratyayas. Viparyaya as is known from patanjala yoga is believing falsehood as true, a la believing fake news as factual or the classic mistake that the body mind complex is the self -- a universal misconception berated by samkhyas, yogis and vedantins-- and not the consciousness/purusha. . Viparyayas are klesas as avidya and its four off shoots, asmita (I -feeling with the body mind complex) raga (intense attachment) dvesha (enmity) and then abhinivesa (fear especially of death). The five viparyayas are explained differently by other darsanas and scholars as tamas (darkness 8 shades), moha (delusion 8 shades), mahamoha (intense delusion 10) , tamisra (gloom 18 fold) andhatamisra (panic also 18).

The next group of pratyayas is known as tushti. It is a state of complacence, compromise or a mental state of 'rising with the tide and rolling with the punches'. Even having heard of the nature of the Self by listening to samkhya yoga or vedanta one may not be proactive. That state of mind or pratyaya is of nine types, four internal and five with external objects. Having a second hand knowledge of the self (paroksha) one may make no further efforts to know directly (aparoksha) through appropriate efforts like antaranga sadhana as in Rajayoga. The attitude that I have heard about the nature of prakriti and purusha and prakriti will bring about kaivalya in due course is called prakriti tushti. This can be extrapolated to mundane activities. as well. The second tushti is called upadana or trying to pay attention only to the external means for kaivalya. Having understood that the external universe is full of pain as mentioned by samkhya yoga and vedanta, one may decide to become a renunciate or a bairagi (vairagi) taking on the life of a sanyasi. Here there is no further attempt to get to know the atman by antaranga yoga but following the niyamas of a recluse like wearing orange or other color robes, leaving home and becoming a nomad, and showing other external signs as having a staff, shaving the head (mundi) or the other opposite, having long matted hair (jati) or having a tuft (shikhi). The belief that merely becoming a recluse and following the niyamas will somehow get one to kaivalya is the second internal complacency. Next is the complacency that kaivalya will happen in due course. “Time will solve all the problems”. With this tushti pratyaya one may remain content. The fourth adhyatma tushti (internal contentment) is depending on luck or bhagya. If I am lucky I will get Kaivalya, one day I will hit the spiritual jackpot.

The contentment with the outside universe is of five types. Once the bookish knowledge of the atman and prakriti takes place in an individual one may become complacent with the activities to be done. Different scholars explain these differently. One approach is to look at the duhkha the external world produces to the individual and deciding to put up with it, grin and bear it. One example given is this. Finding that earning the means of livelihood like money and possession is strenuous one may stop working to earn money and decide to live in poverty. (arjane duhkham) Then even if you earn and save, protecting it is duhkha (rakshnae duhkham). Once you save and start using it it becomes depleted and that also is a source of sorrow (jirne duhkham) Wastage or loss due to theft or taxes is another duhkha and finally acquisition usually causes injury to other beings. Some scholars refer to the five senses and developing dispassion towards the objects of the five senses as they do not produce permanent satisfaction and require more and more efforts for the same satisfaction. These nine pratyayas called tushti pratyaya do not per se lead to the ultimate goal of kaivalya state where the three types of duhkha (adhyatmika aadhi daivika and aadhi bhoutika) are permanently and definitively removed. These tushti pratyayas are impediments to achieving the goal- spiritual or even mundane.

The next set of pratyayas are the favourable ones to remove the three groups of pain or sorrow. There are called siddhi pratyaya or those mental states conducive to leading one to kaivalya or freedom from three types of duhkha definitively and for ever. Yogis are familiar with Siddhi and Patanjali explains a number of siddhis in his yoga sutras. The mother of all siddhis however is the direct perception (yougika pratyaksha) of the unwavering consciousness the Purusha or self. Here also siddhis refer to the mental states that lead to that kaivalya and also the very state of the mind in kaivalya. So the eight siddhis are divided into the principal (mukhya) and contributory (gaunya). The principal ones are three the state of kaivalya in which the three duhkhas—duhkhas due to one's body/mind, those due to other creatures and then those caused by acts of god. The means of attaining everlasting freedom are according to samkhyas five more. One is 'uha' or reasoning and contemplation. This would also include the whole group of internal practises the yogis are familiar with. Once an aspirant gets all the information, one has to thoroughly analyze and internalize. There is the classical example of Bhrugu the son of Varuna in the Taittiriya upanishad which contains the pancha kosa vidya which again yogis are familiar with. Bhrugu who came to know about the Brahman the ultimate reality sought his father's help to completely understand it, know it, directly experience it. The father gives a leading definition of Brahman as the one from which everything is created by which everything is sustained and finally into which everything merges. This is called tatasta lakshna or path showing instruction. Here the father, Varuna acted truly as an Acharya or one who is showing the path rather than carrying his son/disciple on his shoulders. The well known story is that Bhrugu in five steps realizes the true nature of Brahman by rejecting the five layers of the physical self of body, prana, mind (indriyas), intellect and emotion as not the real self. Thus it could be seen that the individual yogic mental effort called 'uha' by the Samkhyas is absolutely necessary to reach the ultimate sorrow free state of kaivalya. It may be said that the mental states of complete individual efforts, independent reasoning—sometimes not even found in texts-- would come under Uha. The other helpful mental states in this direction would be sabda or basically hearing the exposition of texts like Samkhya. Adhyayana is study of the vedas especially the philosophical portions like the upanishads and texts like samkhya . Dana is paying appropriate guru dakshina and studying with a competent teacher. Suhrit prapti is the right samkhya knowledge obtained from friends including family tradition. These nine pratyayas are favorable pratyayas or mental states for the one who is looking for a way to overcome the three types of perennial pain that the samkhyas yogis and vedantis urge one to permanently and definitively eradicate within one's lifetime.

The remaining 28 pratyayas are termed asakti or depravity / weakness pratyayas. Of these, pertaining to indriyas are 11. Since the weakness or impairment of indriyas also affect the intellect or state of the mind these are considered 11 weakness pratyayas of the mind or states of mind. If the mind is not in a state of tushti (nine as detailed earlier) or sidhhi (eight listed above) they are also considered to be weakness of the mind. So in all we have 42 states of mind --5 viparyayas ( faulty understanding), 28 asaktis (infirmities) and 9 tushtis (complacent) which are considered unfavorable states of mind or pratyayas and considered impediments (ankusa) for the development of pratyayas that are favorable to removing the three fold miseries which have been described as siddhi pratyayas.

As mentioned earlier Patanjali uses the term pratyaya in his yogasutras. He defines the purusha or the 'subject' as drashta or seer who merely sees (drisimatrah), suddha is untarnished by any of the gunas
द्रष्टा दृशिमात्रः शुद्धोपि प्रत्ययानुपश्यः
draṣṭā dṛśimātraḥ śuddhopi pratyayānupaśyaḥ

And then it always sees the object in the form of pratyaya or mental state. We consider the physical person as the self and the outsides things as objects. But according to Patanjali the subject is not the body mind complex but the unchanging consciousness called purusha and the object is one pratyaya at a time, one of the 50 states of the mind (No object of the outside world is known directly. Everything is reduced to a pratyaya or cittavritti which is overseen by the subject purusha). Of these 8, the siddhi pratyayas or mental states are favourable (from the viewpoint of samkhyas and yogis). The other 42 pratyayas made up of 5 viparyaya (incorrect understanding), 9 tushtis (complacency) and 28 asaktis (infirmities) are impediments for spiritual pursuits..even for mundane pursuits.
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Review: Mysore Yoga Tradition (documentary) and the inclusion of Surya namascara (sun salutation) in Ashtanga Vinyasa Yoga

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T.R.S. SHARMA (Mysore 1941), the year Krishnamacharya's Yogasanagalu was published (available HERE)
More photos of TRS Sharma's set of photos from the 1941 Life magazine shoot in the appendix as well as a ling to the rest of the photos and magazine article.
"And by the time I got to 16 I was able to do some 300 asanas with all the variations of course, because Sri krishnamacharya believed in a kind of innovating. There was nothing like a set, fixed kind of postures. So he would not insist that everyone has to follow the same regime, the same series of asana. One thing is , he was very particular about surya namaskara, you start your yoga with surya namaskara, after that the world is free. You are free to sort of innovate on postures. But Surya namaskara is an important thing. IT's kind of an introduction to the entire thing." 
T.R.S. SHARMA Mysore Yoga Tradition 2017


https://www.mysoreyogatraditions.com/

This quote by T.R.S. SHARMA in the excellent new documentary Mysore Yoga Traditions, released last month, was a bit of a game changer for me. Up until now I had tended to think that Krishnamacharya was perhaps somewhat dismissive of the practice of Surya namaskara, perhaps considering them little more than a fitness fad of the time (see my earlier post http://grimmly2007.blogspot.jp/2012/05/balasahibs-original-1928-suya-namaskar.html ). And that it was Krishnamacharya's young student Pattabhi Jois (said to have been asked to teach a three or four year course at the Sanskrit college) who added the Surya namaskara's to the beginning of the practice of the asana we find in Krishnamacharya's table of asana (Yogasanagalu (Mysore 1941). That Surya namaskara practice, along with practicing Krishnamacharya's table as fixed series rather than flexible groups that constituted Pattabhi Jois' main contribution to the formation of Ashtanga Vinyasa. I was mistaken, T.R.S. SHARMA is clear, Surya namaskara WAS important for Krishnamacharya. After their inclusion we are free to choose our practice, as well as to innovate, what is appropriate for us that morning.  This of course ties in with how Krishnamacharya continued to teach throughout his life, how Ramaswami , who encountered Krishnamacharya soon after the later left Mysore, presents his studies with his teacher.

Note: As much as I love and respect Manju, I strongly disagree with him here when he argues in the movie that it was his father Pattabhi Jois who researched and constructed the sequences of asana that make up Ashtanga Vinyasa. We have Krishnamacharya's table of asana in his Yogasanagalu (Mysore 1941) 
http://grimmly2007.blogspot.jp/p/yogasanagalu-translation-project.html, the first two series of Ashtanga closely follow the layout of asana in the table, with only minor reordering. The difference, as T.R.S. Sharma points out, is that for Krishnamacharya the practice of the asana was flexible, for Pattabhi Jois more fixed (See this recent post http://grimmly2007.blogspot.jp/2017/09/manju-jois-new-workshop-video-q-and.html). 

Manju stresses that there were originally only three series, Primary, Intermediate and Advanced, I would argue that it is with the advanced asana that Pattabhi Jois had the most input, arranging Krishnamacharya's jumble of proficient group asana into first one series 'Advanced', then two, 'Advanced A and B' and then finally four advanced series 3rd to 6th series (note: We can see most of the Advanced asana found in Ashtanga's 3rd to 6th series demonstrated by Iyengar in the 1938 documentary footage of Krishnamacharya, his family and students).

Of course Pattabhi Jois also mentioned that advanced asana were merely for demonstration, just as Krishnamacharya had suggested they were unnecessary for most but that some should practice them if only for the sake of preservation.

Ashtanga Vinyasa, it's origin and continuation is but one part of the story the documentary Mysore Yoga Traditions has to tell, I strongly recommend watching it, it is no coincidence that Ashtanga vinyasa evolved in Mysore, this is a city that has a long tradition of of investigating, preserving and teaching the history of yoga and it's texts through, among others, the venerable institution of the Sanskrit college and Mysore library.

Below. the trailer for the movie along with some info from the website and some more clips, the 

Mysore Yoga Traditions Official Trailer from Dallos Paz on Vimeo.


"Mysore Yoga Traditions! It is a tale to tell. Our original intention was to make a film about the life and teachings of our teacher Sri BNS Iyengar in honor of his 90th birthday. I had been asking for 3 years. But at the last moment, he changed his mind and flatly refused. An important part of his teachings has always been about rejecting fame and fortune, self-promotion and the egotism that goes with it. We knew better than to press the issue. But we went to Mysore anyway to see Guruji and see what would happen with the documentary idea. What happened totally blew our minds! Through luck, chance, good fortune and the tireless efforts of Kanchan Mala we were able to interview Her Royal Highness Sri Satya Pramoda Devi, the Queen of Mysore, as well as Bhashyam Iyengar, the principal of the Maharaja's Sanskrit College in Mysore (the college where Krishnamacharya and Pattabhi Jois taught) several of the professors there including MA Alwar, Gangadhar Bhat, Satya Nariana, Jayashree and Narasimhan of the Ananta Research Institute,TRS Sharma, Yamini Muthana, Sri Laxmi Thathachar the President of the Samskrti Institute, and many others. Guruji finally agreed to an interview in the end - he just didn't want to make a documentary only about himself. Becuase of this our documentary broadened exponentially and we owe it all to him! That level of detachment is why we call him Guruji.


What we came up with was a deep look into the yoga tradition in Mysore, how it has evolved and the philosophy that it rests upon. Our documentary will be an unbiased collection of statements from the intellectual community in Mysore about how they see their own yoga tradition. We were able to ask the questions that have always been in the back of our minds such as....How old is the Ashtanga Vinyasa Yoga we are practicing in the west today and how did it evolve into it's current state? How do they feel about the idea that western exercise systems have influenced it? And how do they feel about the way yoga is being taught and practiced around the world today, among many other topics.

We left Mysore with our hearts full and tears in our eyes at the warmth, generosity, astounding level of knowledge, and deep sincerity of the great men and women we interviewed. We are extremely grateful to all of them! These interviews could never have happened without the help of Kanchan Mala who worked tirelessly to arrange them and convinced people who normally would never be interested in such things to give us interviews.

Also, I have to express my deep gratitude to Dallos Paz, our video man, Joey Paz who did nearly all of the long tedious job of transcribing these interviews, Kelly O'Roke who has been extremely generous and took so many amazing still shots, and Bryce Delbridge who supported all of us with utmost sincerity. Without these beautiful souls, this documentary could never have taken place".


MYSORE



Pattabhi Jois: Asthanga finds its Way to the West

Sri K. Pattabhi Jois was certainly the person who communicated Ashtanga Vinyasa Yoga to the west. Without even speaking English fluently, he managed to create huge enthusiasm and dedication in his students. In my eyes, he was a creative genius. He systematized the asanas in a way that made sense and that many people could practice and memorize. To this day, his sequencing and approach is very influential in many forms of yoga throughout the world. His method of teaching turned out some of the finest western practitioners ever, and really ignited a fire in many people. And true to his culture, the way all good Indian teachers do, Sri K. Pattabhi Jois handed all the credit back to his teacher and the tradition that he came from. He never said a word about any of his own contributions.
I think that is where the confusion comes in. He insisted that yoga is ancient, that he was teaching a good method, and that his students should stick to it. What’s wrong with that? There is a lot of humbleness and dedication expressed there. To me, it is endearing! Especially in the yoga scene of today where everyone is trying so hard to think of any possible new twist to put on yoga. The moment anyone thinks of a good idea to add to yoga, they will usually try to brand it, copyright it, and take it to the bank! We have every kind of yoga imaginable now. We are so attached to the material aspects of the practice that we miss the point of the whole thing. We bicker and quarrel about asana sequences that are very modern in light of yoga’s long history, and fail to see the deep, beautiful community and culture that gave them to us.
 “Before practice the theory is useless, and after practice the theory is obvious.”
Theory and practice: “Before practice the theory is useless, and after practice the theory is obvious.”
Never changed anything: Why does every teacher insist on having been giving precisely this sequence from his teacher, who received it from his teacher (and from his teacher and from his teacher…)?

Not every teacher does. My teacher, Sri BNS Iyengar, who just turned 90, teaches a slightly different sequence of Ashtanga Vinyasa Yoga. He can be very innovative when working with advanced students. In fact, no two teachers teach every nuance of yoga exactly the same. No matter how hard we try, it is impossible. I think there is a good reason for fixed sequences. Having an underlying system in common is a brilliant thing and has had a very positive impact on yoga, in my view. The fixed sequences are like the scales a classically trained musician must learn. Anyone trained in the Ashtanga sequences of Sri K. Pattabhi Jois or Sri BNS Iyengar has a particular grace and competency gained through repetition of movement that is very noticeable. I think Sri K. Pattabhi Jois may have made a bigger contribution than anyone else in this regard. When the sequences are fixed, the practice becomes much more concentrated and the standard goes up exponentially.
So in my view, the asanas we are practicing do come from a long tradition. And the yoga community  they come from is very old indeed. They just happen to be a little more recently formatted than we would have liked to think. Yoga has been around forever and taken many forms.







Appendix


Here are some screenshots of the scene with T.R.S. SHARMA quoted above.










A short introduction to TRS Sharma from a recent workshop


"Ashtanga Yoga Studio is very honored to host a Skype lecture with TRS Sharma! This is an amazing opportunity to hear the thoughts and views of someone who studied extensively with T. Krishnamacharya during his early days in Mysore. TRS Sharma began to practice yoga with Krishnamacharya at the age of 12. Krishnamacharya is considered by many to be the father of modern yoga. Mr. Sharma grew up in the heart of the yoga tradition in Mysore. He comes from a long line of Sanskrit scholars and priests. Experts are now saying that at least half of the yoga postures practiced outside of India have been directly influenced by Krishnamacharya. Because he was educated in America, Mr. Sharma has a unique insight a very articulate view of how yoga has unfolded into Western culture. Mr. Sharma is particularly interested in the way Indian and Western culture have blended together, and the parallels as well as the stark differences in our views. He will be speaking about the history of the yoga we are practicing today, as well as the cultural and philosophical background that it has come from. There will be time for questions and answers at the end.
Have you have ever been curious about the origins yoga we are practicing today? Just who are the keepers of this knowledge? What do they think about the way we practice yoga today? Mysore holds those secrets. This is a rare and special opportunity!
Everyone is welcome!"

https://www.ashtangayoga.info/ashtangayoga/tradition/170314-tradition-vs-innovation/


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More photos from the Life magazine photo shoot, see this post for the full series of photos of Krishnamacharya's students. http://grimmly2007.blogspot.jp/2017/02/krishnamacharyas-mysore-yoga-students.html

Set 3
T R S Sharma

Note: TRS Sharma is interviewed in the upcoming documentary 
'The Mysore Yoga Tradition', see at 1:48 in the movie's trailer 
at the end of post.




 



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How to handstand - Simon Borg-Olivier

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A good friend recently asked me about handstands.

Simon Borg-Olivier - lifting to handstand

Handstands aren't something I tend to engage in much these days. Personally, lolasana and my shoulderstand and headstand variations feel quite sufficient ( I should probably practice forearm stand more often). That said, Jessica Walden's videos of slow, seemingly effortless floating up into handstand on the breath as well as equally slowly lowering into postures fills me with awe. I can see the point of exploring them.

On Simon's online courses, his excellent Fundamentals course as well as the superb Yoga Therapy course I'm currently following, he mentions (and includes video of) handstands and how to approach them through diaphragmatic breathing, "a firm but calm", seemingly effortless lift into handstand. I've tried it and it's true, even with my lack of arm balances and loss of arm and shoulder strength of late I was able to pretty much float up.

Yogasynergy Fundamentals course
https://yogasynergy.com/online-courses/advanced-yoga-fundamentals-essentials-teaching-yoga/

Yogasynergy Yoga Therapy course (note in the context of the Yoga Therapy course, Simon is discussing breathing into the abdomen, the handstand demonstration is more an illustration
Video 70: Case study – Lower back and sacroiliac joint pain 3.
In this section, Simon explains how to release a stiff and painful lower back by breathing into the abdomen, and how to stimulate the sympathetic and parasympathetic nervous system
to help the healing process.

Quote from the video
Simon: "Did I ask you to lift up to handstand?
Attendee: "(with the biggest grin) It just happened naturally.... because I was pushing down..."

Direction
Simon: "Put the hands on the floor, bring the shoulders forward, push the sitting bones down, lift the top of the hips up, bend less at the hips, lift the ribs up, bend more at the spine, push the belly button down, push down on my hands (simon has his hands beneath her belly), push down on my hands, push down on my hands from there (L5), push the sitting bones down, top of the hips up, push the belly button down, now breathe in.....(and up she goes)".


https://yogasynergy.com/online-courses/yoga-therapy-therapeutic-applications-posture-movement-breathing/

Here then is as much as Simon's presentation of his approach as I can find freely available, outside his course, on Youtube and his blog, I hope it helps.


Demonstration

This is a similar demonstration to the one I've described above from the Yoga therapy course





Prerequisites

See this post on pre-requisites for headstand

http://simonborgolivier.com/pre-requisites-headstand/


"To be adequately prepared for the Headstand (Sirsasana) you have to have first mastered  the ‘Shoulderstand posture’ (Salamba sarvangâsana). To be adequately prepared for the ‘Shoulderstand posture’ (Salamba sarvangâsana) and variations of the ‘Plough posture’ (Halâsana) the following postures should have been mastered first:

‘Legs up the wall posture’ (Salamba urdhva prasarita padâsana)
‘Unsupported arms-up bridge posture’ (Niralamba urdhva hasta setu bandhâsana)
‘Back-spinal-lengthening forward-bending posture’ (Pascimotanâsana)
‘Toes-to-floor unsupported half sit-up two-knees-to-chest posture’ (Padangustha niralamba uttana supta pavan muktâsana)
‘Front-spinal-lengthening backward-bending posture’ (Purvotanâsana)

Also to be safe to be able to do headstand I believe it is important to recognise that in many more traditional sequences, such as the ashtanga vinyasa sequences  taught by Sri K Pattabhi Jois (Guruji), headstand was taught last, and one thing that Guruji was very big on was that you should not attempt any posture in his sequence till the ones before that posture were mastered. Hence to really be safe in headstand (sirsasana) you should first have mastered shoulder stand (sarvangasaana), and to be safe in shoulder stand you need to have mastered full forward bends and backbending postures too. In fact to be really fair one needs to acknowledge that the first postures in a sequence like the ashtanga vinyasa practices taught by Sri K Pattabhi Jois are those in the Salute to the Sun (surya namaskar) and the third posture is the preparation to a handstand (lolasana) that comes just before the smooth transition to the ‘push up’ posture (chataranga dandasaana). Lolasana is fact such an important posture that it should in fact be practiced twice for every vinyasa (‘up-dog’ to ‘down-dog movement) in the traditional series of ashtanga vinyasa yoga. Hence, I believe  it is therefore fair to say that a really important pre-requisite of being able to do a safe headstand is lolasana, and if for some reason the wrists are not able to do this arm balancing posture then at least you should be able to have the abdominal (core) control to do similar supine postures such as a half-situp (similar to ardha navasana in BKS Iyengar’s ‘Light on Yoga’)"



Hand, harm, shoulder stability


Simple Tips to help to Arm Balancing Postures and Push-up positions: from this post

https://yogasynergy.com/tips-for-developing-arm-and-core-strength-for-arm-balancing-postures-and-push-up-positions/

(note that every position that takes weight on the arms has specific details that may not be mentioned here)

- have the palms flat on the floor but grip with your finger tips
- press more on the inside (thumb-side) of the palms for better force transfer from the forearms to the wrists
- squeeze the heel of the palm inwards (as if trying to turn the palm out) in order to stabilise the elbow
- tighten the underarm muscles by pressing the arm pits in the direction they are pointing
- generally bring the shoulders over the over the finger tips (for most arm balances)
- spread the shoulder blades and lengthen the skin between the shoulder blades in the upper back
- push the sitting bones and lower trunk toward the same direction the navel is pointing until the front of the abdomen becomes firm without sucking the navel to the spine
- breathe into the firm abdomen to give you relaxed inner power that can be maintained for a long time without stress
- don’t do anything that feels painful or is potentially dangerous for you


Instruction


How to lift to handstand

See this post




from the notes
"The same principle is used in things like handstands. So if I bring my arms up in the air initially and lengthen the spine, slightly extending the spine as well, and then bring my hands to the floor, as I moving towards the floor I am pushing the hips forward throughout. I lean onto the hands and lift the head up. Lifting the upper back and pushing the sitting bones towards the hands firms the front of the abdomen. Simply breathing into my abdomen (firmed by posture), or rather breathing with my diaphragm into the abdomen causes an increase in the intra-abdominal and intra-thoracic pressure which straight away puts strength into my arms. Here I simply breathe into the abdomen as my legs are lifting and the instant strength comes to the body. It doesn’t feel like a strain to lift the body. Whereas you can lift up to a handstand with just brute force.

A lot of weightlifters will do lifting exercises using what’s called a Valsalva manoeuvre. Where you make an in-breath then hold the breath and then tense all the muscles of exhalation. In so doing you also increase intra-abdominal and intra-thoracic pressure and intra-cranial pressure as well. This gives you more strength in the arms but the problem is that a weightlifters blood pressure has been shown to go up from a normal level of 120/70 to extreme levels of 380/360. And so there’s a risk then that if you use the Valsalva manoeuvre for strength exercises such as lifting weights or handstands that you risk bursting a blood vessel in your head, or your heart, have a heart attack or a stroke and just increase a lot of stress at the same time. So the trick is to remain very calm and breathe with your diaphragm into an abdomen firmed by posture (as opposed to tension)."


Explanation

see this post




from the notes

"USING YOUR BREATH WITH STHIRA SUKHAM ASANAM (TO BE FIRM BUT CALM)

Of course you can get away with doing this if you harden the abdomen with the muscles of exhalation. So if I breathe in here [See demonstration of breathing into the abdomen], and then exhale gently and relaxed as I’ve done there [See demonstration of relaxed exhalation] with the abdomen soft the lungs are not fully empty. Also, to exhale fully you are required to tighten the muscles of exhalation. These are circular muscles that go all around the bottom of the trunk. So you see my fingers in my abdomen now, if I tighten my exhalation muscles, the trunk moves inwards away from my fingers. So it’s like I’ve wrapped a belt around my lower waist. This gives a certain amount of abdominal firmness and protects my back if I’m doing a lifting exercise or a straining or stretching exercise.
But the problem is because I’ve used the muscles of exhalation to tighten my abdomen that straight away reciprocally relaxes or inhibits the main muscles of inhalation which is the diaphragm. So it means then with the diaphragm inhibited there is an inhibition of the organs that the diaphragm helps to control and stimulate, including the reproductive system, the immune system, and the digestive system.
Also with these belt muscles contracted and pulling the whole spine inwards it blocks the energy and information from the trunk to the legs. So then to pump the blood to the legs the heart has to work a lot harder, the lungs have to work a lot harder. So, the movements that I am trying to do should not have to tighten all of these things if I want to stay calm. In the Hatha Yoga tradition of India there is only one description of physical exercise. It’s only one sentence. It says “Sthiram Sukham Asanam”. It means physical exercise should be with firmness but with calmness. It’s learning how to do stressful things in a relaxing way. So to protect the back I need to be firm. But to keep calm diaphragmatic breathing and stimulation of the para-sympathetic nervous system is important. The funny thing is that once you learn this you will not only be protected but it will give you tremendous strength. So if someone is just tightening the abdomen like this [See demonstration of pulling the abdomen inwards] they cannot breathe from their diaphragm. So, then what tends to happen is that their chest expands. When the chest expands it makes the body weaker. If the abdomen expands it also makes the body weaker. So when you see adept practitioners of eastern forms of exercise including the Chinese Martial Arts or the Indian Hatha Yoga – there’s also Indian Martial Arts and Chinese Yoga as well, but they all relate – you never see adept practitioners expand their abdomen or their chest. You can use the analogy of the balloon which a child blows up as opposed to the tyre of a car, when you blow a balloon up it gets bigger but the walls actually get thinner and less strong. Whereas when you add more air to a car tyre the walls don’t get any larger but actually the more air coming into the tyre allows it to become much stronger. So you can actually put a ten tonne truck on a hard walled tyre filled with air but something which expands like a balloon will just burst if you put more air into it. So the chest and the abdomen are the same. An in-breath which expands the chest will only make the spine weaker. An in-breath which expands the abdomen will only make you weaker. So in the Martial Arts, in Hatha Yoga it’s always said that you should breathe diaphragmatically but with firmness. So if I breathe diaphragmatically standing normally the abdomen puffs out. But if all I do is push the sitting bones forward the front of the abdomen automatically goes firm and the sides are relaxed. Then if I breathe into the abdomen it doesn’t move but because it’s a diaphragmatic breath I stay calm".


Appendix

A couple of old posts on handstands

Handstand in the old text Yogāsana-Jaina

Updated draft: Handstands, backbends and Saganaki in Rethymno - Pattabhi Jois led handstands and Derek Irelands handstand after every 2nd series asana.


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